Hemingway became the first American literary author to be lionized as a famous sportsman, and the rugged outdoorsy persona of “Papa” Hemingway was a masculine icon for a generation of American men. But the author eventually couldn’t stand being “Papa” and shot himself.
Baseball can do that, I guess. It can remind you of everything that once mattered to you, everything that matters still. It can brush the great promise of tomorrow against the agreeable sting of the past, and the sorrows of today.
What better way to test my fortitude than by hammering my head with the legendarily impenetrable Irish jibberish of Finnegans Wake? If I can run 20 yammering nonsensical miles, then an extra six with folks cheering most of the way instead: easy, right? Maybe easier.
In 1966, baseball’s reserve clause that bound a player to one team meant that the average major league player’s salary was $14,000. Topps paid each exactly $125 to put them on a bubble-gum card.
All of this would suggest that I’m a boxing fan, one of those old-timey cigar-chewers eager to overlook the sport’s myriad problems and mainstream insignificance in order to enjoy its brutal purity. But despite boxing’s outsize presence in my reading, I’m not particularly interested in it.
Despite the efforts of the Cabot PR machine and the love sprinkled upon the course by the big golf magazines, a properly insufferable postmodernist has to, in the end, refuse its existence. Yes, Cabot lets you pretend you’re on a true links. But you aren’t. It was just built to seem that way, just as more or less every links course anywhere must be considered as some combination of real and fake.
Lupica not only made me want to become a writer; he made me want to be a persuasive and convincing one. He taught me the value of having a viewpoint and seeing it through.
This is why baseball matters so much to me. In an era of relentless change, here is one thing that has remained constant without losing its capacity to dazzle. Here is one thing a dad and an eight-year-old can talk about without either one having to pretend to be interested.
Though the scorebook does occasionally record the spectacular, for the most part its method is antithetical to the commonplace book. One chronicles the monotonous; the other collects the exceptional.
Wrapping up issues of corporate welfare, media sycophancy, sanctioned brutality, and beating them with an angry stick, Almond’s screed is less an assault on football than the organization that aids and abets its worst behavior.
Girls basketball was part of the culture. Each spring the TV broadcasts from the capacity crowds at the state’s largest arena in Des Moines took over one of the three stations our antenna received, and it was largely from these games that I learned the names of small town Iowa: Grundy Center, Montezuma, What Cheer.