At The Atlantic, Caleb Crain (of Necessary Errors and n+1 fame) writes about the galvanizing effects of memorizing his favorite poem. (If you’re wondering, the poem in question is W.H. Auden’s “In Praise of Limestone.”)
California seems to have it all: Hollywood, the sun, vineyards, and more. Yet it doesn't have a weekly magazine. California Sunday will change that by launching a magazine delivered on digital platforms daily and in local print newspapers every Sunday. Bonus: They're hiring.
At The Nervous Breakdown, an excerpt of Still Writing, the new book by Year in Reading alum Dani Shapiro. The excerpt comes on the heels of one of the site’s trademark self-interviews, in which the author laments of herself as interviewer, “You don’t pull any punches, do you?” (Related: our own Hannah Gersen talked with Shapiro about her book.)
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
It almost sounds too terrifying to be true. Your book is reviewed by Christopher Hitchens in the New York Times Book Review and he opens with: "This is an extraordinarily irritating book" (and it gets worse from there, and deservedly so). It happened to David Mamet and his new book The Secret Knowledge.
"Guilt and a feeling of never being satisfied with what you’ve done. And a sense that you are inadequate and a big phony. All useful for a writer. I’m always being edited by my inner nun." An interview with the inimitable George Saunders, author of Tenth of December, on his approach to humor. Pair with: our own reviews of his stories.