Before we get into it—and by “it” I mean forthcoming titles by Alexandra Chang, Annie Ernaux, Jon Fosse, Ross Gay, Werner Herzog, Karl Ove Knausgaard, Benjamin Labatut, Jhumpa Lahiri, Yiyun Li, John McPhee, Marie NDiaye, Viet Thanh Nguyen, Sigrid Nunez, Joyce Carol Oates, Zadie Smith, Tracy K. Smith, Gay Talese, Jesmyn Ward, Bryan Washington, Colson Whitehead, Diane Williams, Banana Yoshimoto, C Pam Zhang, Babs herself, and many, many more—a quick note.
While we’re highly selective about what makes it into our biannual previews, we know the sheer number of books here (171, to be exact) can be overwhelming, so for our 2023B list we’ve added tags for readers to more quickly distinguish fiction and nonfiction titles. In the future, we can also add more specific tags to distinguish, say, novels and story collections, memoirs and essay collections—if this would be helpful, do let us know!
And though we do our best to strike a balance between being both curated and comprehensive, we’re bound to miss a few books, not to mention the new titles that are being announced every day. We encourage you to check out our monthly previews for the most up-to-date lists of our most-anticipated fiction and nonfiction titles, and if you’re looking for our most-anticipated poetry collections, be sure to check our our quarterly poetry roundups.
Last but not least, if you like what we do, and want us to keep doing it sans paywall, consider making a one-time contribution or becoming a sustaining member today. By some miracle, The Millions has been around for 20 years—we’d like to be around for 20 more (or even just through the end of the year).
Without further ado, it’s my privilege and pleasure to present our Great 2023B Book Preview.
—Sophia Stewart, editor
July
The Light Room
by Kate Zambreno [NF]
Zambreno—whose previous books include To Write as If Already Dead, Screen Tests, Drifts, and Heroines, all strange and mesmerizing and very good—chronicles her life as the mother of two young daughters amid the pandemic in her latest. As she teeters between exhaustion and transcendence, she finds inspiration in everything from her children’s toys to the work of Natalia Ginzburg. Annie Ernaux counts herself as a big Zambreno stan—need I say more? —Sophia M. Stewart
How We Do It: Black Writers on Craft, Practice, and Skill
, edited by Jericho Brown and Darlene Taylor [NF]
Edited by Pulitzer-winning poet Jericho Brown, this anthology features literary titans (and personal faves) Nikki Giovanni, Natasha Trethewey, Rita Dove, and Jamaica Kincaid, among many, many others, to offer a curated, comprehensive look at what it means to be a Black writer today and how Blackness can inform the craft and practice of writing. —SMS
In the Act
by Rachel Ingalls [F]
In this witty, darkly comedic story, a housewife named Helen uncovers a secret her husband keeps locked in the attic. The reveal is too good to spoil, but let’s just say deranged hilarity ensues. No one straddles the line between playful and macabre quite like Ingalls (perhaps best known for her 1982 novel Mrs. Caliban, about a lonely housewife who finds companionship in a sea monster named Larry), who always, in the words of critic Lidija Haas, “leaves readers to wonder, of her spouses and siblings, who might push whom off a cliff.” —SMS
Promise
by Rachel Eliza Griffiths [F]
Griffiths, a decorated poet, debuts as a novelist with this tale of two Black sisters growing up in New England amid the Civil Rights movement. Blurbed by Jacqueline Woodson and Marlon James, who calls it a “magical, magnificent novel,” Promise explores sisterhood, resistance, and everyday acts of heroism with a poetic sensibility. —Lauren Frank
Zero-Sum by Joyce Carol Oates [F]
The prolific author and goated tweeter is back with brutally dark story collection, centering on erotic obsession, thwarted idealism, and the lure of self-destruction. The cast of characters include high school girls out for vengeance on sexual predators, a philosophy student bent on seducing her mentor, and a young woman morbidly fascinated by motherhood. Always one to wade into The Discourse, JCO pulls no punches here, touching every nerve she can manage. You can’t help but respect it. —SMS
All-Night Pharmacy
by Ruth Madievsky [F]
Madievsky’s electric debut—pitched as Rachel Kushner meets David Lynch—follows an unnamed narrator who is torn between her obsession with her older sister Debbie and her desire to get clean. When Debbie vanishes, our narrator embarks on a kaleidoscopic journey of sex, power, and mysticism. All-Night Pharmacy counts among its fans Kristen Arnett, Isle McElroy, and Jean Kyoung Frazier, who calls the book “a black hole, a force so lively, unfiltered, and pure that you won’t mind being sucked in headfirst.” —Liv Albright
Thunderclap
by Laura Cumming [NF]
Art critic and historian Cumming zeroes in on a decisive moment in art history: a massive explosion at a Dutch gunpowder shop that killed the painter of The Goldfinch and almost killed Johannes Vermeer. Thunderclap blends memoir, biography, and history to explore one of art’s most fertile periods and probe the intersections of art, memory, and desire. —LF
Wittgenstein’s Mistress
by David Markson [F]
Reissued by the extremely cool Dalkey Archive, Markson’s 1988 novel—hailed by DFW himself as “a work of genius”—is a philosophical, experimental, and truly wild journey into the mind, narrated by a woman who is convinced that she is the last person on earth. One of the more daunting entries on this list, yes, but also one of the most fascinating. —SMS
Tabula Rasa: Vol. 1
by John McPhee [NF]
McPhee looks back on his seven-decade career by reflecting on all the people, places, and things he had planned to write about but never got around to. As with any retrospective by a literary icon, there’s lots of quality tea in here, from a frosty encounter with Thorton Wilder to how he convinced The New Yorker to publish an entire book on oranges. A curio cabinet of treasures. —SMS
Sucker
by Daniel Hornsby [F]
This book was pitched to me as Succession meets Bad Blood meets vampires—a high-risk combination, narratively speaking, but undeniably tempting. Hornsby’s sophomore effort, after the 2020 novel Via Negativa, is undeniably of the moment and sounds like just the sort of biting satire (I’m so sorry) that a lot of us could stand to sink our teeth into (seriously, like, so sorry) right now. —SMS
Elsewhere: Stories
by Yan Ge [F]
Over two decades, Ge, a fiction writer who works in both Chinese and English, has written 13 books in Chinese, several of them translated into English. With Elsewhere, she makes her English-language debut. This will be Anglophone readers’ first encounter with Ge as a short-story writer (a form she has lots of experience with; she published her first book—a short story collection—at 17), and if her novels are any indication, we’re in for a treat. —LF
My Husband
by Maud Ventura, translated by Emma Ramadan [F]
A woman besotted with an apparently perfect man who does not return her affections—let’s just say this one… resonates. The debut novel from France’s Maud Ventura, this psychological thriller, a la Gillian Flynn, follows a wife whose passion for her husband, and tests of his love for her, threatens to tear her marriage apart. A delicious addition to the relationship-suspense genre. —SMS
After the Funeral
by Tessa Hadley [F]
The latest collection from Hadley, a master at capturing the emotional gradations of domestic life, comprises 12 characteristically astute stories about the ties that bind. Colm Tóibín counts himself as a Hadley stan, and Lily King calls this, Hadley’s twelfth book and fourth story collection, “pure magic.” —LF
Strip Tees
by Kate Flannery [F]
Flannery’s memoir, set in mid-aughts Los Angeles, centers on the author’s stint at American Apparel at the height of the indie sleaze. A record of a bygone era and a bildungsroman about work and sex, the cover alone has me yearning for the days of skater dresses and disco shorts—were we ever so young? —SMS
Small Worlds
by Caleb Azumah Nelson [F]
In the follow-up to his hit debut novel Open Water, beloved by the likes of Katie Kitamura and Nana Kwame Adjei-Brenyah, Nelson introduces three young Londoners on the cusp of adulthood and the major life changes it brings. Moving from London to Accra and back again, the novel’s scale is both intimate and international, anchored by a timeless story of friendship and growing up. —LF
How Can I Help You
by Laura Sims [F]
Wanting to escape her mysterious past, Margo Finch changes her name and accepts a library job, which she hopes will mask her penchant for violence. But her plan is upended when a dead body shows up in the library bathroom. Mona Awad calls this “a compulsive and unforgettable novel” that is “reminiscent of Shirley Jackson at her eerie best.” —LA
I Meant It Once
by Kate Doyle [F]
Doyle’s debut story collection plumbs the inner lives of young women faced with the uncertainty, nostalgia, and romantic tribulations that are part and parcel of being alive in your twenties. This one is pitched for readers of Batuman, Moshfegh, and Lockwood—a holy trinity of sharp, searching female characters. Say no more. —SMS
Crook Manifesto
by Colson Whitehead [F]
Whitehead continues his saga of late-20th-century Harlem (beginning with 2021’s Harlem Shuffle) with a portrait of the seedy, exuberant world of 1970s New York. The novel takes us to the set of a Blaxploitation set, a standoff between the NYPD and the Black Liberation Army, a bitter Bicentennial celebration—a rich imagining of an inimitable time and place, by one of New York’s best. —SMS
Every Rising Sun
by Jamila Ahmed [F]
Ahmed’s debut reimagines One Thousand and One Nights by placing its narrator, Scheherazade, at the center of the story. Crafted over 14 years of writing and research, offers a new take on 13th-century folktales, celebrating the richness of the medieval Islamic world while finding fresh and even feminist significance in Scheherazade’s voice. Also, that cover—whew! —SMS
Country of the Blind
by Andrew Leland [NF]
I’ll cut to the chase—this the best book I’ve read this year and also one of the best books I’ve ever read in my life. No descriptor feels capacious enough: an intellectually rigorous memoir, a moving cultural history, an brilliant study of blindness, disability, and adaptation. My love and admiration for this book know no bounds, and I’m beyond excited for the new era in disability writing that its publication portends. Shoutout to one of my favorite living writers and thinkers Chloé Cooper Jones, whose blurb made me pick this book up and subsequently changed my life. —SMS
Succession Scripts 1, 2, & 3
by Jesse Armstrong et al [F]
My deep love for Succession stems mostly from its utterly brilliant dialogue—slippery and evasive, gestural and oblique, and a showcase for the most remarkable diction I’ve ever seen on TV. Nobody writes like Jesse Armstrong and his writer’s room, and with the way the medium is headed I doubt anyone ever will again. This is mandatory reading for Succession fans, aspiring screenwriters, and anyone who loves good TV. —SMS
Gwen John by Alice Foster [NF]
I first discovered John’s work in Celia Paul‘s gorgeous memoir Letters to Gwen John, and she’s been one of my favorite artists ever since. Foster’s study of John’s life and work—the first critical, illustrated biography of the early-twentieth-century painter—is a well-researched account and beautiful tribute to a brilliant and complicated woman artist who has long languished on the margins of art history. —SMS
Contradiction Days
by JoAnna Novak [NF]
Creatively blocked and uneasy with her newly pregnant body, Novak becomes obsessed with painter Agnes Martin. In her debut memoir, she wrestles in real-time with Martin’s remarkable body of work, which provides her with a new framework to engage with her changing body, creative impulses, and impending motherhood. Billed for readers of Rachel Cusk and Maggie Nelson, Contradiction Days explores the thorny intersections of art, obligation, and womanhood. —LA
Someone Who Isn’t Me by Geoff Rickly [F]
Rickly’s debut novel follows a man seeking psychedelic treatment for heroin addiction in Mexico, and is based on the author’s own experience doing the same. Chelsea Hodson literally founded her own press just to publish this book, so it’s gotta be bonkers good. Not to mention both Hanif Abdurraqib and Gerard Way are blurbers—the definition of an iconic duo. —SMS
Pleasure of Thinking
by Wang Xiaobo, translated by Yan Yan [NF]
Collecting the essays of one of the foremost Chinese intellectuals of the 1990s, Pleasure of Thinking highlights Xiaobo’s remarkable versatility as a critic and thinker. From essays on Calvino and Hemingway, to anecdotes about getting mugged and how shitty American food is, this yet-untranslated collection has it all. —LF
August
Time’s Mouth
by Edan Lepucki [F]
The latest from Lepucki (a Millions alum!) is a quintessentially California novel, spanning the dense forests of Santa Cruz and the urban sprawl of Los Angeles. Centering on Ursa, who can (sort of) time travel and is drawn early on into an all-women cult (I’m listening), Time’s Mouth wrestles with memory, inheritance, and whether we can ever be extricated from our past. —SMS
Mobility
by Lydia Kiesling [F]
The sophomore novel by Kiesling (another Millions alum!) is a story of class, power, and climate change, as well as American complicity and inertia. Kiesling is one of the best writers working today, and the Namwali Serpell calls this latest book a “deeply engrossing and politically astute tale,” so this one is especially hotly anticipated over at Millions HQ (by which I mean me). —SMS
Owner of a Lonely Heart by Beth Nguyen [NF]
This, by Nguyen, is a somewhat meta masterclass in memoir-writing: attuned to the inherent ethical dilemmas that come with writing creative nonfiction, the lapses in memory and changes in perspective, the subjective narration through which reality is filtered. I had the pleasure of speaking to Nguyen about the book a few months ago, and her command of her craft is undeniable—and on full display in her latest. —SMS
Tom Lake
by Ann Patchett [F]
If anyone can pull off an actually-good pandemic novel, it’s Patchett. Tom Lake centers on a mother and her three daughters, cooped up at home in early 2020, as the mother tells the story of a famous actor with whom she once shared the stage—and a bed. It’s strange to think that our parents were people before we were born, and Patchett’s latest covers that fertile narrative ground with aplomb. —LF
Anansi’s Gold
by Yepoka Yeebo [NF]
In her first book, Yeebo chases an infamous Ghanian conman, John Ackah Blay-Miezah, who pulled off one of the 20th century’s longest-running frauds, living in luxury, fooling everyone, and making millions, all while evading the FBI for years. How long until this book becomes an HBO miniseries starring Isiah Whitlock Jr.? Only time will tell. —SMS
Witness
by Jamel Brinkley [F]
Brinkley is one of the best writers of short fiction around right now, with Yiyun Li comparing him to “iconic short-story writers [like] Edward P. Jones and Mavis Gallant.” His sophomore collection, following 2018’s Lucky Man, comprises 10 stories about life, death, and city-dwelling. I’ll read anything FSG publishes anyway, but Witness in particular looks like a real gem. —SMS
The Plague by Jacqueline Rose [NF]
Rose, also the author of On Violence and On Violence Against Women, refracts the experience of the pandemic through the work of Camus, Freud, and Simone Weil, using their politics and private griefs as windows into our present moment. A slim volume that, knowing Rose, will have some serious intellectual heft. —SMS
Dark Days
by Roger Reeves [NF]
In his nonfiction debut, poet Roger Reeves combines memoir, theory, and criticism to study race, freedom, and literature. Cathy Park Hong praises Reeves’s “dazzling intellect” whose insights “have truly changed my way of thinking”—I can’t think of a more ringing endorsement from a more reputable endorser. —SMS
Family Lore by Elizabeth Acevedo [F]
Acevedo, who won the National Book Award for her YA novel-in-verse The Poet X, makes her adult debut with this novel of sisterhood, inheritance, and diaspora. The story centers on the women of one Dominican American family who discover secrets that bind them to one another. Kiese Laymon, one of our greatest living writers, calls this one “perfectly crafted and tightly drawn,” adding: “This is how stories should be made.” —SMS
The Men Can’t Be Saved
by Ben Purkert [F]
In his debut novel, Purkert asks: What do our jobs do to our souls? Ignoring how upsettingly close to home this question hits, this book sounds like a knockout, following a junior copywriter who is let go from his job but can’t seem to let go of his job. Purket chips away at the ugly, entwined hearts of masculinity and capitalism in what Clint Smith called “a phenomenal debut novel by one of my favorite writers.” —SMS
Pulling the Chariot of the Sun
by Shane McCrae [NF]
McCrae, a decorated poet, recounts being kidnapped from his Black father by his white supremacist maternal grandparents. His heritage hidden, memories distorted, and life carefully controlled, McCrae’s painful childhood allow allows him insights into the racial wounds and violence that permeate this country. A stirring, harrowing personal narrative and cultural indictment. —LF
The Apology
by Jimin Han [F]
I’ve been curious about Han’s multigenerational saga ever since Alexander Chee shouted it out in his 2022 Year in Reading entry. So I’ll give Chee the floor: “Han’s novel, set in Korea and America, is about an ajumma who is determined to keep taking care of her family from beyond the grave, whether they want her to or not. It’s also a great novel to read if you ever wanted, say, more novels from Iris Murdoch (I am like this).” —SMS
Hangman
by Maya Binyam [F]
Binyam, a contributing editor at The Paris Review, makes her debut with a strange and searching novel about exile, diaspora, and the quest for Black refuge in the U.S. and beyond. Tavi Gevinson and Maaza Mengiste gave this one lots of love, and Namwali Serpell hails Hangman as a “strikingly masterful debut” that is “clean, sharp, piercing.” —LF
Tomb Sweeping
by Alexandra Chang [F]
Chang follows up her much-loved debut novel Days of Distraction with a story collection that spans the U.S. and Asia, chronicling the lives of immigrant families and expectant parents, housewives and grocery clerks, strangers and neighbors and more. Jason Mott and Raven Leilani both blurbed, but what takes the cake is the endorsement from George Saunders, who calls Chang “a riveting and exciting presence in our literature.” —LF
The Visionaries
by Wolfram Eilenberger [NF]
De Beauvoir. Arendt. Weil. Rand. These four philosophers are the subjects of Eilenberger’s ambitious group biography and intellectual history, rooted in these women’s parallel ideas and intersecting lives, both of which were largely shaped by WWII. I’ve long been fascinated by each of these thinkers separately, and I can’t wait to see how Eilenberger synthesizes their philosophies and probes the connections between them. —SMS
How to Care for a Human Girl
by Ashley Wurzbacher [F]
Wurzbacher’s debut novel follows two sisters who become unexpectedly pregnant—and simultaneously have to decide whether or not they will see those pregnancies through. Wurzbacher, also the author of the story collection Happy Like This, explores “the battle between the head, the heart, and the body” that all women experience, in the words of Michelle Hart, positing that “even in the grips of indecision women must get to decide their own lives.” —LA
Liquid Snakes
by Stephen Kearse [F]
In his second novel, Kearse poses a timely question: What if toxic pollution traveled up the socioeconomic ladder rather than down it? Mourning his stillborn daughter, killed by toxins planted in Black neighborhoods by the government, one man decides to take justice into his own hands. Hannah Gold calls this “a brilliant novel that manages to be, among other things, a pharmacological thriller and an incisive meditation on the poison-pen letter.” —SMS
I Hear You’re Rich
by Diane Williams [F]
In her latest collection, Williams, the godmother of flash fiction, delivers 33 short stories that offer glimpses into the mundane and exhilarating beauty of everyday life. Lydia Davis and Merve Emre (who once called Williams “the writer who saved my life—or my soul, if one believes such a thing exists”) count themselves as megafans, and for good reason. —Daniella Fishman
Thin Skin
by Jenn Shapland [NF]
Shapland’s first book, My Autobiography of Carson McCullers, was stellar, and her latest, an essay collection on capitalism’s creep into our bodies, minds, and land, looks great. Shapland is especially attuned to the porousness that characterizes modern life, having been diagnosed with extreme dermatologic sensitivity—literal thin skin. Alexander Chee calls this a “wrenching, loving, and trenchant examination” of everything from healthcare and nuclear weapons to queerness and feminism. —SMS
August Wilson: A Life
by Patti Hartigan [NF]
Not only is this the first authoritative biography of Wilson—its author actually knew the influential playwright, interviewing him many times before his death in 2005. Hartigan, an award-winning theater critic and art reporter, doesn’t just recount Wilson’s life but analyzes his work, studying his use of history, memory, and vernacular in such indelible plays as Fences and Ma Rainey’s Black Bottom. A much-needed record of Wilson’s life and work that will help secure his legacy and introduce him to future generations. —LF
The Quickening
by Elizabeth Rush [NF]
In this follow-up to the Pulitzer-nominated Rising, Rush watches the world melt. Chronicling a months-long journey to the Thwaites glacier in Antarctica, she and a group of scientists study how climate change is changing our planet—and what this means for our future. But she’s also thinking about her own future: she wants to become a mother. But is it ethical to bring a kid into the world right now? This, and many other salient questions, propel the book. —SMS
The Marriage Question
by Clare Carlisle [NF]
We all know Eliot as a genius novelist—but what about as a formidable philosophical mind? In a new study of the Middlemarch author, Carlisle tries to deliver a fuller portrait of Eliot as a woman and a thinker, for whom the question of marriage was particularly salient to her life and work. Carlisle, a brilliant philosophical mind herself, is perfectly matched to her subject here. The kind of book you savor page by page. —SMS
Las Madres by Esmeralda Santiago [F]
The author of the iconic 1993 autobiography When I Was Puerto Rican returns with a novel that moves between Puerto Rico and the Bronx, centering on two generations of women: close-knit group who call themselves “las Madres,” beginning in the 1970s, and their daughters, in present day. Santiago has made her name shining a light on Puerto Rican and Nuyorican life through both nonfiction and fiction, with this latest novel continuing that project.
Bee Sting
by Paul Murray [F]
Perhaps best known for his 2010 tragicomic novel Skippy Dies, Murray returns with a story of family, fortune, and what it means—or whether it’s even possible—to be a good person amid societal upheaval (or collapse, depending on how you look at it). As four members of a fairly ordinary family come up against twists of fate in various and sometimes life-changing ways, Murray chronicles their diverging trajectories in what Emily Temple calls “cool-water prose mixed with his trademark wry darkness.” —SMS
Daughter of the Dragon
by Yunte Huang [NF]
As a lover of Old Hollywood, I practically lept out of my seat when mention of this biography began circulating among my fellow cinephiles. Huang dazzles with a modern reevaluation of the life and career of Hollywood’s first Chinese-American film star, Anna May Wong, detailing the all too common racism, sexism, and ageism that ran rampant through Hollywood (and still does, for that matter). Unsurprisingly, that story is brimming with juicy tidbits, like the fact that both Walter Benjamin and Marlene Detrich harbored massive crushes on Wong. —DF
Surreal Spaces
by Joanna Moorhead [NF]
In this illustrated biography, the brilliant artist and writer Leonora Carrington—a Surrealist practitioner and vanguard among women painters—finally gets her due. Her fiction (beloved by everyone from Luis Buñel to Sheila Heti) has been resurrected thanks to the valiant efforts of the New York Review of Books and its Dorothy Project, and with this biography published by Princeton UP, her equally dramatic life story will have its moment in the sun too. —SMS
Wifedom
by Anna Funder [NF]
The lives of literary wives have come under renewed scrutiny in reason years, and thank goodness for that. (See: Vera Nabokov, Nora Joyce, every woman in Carmela Ciuraru‘s Lives of the Wives.) So I’m thrilled to see Eileen O’Shaughnessy emerge from the shadows in Wifedom, which reveals the integral part she played in husband George Orwell‘s work, as well as her own merit as a writer. Funder asks: Are the roles of wife and writer forever at odds? —SMS
Holler, Child
by LaToya Watkins [F]
Following up her debut novel Perish, Watkins delivers an 11-story collection that foregrounds the family and turns on loss, hope, reconciliation, and freedom. Per Deesha Philyaw, “Every story, every character, every line of LaToya Watkins’s Holler, Child is a revelation.” As is most of what Watkins writes—be sure to check out this stunning essay she wrote for us just last year. —LF
Dialogue with a Somnambulist
by Chloe Aridjis [NF/F]
Come and take a lap with Aridjis, most recently the author of Sea Monsters, as she guides us through this murky daydream of a book. In this collection of stories and essays, Aridjis’s muses are both quotidian and uncanny: a plastic bag drifting through the wind (a la Katy Perry), a sea-monkey-eating grandma, astronauts in existential crisis. Interested yet? Well, try this on for size—the Deborah Levy calls the book an assortment of “sublime treasures from one of our boldest writers.” —DF
Every Drop Is a Man’s Nightmare
by Megan Kamalei Kakimoto [F]
Per Elizabeth McCracken, this one is “a knockout. 11 knockouts, one KO for every story.” (Man, she’s good at blurbing.) Indeed Kakimoto’s debut collection tells 11 stories of contemporary Hawaiian identity, mythology, and womanhood. Unruly sexuality, generational memory, and the ghosts of colonization collide in what promises to be an auspicious short-fiction debut. —SMS
Terrace Story
by Hilary Leichter [F]
Based on her award-winning story in Harper’s Magazine, Leichter’s second novel centers on a family who discovers a beautiful terrace hidden in their closet—and must contend with the repercussions of their discovery. In Terrace Story, blurbed and beloved by Jessamine Chan and Hernan Diaz, Leichter asks: How can we possibly nurture love with death always hanging overhead? —LF
September
My Work
by Olga Ravn, translated by Sophia Hersi Smith and Jennifer Russell [F]
I’ve been a fan of Ravn’s since I read her bleak, brilliant sci-fi novella The Employees, translated by Martin Aitken. Her latest, My Work, explores childbirth and motherhood by mixing different literary forms—fiction, essay, poetry, memoir, letters—with her signature experimental flair. I’m especially interested to read Ravn via Smith and Russell, who together have previously translated Tove Ditlevsen. —SMS
The Fraud
by Zadie Smith [F]
Smith returns with her first novel since 2016’s Swing Time. Her first work of historical fiction, The Fraud, is set against a real legal trial over the inheritance of a sizable estate that divided Victorian England and, in the story, captivates the Scottish housekeeper of a famous novelist. Smith probes questions of truth and self-deception, fraudulence and authenticity, and what it means for something to be “real.” —LF
Wednesday’s Child
by Yiyun Li [F]
Li’s been the sort of fiction writer other writers talk about over a few rounds with not-so-hushed awe since her first story collection hit shelves in 2005 and The New Yorker figured out that pretty much any piece she turned in was worth printing. She’s mostly known as a top-notch novelist now, but this return to short fiction—her first collection in 13 years!—should remind those not already passing copies of The Vagrants along to their friends like they’re introductory leaflets to some secret society why they fell in love with Li in the first place. —Allen Charles
I’m a Fan
by Sheena Patel [F]
Patel’s debut is one of the first great social media novels (along, perhaps, with Patricia Lockwood‘s No One Is Talking About This). A bold, electric, and ruthless tale of sex, class, status, obsession, self-destruction, and the worst parts of being online, all told from the perspective of a beguiling unnamed narrator involved in a troubled romance, Rachel Yoder calls I’m a Fan “a scathing ode to the psychos and shitheads.” —SMS
End Credits
by Patty Lin [NF]
Lin, a former writer for Desperate Housewives, Breaking Bad, Freaks and Geeks, and Friends, recounts her tumultuous years in Hollywood as not only the sole woman in the writer’s room, but the only Asian person as well. At a moment of reckoning for the entertainment industry (see: Maureen Ryan‘s Burn It Down), Lin’s memoir of ambition, power, and sacrifice couldn’t come at a better time. —SMS
Creep
by Myriam Gurba [NF]
Gurba first captivated the literary world with her scathing essay on American Dirt, which was among first of what would soon be a tsunami of takedowns. In her equally ruthless and razor-sharp essay collection, Gurba considers the idea of “creeps”—both the noun and the verb—as an illuminating instrument for her cultural criticism. The blurber roster is astonishing and includes Luis Alberto Urrea, Imani Perry, Morgan Jerkins, and Rachel Kushner, who writes, “I loved Creep and already consider it essential reading, a California classic.” —SMS
Do You Remember Being Born?
by Sean Michaels [F]
First off, can we hear a little commotion for the cover? I mean—stun-ning. But as for what’s inside: Michaels’s disturbingly topical novel follows an aging poet who agrees to collaborate with a Big Tech company’s poetry AI named Charlotte. I’m very much looking forward to this study of the intersections of art, labor, capital, and creativity—a book that I wish wasn’t as timely and relevant as it is. —SMS
Idlewild
by James Frankie Thomas [F]
I first encountered Thomas as a critic via his wry and razor-sharp review of the recent 1776 revival. So I’m excited to read his debut novel, the story of two estranged friends looking back on their formative years at a small Quaker high school in early-aughts lower Manhattan. Sarah Thankam Mathews and Kiley Reid both loved this one, and Pulitzer winner Paul Harding gave it a hearty “Bravo.” —SMS
Rouge by Mona Awad [F]
The latest from Awad, the author of the hit 2020 novel Bunny, is pitched as Snow White meets Eyes Wide Shut—a horror-tinted gothic fairy tale about a lonely dress store clerk whose mother’s sudden death sends her in obsessive search of youth and beauty. Mary Karr herself says that she “couldn’t put it down.” —LF
The Devil of the Provinces
by Juan Cárdenas, translated by Lizzie Davis [F]
In this tale of a son’s peculiar homecoming, Cárdenas (author of the fantastic 2015 novella Ornamental) mystifies with the story of a crime like no other. After 15 years away from home, a biologist returns to his Colombian village only to find it strikingly different from when he last left it. Amid a tangled web of conspiracy, nothing is as it seems. What happens, Cárdenas asks, when you get stuck in the one place to which you swore you’d never return? —DF
The Young Man
by Annie Ernaux, translated by Alison Strayer [NF]
In the Nobel winner’s latest, Ernaux reflects on an affair she had with a man in his twenties when she was in her fifties. The romance foregrounds various contradictions: why can men have younger lovers, but not women? How is it that Ernaux feels both aware of her age and ageless in the presence of her paramour? It’s a blessing, really, that there is still more Ernaux for Anglophone readers to discover and savor (even if the French did get to read this one a year ahead of us). —SMS
Daughter
by Claudia Dey [F]
Dey’s latest novel, after 2018’s Heartbreaker, centers on a woman and her one-hit-wonder novelist father. Living in his shadow and caught in his orbit, she strives to make a life—and art—of her own. Raven Leilani and Miriam Toews are both fans, and Sheila Heti praises Dey for capturing “feelings and struggles I haven’t encountered in other novels. I loved this beautiful book.” —LF
Glitter and Concrete
by Elyssa Maxx Goodman [NF]
From the Jazz Age to Drag Race, journalist and drag historian Goodman offers a timely Technicolor history of drag in New York City and the role it’s played in both queer culture and urban life. Noted New Yorker (and excellent writer) Ada Calhoun calls this a “glamorous, giddy history” and “a love letter to New York City past and present.” —SMS
Why Willie Mae Thornton Matters
by Lynnée Denise [NF]
Thornton is one of the most important figures in the history of rock and roll, yet she’s been largely excised from our cultural memory. Denise offers a desperately-needed corrective in this volume about the art, life, and legacy of Thornton, whose song “Hound Dog” (later recorded by Elvis) changed the course of American music. A standout installment in the University of Texas Press’s always great Music Matters series. —SMS
How I Won a Nobel Prize
by Julius Taranto [F]
In Taranto’s debut novel, a grad student follows her disgraced mentor—a star professor embroiled in a sex scandal—to a university that is a safe harbor for scholars of ill repute. A crisis that tests her commitment, marriage, and conscience ensues. Jonathan Lethem calls this one work by “a stunning new talent, announcing itself fully formed”—indeed, a premise like this takes both deftness and confidence to pull off. Sounds like Taranto pulls it off and then some. —SMS
Coleman Hill by Kim Coleman Foote [F]
Foote’s debut traces the entwined fates of two families during the Great Migration in a work of “biomythography,” a term coined by Audre Lorde. Andrew Sean Greer calls this, the inaugural title published by Sarah Jessica Parker‘s imprint, a “masterpiece” and Jacqueline Woodson says, “Once in a while, a writer comes along with a brilliance that stops the breath—Kim Coleman Foote is that writer.”
Glossy
by Marisa Meltzer [NF]
Cards on the table: I am, as the kids say, a Glossier girlie. But one need not be to pick up Glossy, a bombshell exposé and study of corporate feminism that reveals for the first time what exactly has gone down at Glossier under the leadership of Emily Weiss, who stepped down last year. If you don’t believe me, take Tina Brown‘s word for it; she calls this a book “the portrait of a female CEO we’ve been sorely lacking.” —SMS
The Vaster Wilds
by Lauren Groff [F]
Groff follows up her 2021 novel Matrix with another work of historical fiction, trading her 12th-century monastery for a Jamestown-esque colonial settlement. When a servant girl escapes to the wilderness, she’s forced to rethink the laws of civilization and colonialism that she’s internalized. Part-adventure, part-fable, classic Groff. —LF
Doppelganger
by Naomi Klein [NF]
The impetus for this book is actually kinda funny—Klein, upset that she keeps getting confused with the respected-feminist-writer-turned-ostracized-conspiracy-theorist Naomi Wolf, looked into the nature of digital doppelgängers. But that led her down a far more fruitful and fascinating path toward questions of identity, psychology, democracy, communication in the modern age, and, ultimately, this book. And it’s Judith Butler-approved to boot! —SMS
The Heaven & Earth Grocery Store by James McBride [F]
McBride appears incapable of writing a book that’s not a massive success. Following Deacon King Kong (an Oprah’s Book Club pick), The Good Lord Bird (a National Book Award winner), and The Color of Water (which has sold more than 2.1 million copies worldwide), one wonders if McBride was at all daunted by his own track record when he started work on The Heaven & Earth Grocery Store, a novel about the entwined destinies of people living on the margins of a small Pennsylvania town in 1972. Either way, he has yet to miss, so his latest will surely be another triumph.
Sing a Black Girl’s Song
by Ntozake Shange, edited by Imani Perry [NF]
This posthumous collection of unpublished work by the visionary Shange, edited by Imani Perry and with a foreword by Tarana Burke, introduces readers to never-before-seen essays, plays, and poems by the foundational writer behind the paradigm-shifting 1975 play for colored girls who considered suicide/when the rainbow was enuf. Shange, who died in 2018, was an intellectual giant, in conversation with writers like Morrison and Walker, who never quite got her due in life. —SMS
Betty Friedan: Magnificent Disrupter
by Rachel Shteir [NF]
Friedan‘s legacy is complicated and sometimes contradictory, and in the first biography of Friedan in more than 20 years, Shteir tries to capture her subject in all her (often frustrating) complexity. A myopic and mercurial crusader, whose devotion was sincere and priorities warped, Friedan deserves a biography that can capture her fullness. And with her rigorous research, interviews, and archival dives, Shteir looks up to the task. —SMS
Candelaria
by Melissa Lozada-Oliva [F]
Lozada-Oliva’s follow-up to her wonderful novel-in-verse Dreaming of You was pitched to me as Julia Alvarez’s How the Garcia Girls Lost Their Accents meets Cormac McCarthy’s The Road. Needless to say, it got my attention. Cults, earthquakes, and a mysterious buffet inside a mall pepper the daunting journey that one woman must take to save her granddaughters and possibly the world. —SMS
Wild Girls
by Tiya Miles [NF]
Miles, a brilliant historian and author of the National Book Award-winning All That She Carried, looks at trailblazing women throughout U.S. history, from Harriet Tubman to Louisa May Alcott to Dolores Huerta, to consider how their girlhood experiences outdoors shaped their lives and work. Miles is a wonderful writer, rigorous researcher, and visionary scholar, and here she takes a totally unique (and characteristically ingenious) perspective on how the natural world influenced many of our most consequential women thinkers and leaders. —SMS
The Book of (More) Delights
by Ross Gay [NF]
Gay is back with a follow-up to his tender and uplifting 2019 book The Book of Delights. I’m admittedly curious to see what other delights he could possibly have in store—the first book was a perfect little gem that didn’t exactly demand a sequel—but I trust Gay completely as both a charming prose stylist, a seasoned practitioner of noticing, and a keen observer of the quotidian joys that are all around us. —SMS
Bartleby and Me
by Gay Talese [NF]
Sixty years ago, Talese wrote in Esquire that “New York is a city of things unnoticed.” He spent the next six decades doing quite a bit of noticing, chronicling the people (and places and moments) that make the city what it is. In his latest, he remembers the “nobodies” that he’s profiled over the course of his career, the cast of characters perhaps who are not as recognizable as, say, Sinatra or Ali, but nevertheless essential threads in our cultural fabric. —SMS
The Wren, the Wren
by Anne Enright [F]
Enright, best known for her 2007 Booker Prize-winning novel The Gathering, follows three generations of women who contend with their inheritances from one man—a celebrated Irish poet—that continue to shape their lives. A women-centered family portrait punctuated with lyrical poems, Sally Rooney calls The Wren, The Wren “a magnificent novel.” —LF
The Wolves of Eternity
by Karl Ove Knausgaard, translated by Martin Aitken [F]
Knausgaard returns with another dazzling tome on the human condition, narrated from the dual perspectives of long-lost siblings struggling with the timeless conundrum of responsibility vs. self-actualization. Here Knausgaard fashions his own theories of what it is to love, to lose, to live, and be part of a family. Patricia Lockwood says it best: “Just as we begin to wonder where he is taking us, whether he is capable, he gets us there.” —DF
Lies and Sorcery
by Elsa Morante, translated by Jenny McPhee [F]
Admittedly, I hadn’t heard of the Italian novelist Elsa Morante until I read Carmela Ciuraru‘s delicious group biography Lives of the Wives. I’ve been wanting to read Morante’s sprawling, 800-page magnum opus Lies and Sorcery, now reissued by that most prodigious reissuer NYRB, ever since. Natalia Ginzburg once called Morante the writer of her generation that she admired most, and in Ginzburg we trust. —SMS
Wandering Through Life
by Donna Leon [NF]
Leon’s Commissario Brunetti books—a Venice-set mystery series with 31 installments (so far)—made her a literary legend. But she’s largely stayed out of the spotlight—until now. In her eighties, Leon looks back on her own adventurous life, traveling the world, settling in Italy, and discovering her passion and aptitude for writing. I’ll be honest, the cover alone sold me here—this is exactly what I want to look when I’m 80: sunglasses, bob, blazer, blindingly cool. You just know she’s got some good stories in her bandoleer. —SMS
50 Years of Ms.
edited by Katherine Spillar, foreword by Gloria Steinem [NF]
When it launched in 1971, Ms. Magazine was one of the most radical publications on the market, broaching subjects that had long been kept out of popular discourse. With Steinem at its helm, the feminist magazine was essential reading for the era of women’s liberation. This collection of mag’s best writing includes work by Toni Morrison, Joy Harjo, Audre Lorde, bell hooks, Allison Bechdel, and many more. Essential reading for anyone looking to understand the radical roots of mainstream feminism. —SMS
Recital of the Dark Verses
by Luis Felipe Fabre, translated by Heather Cleary [F]
Translated by the great Heather Cleary, the debut novel by Fabre made waves in Mexico, earning him the prestigious Elena Poniatowska Prize. (By the way, if you haven’t read Poniatowska, read Poniatowska.) Based on the true story of the theft of the body of Saint John of the Cross from a monastery in Ubeda. Part road-trip novel, part coming-of-age tale, part slapstick comedy, Recital of the Dark Verses is bound to make a splash with Anglophone readers. —SMS
Love in a Time of Hate by Florian Illies, translated by Simon Pare [NF]
Surely there’s nothing like a book about a bevy of emotionally damaged creative geniuses staring down what must have seemed to them like the end of the world to rile up the sort of lit dork who’s made it this far down this list. This one seems promising, cramming practically every pre-war fave, problematic or no—Sartre and de Beauvoir! Dietrich and Nabokov! Arendt and Benjamin! Dalí and Picasso!—into a history of artists caught between financial collapse and rising fascist violence. Anyway, sound familiar? —AC
Land of Milk and Honey
by C Pam Zhang [F]
The followup to Zhang’s debut novel How Much of These Hills Is Gold considers the ethics of seeking pleasure against the backdrop of a world in disarray. As environmental catastrophe looms, a chef escapes the city to take a job in an idyllic mountaintop colony, where nothing is as it seems. Among the novel’s fans are Raven Leilani, Roxane Gay, and Gabrielle Zevin, who declares, “It’s rare to read anything that feels this unique.” —LF
Jane Campion on Jane Campion
by Michel Ciment [NF]
I’ll just let Harvey Keitel blurb this one: “Jane Campion is a goddess, and it’s difficult for a mere mortal to talk about a goddess. I fear being struck by lightning bolts.” —SMS
People Collide
by Isle McElroy [F]
McElroy’s sophomore novel, which comes on the heels of their debut The Atmospherians, chronicles a husband and wife who switch bodies, only for one of them to disappear without a trace. A fresh take on a classic trope, propelling this speculative story is the question of how this metamorphosis could transform their fraught union. Torrey Peters writes, “I predict Isle McElroy’s People Collide will inaugurate an entire genre.” —LF
This Is Salvaged
by Vauhini Vara [F]
Vara’s story collection, which follows her Pulitzer-nominated debut novel The Immortal King Rao, examines human relationships and our intrinsic yearning for connection. The book’s all-star roster of blurbers includes Deesha Philyaw, Danielle Evans, Elizabeth McCracken, and Lauren Groff, and Pulitzer winner Andrew Sean Greer says This is Salvaged is “for readers who need clarity and hope–that is to say: everybody.” —LA
The World According to Joan Didion
by Evelyn McDonnell [NF]
Since her death in late 2021, Didion has been iconized (i.e. flattened, simplified) even more than she was in life. She was, of course, cold and beautiful and utterly California—but there was much more to her than that. So it’s reassuring to hear the brilliant Hua Hsu report that McDonnell’s new volume on Didion “avoids simple platitudes, approaching the great writer with a fierce, probing intelligence.” Didion deserves no less. —SMS
Catland 
by Kathryn Hughes [NF]
Against the backdrop of the twentieth-century cat craze, Hughes documents the life of artist Louis Wain, whose human-like illustrations of cats prompted an explosion of interest in feline houseguests across society. Despite his whimsical art, Wain’s own life was steeped in adversity, and he was eventually diagnosed with schizophrenia, which may have played a role in his work. An accomplished academic, Hughes enlivens this history of the nation’s first brush with catmania. —LA
American Gun
by Cameron McWhirter and Zusha Elinson [F]
With mass shootings now endemic to American life, two veteran Wall Street Journal journalists look at one of the most common culprits—the AR-15—to figure out how we got here. Tracing the weapon’s history and embrace by the gun industry, the duo reveals the various financial, political, and cultural interests at play in the horrific assent of a killing machine. Esteemed MLK biographer Jonathan Eig calls this “social history at its finest.” —SMS
Undiscovered by Gabriela Wiener, translated by Julia Sanches [F]
In this work of autofiction, Weiner—a respected Peruvian journalist and writer—considers the legacy of imperialism through one woman’s family ties to both the colonized and colonizers. A study of the intersections of the personal and historical, violence and race, love and desire, I think/hope Undiscovered will be Weiner’s breakthrough moment for Anglophone readers—the blurb from Valeria Luiselli is certainly a good sign. —SMS
The Iliad by Homer, translated by Emily Wilson [F]
Wilson made waves in 2017 as the first woman to publish an English-language translation of The Odyssey, with its controversial opening line: “Tell me about a complicated man.” She’s been outspoken about the role her womanhood does and doesn’t play in translating, telling the LA Review of Books, “The stylistic and hermeneutic choices I make as a translator aren’t predetermined by my gender identity.” Still, there’s something exciting about experiencing Homer via a woman’s translation, which until now had not even been an option for Anglophone readers. I’m looking forward to Wilson’s take on The Iliad. —SMS
October
The Apple in the Dark
by Clarice Lispector, translated by Benjamin Moser [F]
Of all the incredible things she wrote, Lispector considered her 1961 novel The Apples in the Dark “the best one.” This reissue, translated as always by Moser, concludes New Directions’ ambitious—and wildly successful—mission to retranslate all her fiction and reintroduce the innovative, enigmatic, and enthrallingly glamorous Brazilian writer to an Anglophone audience. A fitting capstone to a remarkable publishing endeavor. —SMS
How to Say Babylon
by Safiya Sinclair [NF]
Tracing the arc of her rigid Rastafarian upbringing, Sinclair—an accomplished poet—chronicles how she found her voice as a woman and a writer. Among the book’s fans are such literary giants as Marlon James, Natasha Trethewey, and Imani Perry, who places Sinclair in “the pantheon of great writers of the Caribbean literary tradition,” alongside Edwidge Danticat and Jamaica Kincaid. —LF
The Loneliness Files
by Athena Dixon [NF]
Dixon’s memoir-in-essays was acquired by Tin House editor-at-large Hanif Aburraqib, which is one of the best endorsements I can imagine. Chronicling the days of a child-free middle-aged woman living alone, The Loneliness Files considers how it feels to be a body behind a screen, and what it means to fall through the cracks of connective technology. The rare exploration of internet existence that sounds like it has something urgent to say. —SMS
Company
by Shannon Sanders [F]
At the center of Sanders’s debut is the Collins family, whose members and acquaintances are the recurring cast of this collection’s 13 stories. In each story, a guest arrives at someone’s home—sometimes invited, sometimes unexpected—and some conflict emerges. It’s a great premise for a collection, as master short-fictioneer Deesha Philyaw can attest: “Shannon Sanders’s stories simply blew me away.” —LF
The Premonition
by Banana Yoshimoto, translated by Asa Yoneda [F]
An instant bestseller in Japan when it was first published in 1988, The Premonition follows a young woman from an apparently loving family who is nagged by the feeling that she’s forgotten something important from her childhood. Yoshimoto is one of Japan’s most celebrated writers, and it’s thrilling to see her now dazzle Anglophone readers, including Ling Ma, who says, “Reading Banana Yoshimoto is like taking a bracing, cleansing bath.” —LF
The Maniac
by Benjamin Labatut [F]
Labatut is best known for his 2021 gripping book When We Cease to Understand the World and also this incredible interview with Public Books. His latest undertaking, The Maniac, centers on the life and legacy of Hungarian polymath John von Neumann, who invented game theory and the first programmable computer. Like When We Cease, The Maniac audaciously collides fact and fiction. —SMS
Let Us Descend
by Jesmyn Ward [F]
A new Jesmyn Ward book is always an event. The two-time National Book Award winner returns with her fourth novel, the story of Annis, an enslaved girl sold south by the white enslaver who fathered her. We follow her on her miles-long march as she recalls the stories and memories that are her inheritance, and attunes herself to the natural world and spiritual realm that surrounds her. Pitched as Ward’s “most magnificent novel yet,” I can’t wait to find out for myself. —LF
Extremely Online
by Taylor Lorenz [NF]
Do you ever find yourself using TikTok slang unironically, or referring to yourself (perhaps derogatorily) as “chronically online”? Well, Taylor Lorenz has the book for you! The acclaimed and oft-controversial WaPo reporter makes her literary debut with a comprehensive mapping of the internet’s history. From social to economic influences, Lorenz shows us the good, the bad, and the ugly of the World Wide Web and how it’s evolved since its humble inception. A mammoth task to be sure—but if anyone is up to the challenge, it’s Lorenz. —DF
Nefando by Mónica Ojeda, translated by Sarah Booker [F]
The author-translator duo behind the much-loved and much-decorated National Book Award finalist Jawbone returns with a techno-horror story of six young artists in Barcelona, each of them somehow connected to Nefando, a controversial and mysterious video game that challenges their identities and their consciences. With characteristic daring, Ojeda explores the entangled physical and virtual spaces we all inhabit, whether we like it or not. —SMS
A Man of Two Faces
by Viet Thanh Nguyen [NF]
In his first memoir, the Pulitzer-winning novelist explores the themes that have always informed his writing—refugeehood and colonization, history and memory—through a newly personal lens. The book has gotten lots of love from Cathy Park Hong, Laila Lalami, and Gina Apostol, and Susan Straight raves that it “belongs with James Baldwin, Claude Brown, Maxine Hong Kingston, and other writers whose memoirs take apart ‘the American Dream’ with laser precision.” —LF
The Beauty of Light
by Etel Adnan and Laure Adler, translated by Ethen Mitchell [NF]
In this slim volume of interviews, some of the last ones of Adnan’s life, journalist Laure Adler talks with the poet and painter about her creative process, belief in beauty, and destiny as an artist. Adnan, who died in 2021, is an effervescent presence on the page and in conversation, doling out profound insights with ease, candor, and generosity. —SMS
Fire in the Canyon by Daniel Gumbiner [F]
Gumbiner’s sophomore effort has got Californian literary royalty from Claire Vaye Watkins to Tommy Orange to Dave Eggers heaping on the praise, with the latter even calling him “a sort of 21st century Steinbeck.” Fire in the Canyon, about a grape grower and his family whose crops and lives are devastated by wildfire, does seem to take a leaf from the Steinbeck vine. —AC
The Halt During the Chase by Rosemary Tonks [F]
Praise be to New Directions for reissuing Tonks’s cult classic some 50 years after its publication. Set in high-society England, The Halt During the Chase evolves into a poignant criticism of love and marriage in the modern age, as well as what it means to fight for your individuality in the face of oppression on the level of both socioeconomics and intimate relationships. Nobody writes about angsty women like Tonks. —DF
Our Strangers by Lydia Davis [F]
Davis returns with a story collection written with her characteristic wit and dazzling prose. In an extremely badass move against the corporate monopoly on bookselling, Davis will not be selling the book via Amazon, releasing it only in physical bookshops and select online outlets such as Bookshop.org. (This is also the first-ever title published by Bookshop.org.) Parul Sehgal once called Davis “our [modern] Vermeer, patiently observing and chronicling daily life but from angles odd and askew”—it doesn’t get much better than that. —DF
Is There God After Prince?
by Peter Coviello [NF]
Coviello navigates the current “Age of Lost Things,” a world obsessed with nostalgia for the past and the impending disaster of the future. Exploring our yearning for entertainment amid turmoil, Coviello examines how art’s meaning transforms alongside us. The Sopranos, Gladys Knight, Sally Rooney, The Shining, Joni Mitchell, Paula Fox, Steely Dan—no piece of culture evades his gaze. Through the lens of what Coviello calls “enstrickenness,” he wonders: Is there genuine hope to be found through sentimentality? —DF
Every Man for Himself and God Against All by Werner Herzog, translated by Michael Hofmann [NF]
With Cormac McCarthy now one with that Cimmerian empyrean through whose inky waters no helmsman has yet steered and returned, Herzog may be our greatest living witness of the beauty beside the bleak. If not, he’s certainly the most widest-ranging—who else has made such compelling films about conquistadors, cave paintings, and equally murderous Renaissance composers and Alaskan bear populations, let alone made a convincing (sorta) cop of Nick Cage? Who knows what he’ll say about all that in a memoir, but whatever it is, it’s probably weird enough to be worth reading. —AC
Bluebeard’s Castle
by Anna Biller [F]
From the filmmaker behind the excellent 2016 cult film The Love Witch comes a subversive, feminist gothic spin on the classic fairytale. In this version, Bluebeard is a handsome and charming baron, whose love transforms Judith, a successful, if sensitive, novelist, into a new woman. But as you might have guessed, all is not what it seems. A perfect literary debut for a one-of-a-kind filmmaker. And that cover! —SMS
Roman Stories
by Jhumpa Lahiri, translated by Jhumpa Lahiri and Todd Portnowitz [F]
I’ve long been fascinated by Lahiri’s work as a bilingual author and translator, writing in both her native English and her adopted language, Italian. In this new story collection, she translates herself. In collaboration with fellow translator (and Knopf editor) Todd Pornowitz, Lahiri welcomes Anglophone readers into these nine stories, originally written in Italian and lovingly set in Rome. A feat of both self-translation and collaborative translation—and a monument to the art of translation itself. —SMS
Family Meal
by Bryan Washington [F]
Washington can’t seem to miss—his first two books, Lot and Memorial were both critical darlings, and his new novel, about two young men and former best friends whose lives collide once again after an unmooring death, doesn’t look like it’ll be any different, brimming as it is with Washington’s signature motifs of food, love, and intimacy. “It takes a generous writer to show us the world in this way,” says Rumaan Alam, “and Bryan Washington is one of our best.” —LF
So Many People, Mariana
by Maria Judite de Carvalho, translated by Margaret Jull Costa [F]
Following her smart and scathing novel Empty Wardrobes, written in 1966 and published in translation by Two Lines in 2021, de Carvalho’s story collection about ordinary women struggling to find their purpose is yet another gift to Anglophone readers. In stark, unsentimental prose, the late Portuguese literary powerhouse studies class, society, and gender with surgical precision. Per Joyce Carol Oates: “There is no doubting the authenticity of Carvalho’s vision and the originality and severity of her voice.” —SMS
Her Side of the Story
by Alba de Céspedes, translated by Jill Foulston [F]
The late Cuban-Italian astonished Anglophone readers earlier this year with the sardonic and subversive Forbidden Notebook, translated by none other than Ann Goldstein, translator of Elena Ferrante (who counts de Céspedes as an inspiration). Now, Atra House has kindly blessed us with yet another de Céspedes novel, a tale of love and crime in fascist Italy, with an afterword by Ferrante herself. —SMS
Down the Drain
by Julia Fox [NF]
When I heard that Fox was coming out with a memoir, I had hoped it would be a highlight reel of her best TikTok story-times—but the real thing promises to be much juicier. Fox, known for her out-of-the-box style and no-fucks-given attitude, finally gives us the lowdown on her mysterious come-up, from her breakout role in Uncut Gems to her ill-advised fling with Ye. Will we be getting an eyeliner tutorial? Will Simon & Schuster stage a baby Birkin giveaway to promote the book? Time will tell. —DF
A Year and a Day
by Phillip Lopate [NF]
From one of the pioneers of the personal essay comes a new kind of experiment in creative nonfiction, for him at least: blogging. In 2016, Lopate committed to writing a weekly blog about whatever he felt like, and A Year and a Day compiles 47 of the resulting essays. Naturally, the topics range widely, from death and desire to James Baldwin and Agnes Martin. There is something wonderful about watching a total pro try something new—and Lopate, unsurprisingly, rises to his own challenge. —SMS
Big Fiction
by Dan Sinykin [NF]
It’s about time somebody held Big Publishing as accountable for the decades-long insipidification of American literary culture as, say, the Iowa Writers Workshop, and Sinykin seems as game as any. The past half-century of publishing history has been all about corporate conglomerates that have shepherded readers and writers alike into a future where the book as product is of more importance than literature as sociocultural lodestar. Will Sinykin’s analytical history make Dick Snyder shake in his grave? Doubtful, but here’s hoping. —AC
Mr. Texas
by Lawrence Wright [F]
Wright is one of our greatest (and one of my favorite) living nonfiction writers, combining in all his work masterful reportage with elegant prose. (See: The Looming Tower, Going Clear, The Plague Year, etc.) His latest novel (following his eerily prescient pandemic novel that came out… right before the pandemic) is a send-up of Texas politics, following a dark-horse candidate to risk it all for a seat in the Lone Star State’s House of Representatives. —SMS
Sonic Life: A Memoir
by Thurston Moore [NF]
The founding member of Sonic Youth chronicles his creative life, from his small-town teen years to his arrival to the late-seventies East Village to his role at the center of the No Wave scene with the formation of one of the most consequential bands in rock history. Colson Whitehead‘s blurb is so delightful that I’ll give it to you in full: “Downtown scientists rejoice! For Thurston Moore has unearthed the missing links, the sacred texts, the forgotten stories, and the secret maps of the lost golden age. This is history—scuffed, slightly bent, plenty noisy, and indispensable.” —SMS
The Life and Times of Hannah Crafts
by Gregg Hecimovich [NF]
In this groundbreaking study, Hecimovich solves the mystery of the identity of the first Black woman novelist whose book, The Bondwoman’s Narrative, first made waves in 2002, at which point her identity was unknown. Hecimovich’s account is at once a detective story, a literary chase, and a cultural history, shedding light not just on one trailblazing enslaved woman, but on the era that defined her life and erased her work. —LF
Jonathan Abernathy You Are Kind
by Molly McGhee [F]
McGhee’s debut novel follows a self-proclaimed loser—the titular Jonathan—who lands his dream job but is soon faced with a crisis of morality (and reality). Critiquing the crushing weight of debt, the porousness of life and work, the disappointments of late-stage capitalism, Jonathan Abernathy You Are Kind is pitched as “a debut novel for the modern working stiff.” —LF
Normal Women by Ainslie Hogarth [F]
Following her debut novel of feminist horror Motherthing, Hogarth’s latest explores motherhood from yet another angle, considering how women’s labor is (de)valued. When a new mother, once happy to stay at home, discovers an opportunity to do what looks like “meaningful” work, she jumps at it, only to become embroiled in a dangerous mystery. —LF
They Flew by Carlos Eire [NF]
The early modern era of European history is full of accounts of the impossible: people flying. Just as skepticism and empirical science had begun to supplant religious belief in the paranormal, tales of levitation, bilocation, and witchcraft began to emerge, reflecting conflicting ideas about the natural world and the rocky transition into the secular age. My girl St. Teresa of Avila is just one case study in Eire’s exquisite and relevant examination of reality and belief. —SMS
The Future Future
by Adam Thirlwell [F]
The scope of Thirlwell’s latest is sweeping, to put it mildly. It spans 1775 to this very moment, France and America and the Atlantic and the Pacific and also the moon. While we know the story centers on a young eighteenth-century French woman named Celine who finds herself slandered, the pitch for this one is admittedly vague. Not to worry—its star-studded lineup of blurbers includes Sheila Heti, Colm Tóibín, Salman Rushdie, and Edmund White, who calls the novel “so unthinkably original.” —LF
Tremor
by Teju Cole [F]
It’s been a dozen years since Open City, Cole’s his first novel to be published in the U.S., which he followed up with an essay collection and multiple volumes combining photography with criticism. He returns to the novel now with Tremor, about a West African man teaching photography at a celebrated New England school, which Katie Kitamura calls “an intimate novel about destabilization and catastrophe.” —AC
Thank You (Falettinme Be Mice Elf Again)
by Sly Stone [NF]
You couldn’t pick a more perfect inaugural title for Questlove’s new publishing imprint—a tell-all memoir by Sly Stone himself. For the first time ever, fans of Sly and the Family Stone can learn the band’s history straight from the source. With his trademark swagger and groove, Stone reflects on the allure of stardom and what happens when you get burned by the spotlight and traces his own evolution from enigmatic frontman to full-on pop-culture phenomenon. —DF
One Woman Show
by Christine Coulson [F]
The conceit of Coulson’s novel immediately got my attention: One Woman Show tells the story of a twentieth-century woman’s self-realization entirely through museum wall labels. Coulson herself spent 25 years writing for the Metropolitan Museum of Art, during which she dreamt of using the Met’s strict label format to capture people as works of art. If that doesn’t sell you, Maira Kalman herself is a fan of the book. “I read it in one fell swoop,” Kalman says. “It is brilliant.” —SMS
The Dictionary People
by Sarah Ogilvie [NF]
Linguist, lexicographer, technologist, and writer Ogilvie sheds light on the many far-flung volunteers who helped assemble the Oxford English Dictionary, which was the first of its kind. The identities of those volunteers may surprise you—they include three murderers, a noted pornography collector, and Karl Marx‘s daughter. Ogilvie uncovers the people and the work that went into defining the English language, word by word. —SMS
Vengeance is Mine
by Marie NDiaye, translated by Jordan Stump [F]
A new NDiaye novel is always an occasion. The French author—best known for 2009’s Three Strong Women, which made her the first Black woman to ever win the prestigious Prix Goncourt—returns with a tale of a horrific triple homicide that exhumes mysterious memories from a lawyer’s childhood. Tess Gunty reports being “hypnotized from the first word to the last”—as one is when reading NDiaye. —SMS
The Night Parade
by Jami Nakamura Lin [NF]
In this debut speculative memoir, Lin isn’t afraid of her demons. Diagnosed with bipolar disorder as a teenager, Lin struggled to manage her illness while caring for her cancer-stricken father. Unhappy with the rose-colored narratives about recovering from mental illness, she takes a different approach here, leaning into the darkness. Inspired by Japanese, Taiwanese, and Okinawan ghost stories, Lin blends memoir and horror—plus stunning illustrations—to consider what it means to coexist with anguish. —LA
Organ Meats
by K-Ming Chang [F]
Chang, the author of Gods of Want and Bestiary, weaves a novel full of ghosts and entrails, stray dogs and red string. When best friends Anita and Rainie encounter a lot of strays who can communicate with humans, the girls learn they are preceded by a generation of dog-headed women and women-headed dogs, and Anita convinces Rainie to become a dog with her; horror and beauty ensue. Now that’s a premise! —LF
Death Valley
by Melissa Broder [F]
Following up her hit novel Milk Fed, the ever-bold Broder takes readers along on one woman’s journey into the California high desert in this darkly comedic exploration of grief, illness, and womanhood, catalyzed by a mysterious succulent. Nana Kwame Adjei-Brenyah hails this as a “journey unlike any you’ve read before.” —LF
The Unsettled
by Ayana Mathis [F]
Best known for her 2013 novel The Twelve Tribes of Hattie, Mathis returns with a multi-generational novel that follows a mother fighting for her sanity and survival. Set in the 1980s, and split between the racially and politically turbulent city of Philadelphia and the tiny town of Bonaparte, Alabama, The Unsettled is a meditation on inheritance, justice, and the meaning of family. Marilyn Robinson calls this “a fine, powerful book.” —LF
Madonna
by Mary Gabriel [NF]
Gabriel, the author of the stellar group biography Ninth Street Women, turns her gaze to an unexpected subject for her latest outing: Madge herself. Having previously written about Victoria Woodhull and Karl and Jenny Marx, I’m dying to see how Gabriel chronicles the life of one of the world’s biggest pop stars. It clocks in at 880 pages, so I think it’s safe to say Gabriel is nothing less than thorough. —SMS
A Shining
by Jon Fosse, translated by Damion Searls [F]
Fosse’s Septology was one of the breakout novels of last year, thanks in part to a one-woman campaign spearheaded by Merve Emre, whose profound love and admiration for the book proved infectious on Twitter and beyond. So expectations are high for the next novel from one of Norway’s most celebrated authors and playwrights, the details of which are still scarce. This will be the literary event of October (pending Emre’s New Yorker review). —SMS
The Glutton
by A.K. Blakemore [F]
In the follow-up to her beguiling debut novel The Manningtree Witches, Blakemore delivers yet another work of historical fiction, this time set amid the French Revolution. Inspired by the true story of Tarrare, a French showman and soldier noted for his rapacious appetite and unorthodox eating habits, seemingly at odds with the poverty that surrounds him. According to legend, he could devour cats whole—certainly a fascinating historical figure to build a novel around. —LA
November
Pandora’s Box
by Peter Biskind [NF]
It’s a dire moment for television. The medium is in peril thanks to corporate conglomeration and big (dumb) bets on streaming, and good TV is becoming increasingly hard to find. Enter Biskind, one of the wisest, weirdest cultural critics out there. Tackling the fall of network TV, rise of cable, and middling new era of streaming, this interview-packed volume might just have the answers to a question that keeps me up at night: How come TV sucks now? —SMS
In the Shadow of Quetzalcoatl
by Merilee Grindle [NF]
Grindle unearths the story of the pioneering anthropologist Zella Nuttall, whose study of Aztec culture and cosmology transformed our understanding of pre-Columbian Mexico. She was the first to accurately decode the Aztec stone calendar, and also rediscovered countless pre-Columbian texts previously thought to have been lost—all the while juggling single motherhood with her career. This is the first biography of Nuttall—and one that sounds long overdue. —SMS
Cross Stitch
by Jazmina Barrera, translated by Christina MacSweeney [F]
Barrera reteams with translator MacSweeney on her debut novel, following her breakthrough 2020 essay collection Linea Nigra. Three childhood friends—Mila, Citali, and Dalia—now college-aged, embark on what they hope will be the trip of a lifetime to Europe, only to be faced with the signs they are each steadily changing and drifting from one another. Now, adult Mila reflects on that formative friendship and fateful trip when she learns that Citali has drowned. Barrera asks: What do we lose to adulthood? —SMS
The Happy Couple
by Naoise Dolan [F]
Already a massive bestseller across the pond, Dolan’s latest novel is a sly study of modern love, centered on a couple barreling toward their wedding and three friends who might just tear them apart (and for pretty good reason). A wry and contemporary take on the marriage plot, The Happy Couple is well-loved by Colm Tóibín and Booker winner Douglas Stuart, who declares himself “fully in awe of Dolan’s talent.” —SMS
Comedy Book
by Jesse David Fox [NF]
Fox is the smartest and funniest comedy critic working today. So there’s no one I would rather read on the history, legacy, and inner workings of the form. From highbrow to lowbrow, stand-up specials to TikTok stars, Dave Chappelle to Ali Wong to Jerry Seinfeld to Jon Stewart, Fox offers a sweeping chronicle of one of our most potent cultural forces, as well as a look inside how humor actually works. —SMS
The Vulnerables
by Sigrid Nunez [F]
Nunez turns her gaze to our contemporary moment and the trappings of modern life in her ninth novel, the plot details of which are admittedly scarce. We know that it has a solitary female narrator, and that there’s also an adrift Gen Zer and a parrot named Eureka in the mix—that’s about it. But what difference would it really make? It’s Nunez! Just read it! —SMS
How to Be Multiple
by Helena de Bres, illustrated by Julia de Bres [NF]
This study of twinhood sits at the intersection of the intellectual and the personal—philosopher Helena de Bres is a twin herself, attuned to the uncanniness of being a twin as both a scholar and a sister. Confronting questions of consciousness, free will, and selfhood, she mines art, myth, popular experience, and her own experience to get to the bottom of this fascinating reproductive quirk. Chloé Cooper Jones, a fave of mine, calls this one “a must-read,” so I have no choice but to follow suit. —SMS
My Name is Barbra
by Barbra Streisand [NF]
Babs wrote a tell-all memoir and it’s 1,024 pages long. That’s literally all you need to know. —SMS
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To Free the Captives
by Tracy K. Smith [NF]
To Free the Captives finds the Pulitzer-winning poet soul-searching and heartsick, grappling with our national identity amid endemic racist violence. In doing so, she attempted to assemble a new vocabulary of American life. At a moment where words seem to no longer have mutually-understood meanings—or, often, no meaning at all—Smith’s linguistic mastery and poetic vision are sorely needed. —SMS
The Sisterhood
by Courtney Thorsson [NF]
Starting in early 1977, Toni Morrison, Ntozake Shange, Alice Walker, and other Black women writers would meet monthly at June Jordan’s Brooklyn apartment to discuss their work over gumbo and champagne—I know! They called themselves “The Sisterhood,” and this remarkable community (which came to include Audre Lorde and Margo Jefferson, among others) is the subject of Thorsson’s book, which I quite literally pre-ordered the split-second she announced on Twitter. —SMS
Art Monsters
by Lauren Elkin [NF]
I’ll read Elkin’s writing on just about anything, but the topic of “art monsters”—which originated in Jenny Offil‘s 2014 novel Dept. of Speculation—is both a) extremely up my alley and b) a truly perfect fit for Elkin’s literary sensibilities. Clocking in at 368 pages, this book has some real intellectual (and physical) heft to it and spans the work of Kara Walker, Theresa Hak Kyung Cha, and many, many more. —SMS
Wrong Way by Joanne McNeil [F]
In her debut novel, McNeil considers a theme that’s run through much of her work, including her first book Lurking: the intersections of life, labor, and technology. Wrong Way centers on Teresa, who gets a job at a fintech corporation that’s launching a fleet of driverless cars. The lure of financial stability and a flexible schedule is strong, but as she learns more about her new employer, she must reckon with the existential perils posed by artificial intelligence, unchecked capitalism, and the gig economy. —SMS
Happy
by Celina Baljeet Basra [F]
Basra’s debut novel follows a starry-eyed cinephile who leaves his rural village in Punjab to pursue his dreams of becoming an actor. (He fancies himself a Sami Frey type.) Of course, things don’t work out as he plans, and nothing on his journey is quite what it seems. Happy is an indictment of the global migration crisis, a meditation on diaspora, and an argument for the right to a vivid inner life. —LF
Amaza Lee Meredith Imagines Herself Modern
by Jacqueline Taylor [NF]
Taylor chronicles the life and work of Amaza Lee Meredith, a Black woman architect, artist, and educator who expanded our understanding of the Great Migration and the Harlem Renaissance. Using Meredith as a lens to study the role architecture played in early twentieth-century Black middle-class identity, Taylor shows that Meredith, like so many other Black cultural producers, wasn’t marginal to the modernist project but rather central to its definition. (Also, this book has my vote for Title of the Year.) —SMS
The New Naturals
by Gabriel Bump [F]
Bump’s sophomore novel follows a young Black Boston woman who constructs a separate society with her husband in search of a Black utopia. But as more interlopers want in, conflicts surface, food gets scarce, and the outside world intrudes, and the sustainability of utopia comes into question. A great premise to be sure, but what really sold me is this incredible blurb from the Percival Everett: “A Blithedale Romance for the 21st century, only less naive and more complex… This is funny, sad, sad-funny and funny-sad and just plain smart.” —SMS
The Book of Ayn
by Lexi Freiman [F]
I can’t remember the last time a novel’s premise amused me this much—a writer absconds to Hollywood after writing a satirical novel that The New York Times calls classist and subsequently gets her sort of canceled, and in her hurt, is radicalized by the philosophy of Ayn Rand. Yes, please! Esteemed fictioneers Zain Khalid and Joshua Cohen both blurbed, a great sign in itself, but the conceit alone is too tantalizing to pass up. —SMS
Same Bed Different Dreams
by Ed Park [F]
Park, a founding editor of The Believer, imagines an alternate secret history of Korea—one where the Korean Provisional Government still exists today—in his second novel. Propelled by twists and mystery, Same Bed Different Dreams weaves together Korean history, American pop culture, and modern technology to explore utopia, reality, and our inevitable, undeniable interconnectedness. —LF
Day by Michael Cunningham [F]
The Virginia Woolf fanfictionalist-extraordinaire is writing about crumbling marriages again and yeah, OK, I’ll bite. Everyone from Francine Prose to Ocean Vuong has blurbed the thing, with the Irish contingent particularly keen on it, pulling in a one-two punch from Colum McCann and Colm Tóibín: Cunningham, says the latter, “crafts a glorious sentence, and at the same time he tells an achingly compelling story,” in what the former calls “writing about love and loss in tones that are both unsparing and tender.” —AC
Critical Hits
, edited by J. Robert Lennon and Carmen Maria Machado [NF]
If Gabrielle Zevin‘s Tomorrow and Tomorrow and Tomorrow is the first “Great American Gamer Novel” (as per Nathan Hill), then this is certainly our first Great American Gamer Essay Collection. Writer-gamers like Alexander Chee, Nana Kwame Adjei-Brenyah, Hanif Abdurraqib, and Larissa Pham reflect on the video games and gaming experiences that shaped them, and what the medium can teach all of us about our culture and ourselves. —SMS
Alice Sadie Celine
by Sarah Blakley-Cartwright [F]
Blakely-Cartwright’s seductive debut adult novel (she’s previously the author of the kid’s book Red Riding Hood) of power and friendship got one of the best blurbs I’ve ever seen—a ringing “Obsessed!” from Chloë Sevigny. The novel tells the story of one woman’s affair with her daughter’s best friend, probing the inner lives of each of the three women caught up in this strange triangle. This one also got plenty of love from Yiyun Li and Hermione Hoby, a sure sign of greatness. —SMS
Tone
by Sofia Samatar and Kate Zambreno [NF]
Samatar x Zambreno—an intellectual match made in heaven. Together, they tackle the most slippery aspect of literary theory: tone. How does it work? Can it be preserved in translation? What can it teach us? Per the inimitable Cristina Rivera Garza: “Just as the world laments the apparent lack of insightful literary criticism as well as the dwindling number of venues that support it, here comes the dazzling Committee to Investigate Atmosphere with a piece of criticism like no other.” —SMS
The Death of a Jaybird by Jodi M. Savage [NF]
Pitched a The Year of Magical Thinking meets Somebody’s Daughter, Savage’s memoir-in-essays spans three generations. Savage honors and elegizes the complicated relationships she had with her mother and grandmother—the women who raised her—and explores how all Black women must navigate various (and sometimes contradictory) roles and identities in the world. —LF
The Rainbow by Yasunari Kawabata, translated by Haydn Trowell [F]
In 1968, Kawabata became the first Japanese writer tow in the Nobel Prize for Literature, with novels like Snow Country, Thousand Cranes, and The Sound of the Mountain enrapturing international readers. Now available in English for the very first time is The Rainbow, published in 1934, about three half-sisters living in Japan just a few years after the end of WWII, as they struggle to make sense of the postwar world in which they are coming of age. —LF
December
Zero at the Bone
by Christian Wiman [NF]
Since his decade-long stint at the helm of Poetry Magazine, Wiman has kept himself busy putting out volumes of poetry and books on faith. The metaphysical poetic tradition isn’t exactly at its most popular in the Year of Our Exhausted Skepticism 2023, but a good case could be made for Wiman as the heir to George Herbert—a case Protestant poet laureate (okay she’s a novelist, but still) Marilynne Robinson might cosign, having argued that Wiman’s “poetry and his scholarship have a purifying urgency that is rare in this world.” This volume is not just one but two twofers, blending poetry, criticism, theology, and memoir. —AC
Yours for the Taking
by Gabrielle Korn [F]
A queer love story set in Brooklyn—it’s been done before, to put it mildly. But a queer love story set in Brooklyn in the year 2050, as the calamitous effects of climate change encroach on the city and the only people guaranteed survival are those accepted into an experimental weather-safe, city-sized facility overseen by a reclusive girlboss-billionaire? Now that’s a novel I’m dying to read. —SMS
Songs on Endless Repeat
by Anthony Veasna So [NF/F]
Soon after Veasna So’s essays and debut story collection Afterparties captured the attention of the literary world, we were forced to grieve his sudden death. This posthumous collection of stories and essays affirms his versatility, secures his legacy, and bittersweetly reminds us of what could have been. But let’s focus on the sweet part, as well as the humor and joy to be found in this book—as the late So himself once wrote in this very publication, “I actually recommend everyone to stop taking books so seriously.” —SMS
The End of the World is a Cul de Sac
by Louise Kennedy [F]
Kennedy, who published her much-acclaimed debut novel Trespasses last year at the age of 55, returns with a collection of short stories that explore the lives of women living in various kinds of poverty—material, emotional, sexual—while still finding beauty and joy amid such lack. Says Emma Donoghue, “The only other writer I can think of who packs this much moving, terrible life into each story is Alice Munro.” —LF
Everywhere an Oink Oink
by David Mamet [NF]
Is Mamet an idiot-asshole who wrote a few pretty good plays a long time ago but otherwise sucks? Yes. Does he also probably have some deliciously juicy behind-the-scenes stories from his four decades in Hollywood? Also yes. —SMS
The Furies
by Elizabeth Flock [NF]
Violence by women—its role, its potential righteousness—is the focus of Flock’s latest. Following the real-life cases of a young rape survivor in Alabama, a predator-punishing gang leader in India, and an anti-ISIS militia fighter in Syria, Flock considers how women have used lethal force as a means to power, safety, and freedom amid misogynistic threats and oppression. Is violence ever the answer? What part, if any, should it play in feminist thought and women’s liberation? Flock searches for the thorny, unsettling answers in three parallel lives. —SMS
The Complications
by Emmett Rensin [NF]
Rensin, a former editor at Vox, agitates for a total re-understanding of severe mental illness by offering his own account of living with schizoaffective disorder. Finding the usual calls for the rejection of “stigma” gravely inadequate, he confronts the many faults of current mental health narratives and the hierarchies they contain. Memoir, history, and cultural criticism collide to make an impassioned case for a new approach to severe mental illness in our conversations, our scholarship, our policies, and our hospitals. —LF
