At The Atlantic, Caleb Crain (of Necessary Errors and n+1 fame) writes about the galvanizing effects of memorizing his favorite poem. (If you’re wondering, the poem in question is W.H. Auden’s “In Praise of Limestone.”)
“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
Need a dose of new Irish poetry in your life? The Irish Times (naturally) has you covered. In the Saturday edition, John McAuliffe reviews two new and notable collections: The Boys of Bluehill by Eilean Ni Chuilleanain and The Days of Surprise by Paul Durcan.