I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)
With the full trailer out for the upcoming James Bond release, Skyfall, I have to confess I’m totally obsessing over British spy stuff of late. Luckily there are some supplements to scratch that itch: Tina Rosenberg’s new story for The Atavist, D for Deception, about a real British spy writer who became a spy himself; Bee Wilson’s fascinating review of Ben MacIntyre’s outrageous but true investigation of WWII double agents, Double Cross: The True Story of the D-Day Spies; Alexander Cockburn’s recap of the time George Orwell supplied “a list of the names of persons on the left who he deemed security risks” to the IRD; the story of Ernest Hemingway’s lousy espionage; and the video Her Royal Majesty’s recent skydiving escapade with 007.
Valentine’s Day may be all about happy couples, but the most memorable love stories in literature are tales of doom, from Oedipus to Romeo and Juliet to the many dysfunctional partnerships that populate contemporary literature. The Guardian offers a literary lovers’ quiz for the lovelorn.
According to a new biography of Richard Pryor, the legendary comedian kicked off his career as a teen in Peoria, Illinois, when he starred in a play based on Rumpelstiltskin and “broke the other kids up.” At The Nervous Breakdown, nine choice passages from the book.