We’ve thought a lot about Leonard Cohen over the years. We’re perhaps, uh, not the only ones. Recently, Cohen’s love letters to Marianne Ihlen sold for a whopping $876,000. While Ihlen and Cohen’s love is recorded in songs like “So Long, Marianne,” these letters appear to preserve something more quotidian: the writing and publication of Cohen’s novels. Referring to his debut, The Favorite Game, Cohen wrote that the literary critics have “all screamed about the wild undisciplined dirty book, so it’s selling quite well.”
In conjunction with the new documentary film “The Black Power Mixtape 1967-1975” (reviewed by our own Bill Morris last week), New York’s Third Streaming Gallery will be hosting a conversation on the role of art and artists in contemporary cultural activism. The discussion will be held tonight at 7pm, and it will include Rico Gaston, Jacqueline Hoang Nguyen, Donna Murch, and Minkah Makalani.
Here’s to wishing you a spooky Halloween with this piece by Micah Nathan of The Paris Review. Nathan hearkens back to his boyhood–a much simpler time of casual demon-summoning, Satanism, and the occult. This essay by our own Anne K. Yoder will satisfy any lingering desire for the four Humors.
This week in beautiful books: Eugène Delacroix once illustrated Goethe’s Faust, and Goethe himself claimed the resulting lithographs “surpassed my own vision.” A full version of the work is now available online. And in a slightly more light-hearted vein, English Russia has found and scanned a delightful Soviet version of The Hobbit, complete with a Gollum straight out of Dr. Seuss.
“Look. There are are only two truly great science fiction movies. The first is Stanley Kubrick’s 2001…The second is Blade Runner…You may disagree with this statement. You would be wrong. Let’s move on.” Damien Walter at Guardian accuses Hollywood of screwing up science fiction.