Last week, I wrote about Caleb Crain’s entry in By Heart, a series at The Atlantic in which prominent writers talk about their favorite passages. Now, & Sons author David Gilbert talks about Moby Dick, which he says is “one of a few books [he’s] dreamed about.”
Over at Salon, Matt Zoller Seitz talks about his new book Mad Men Carousel and why audiences felt such a profound attachment to the protagonists. Despite their flaws, Seitz argues that it is the consistency in their behavior that endeared us to characters like Don and Betty, literal misfits though they were. Still having trouble admitting the show is over? This may help.
If you’re anything like me, you’re likely to be intrigued by a series with the title Novelists in Restaurants Eating Food. If you’re a lot like me, to the point where it may be a cause for concern, you’ll be doubly intrigued by the prospect of Charles Yu paying a visit to Buffalo Wild Wings. Sample quote: “I’m not sure what I was expecting, but the restaurant simultaneously managed to exceed, disappoint, and exactly meet these expectations.”
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it’s fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. “At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, ‘Oh my God, it’s publication day’ and I have a panic attack like ‘Oh my God, what have I done?’ I think the awareness of an audience is something I’m just coming into because this is a first book.”
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.