I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)
Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI‘s prevailing editorial principle is: “Is this boring? Is this safe? If the answer is yes, then it’s not for us.”
If you’re a writer planning to submit a novel manuscript to a literary agency, you might want to read these guidelines and recommendations, over at Electric Literature. Pair with Edan Lepucki’s Millions interview with her agent about publishing a first book.