If you’d asked me last December about the shape of the year to come, in books or in broader strokes, I couldn’t have begun to predict it. In fact, you did ask me — or rather, The Millions did: my last “Year in Reading,” which I wrote towards end of my first term of a master’s degree, made pretty specific predictions about the months to come:
I’m here at University College London to study the digital humanities, so that’s a broad and varied body of literature, the history of mark-up and theories on user-centered design and Nicholas Carr’s The Shallows: What the Internet Is Doing to Our Brains. All of that will be the story of next year’s reading.
Yeah…almost. To be fair, I did spend a good portion of 2014 completing coursework, doing research, and writing a dissertation; I was awarded my MA a few weeks back. I read plenty for the dissertation, but I won’t be offering up a UX reading list (…perhaps to your relief?). I have a long history of looking back and marveling at the certainty of my past self, particularly when my old predictions have failed to come to fruition. This time last year, I saw a path for the future, albeit a shaky one; I couldn’t have predicted an alternative fork, one the seeds of which were planted right around the time I filed that piece, when I received an email from the BBC offering me a press ticket to the premiere of the new season of my favorite show in the world, Sherlock.
I began my year in reading with Sir Arthur Conan Doyle. I’d been in the Sherlock fandom for nearly a year at that point — it’s why I tried so hard to get into the premiere — but 2014 was the year I started talking about it. Publicly, I mean: first in a piece contextualizing the show and the public’s reaction alongside the late Victorian public’s reaction, working my way through the 60 stories and some contemporary criticism. Then I published what I called a “B-side” — one in which I fully owned my fannish interest in the show and the canon. I’d written things over the years that hinted at being in various fandoms, at reading fanfiction, at my dedication to participatory media consumption, at having spent a possibly unhealthy amount of time thinking about the minutiae of Harry Potter. In this piece, finally, I went for broke: I called it “Fangirl,” and I laid it all out there. “I obsess,” I wrote. “I’ve always obsessed.”
That piece set me down a new path — and it shaped what I would read and write about for the bulk of the year. The initial response was a little overwhelming: I’d put something of my true self out there and assumed the worst, somewhere between indifference and mocking, but instead I found so many people that connected with it, that felt it articulated something in their own lives. I made a whole bunch of new internet friends. Soon I was writing about fan stuff for the New Statesman — part of my plan, I joked, to infiltrate Britain (via the media) from within. (Didn’t do much good, since I’m down to a matter of weeks in the country.) I presented pieces on being a fan at a few academic conferences. By the middle of the year, I was asked to write a regular column on fan culture in the NS. It’s strange and new for me, to have a beat, a broad theme around which a lot of my writing centers. But I’ve been a fan for a few decades now; it’s a joy to write about a topic that’s getting such mainstream recognition — and, haltingly, even some respect.
Last December I envisioned the coming year as one of focused reading, and in a way, I was right — I just couldn’t have predicted the focus. There was Anne Jamison’s wonderful Fic: Why Fanfiction is Taking Over the World — I loved it so much I fangirled at her, and then we fangirled at each other. There was Fandom at the Crossroads: Celebration, Shame and Fan/Producer Relationships by Lynn Zubernis and Katherine Larsen, a fascinating book that illuminates so many shifting dynamics in media and culture right now. I checked out the work of Henry Jenkins, one of the most prominent fan studies scholars: I used his Convergence Culture in my dissertation and Textual Poachers to inform my professional writing. I fell in love with Rainbow Rowell’s Fangirl (and then, unsurprisingly, Eleanor and Park) — and then I fell in love with her Twitter account. I met Erin Clairborne when we were on a panel together at the Nine Worlds convention here in London over the summer, and I just finished her totally fantastic debut novel, A Hero at the End of the World, the first title from the Big Bang Press, which sources writers from fandom to pen original works. And fittingly, since I started the year with Sherlock Holmes, I’m ending with him, too: I just started reading In the Company of Sherlock Holmes, a new volume of collected short stories inspired by the Holmes canon, which I plan to write about in conjunction with the new Holmes exhibition at the Museum of London.
But I’d be remiss if I didn’t put my money where my mouth is: the books I read this year were great, but then, so was the fanfiction. Over the years I’ve been asked if I’ve read anything good lately, and I’ve always bitten my tongue: I often have, but it’s not “real literature,” after all, but rather some 30-chapter masterpiece that someone has penned for free — for the love of the source material. I’m kind of done glossing over this major part of my reading life: for every good novel I read this year, I read a fantastic novel-length fic as well. And I’ve reveled at the very real shift I’ve seen in the past year: for every person who asks me what fanfiction is at a party, another leans in and says, “So…do you have any stories to recommend?”
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