Tuesday New Release Day: Starring Malcolm, Sudbanthad, Stern, Doten, and More

February 19, 2019 | 14 books mentioned 1 5 min read

Here’s a quick look at some notable books—new titles from the likes of Janet Malcolm, Pitchaya Sudbanthad, Lindsay Stern, Mark Doten and more—that are publishing this week.

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Bangkok Wakes to Rain by Pitchaya Sudbanthad

coverHere’s what Publishers Weekly had to say about Bangkok Wakes to Rain: “Sudbanthad’s meditative debut drifts back and forth through time, evoking Bangkok past, present, and future. Loosely woven narratives follow Nee, a girl whose lover is killed during anti-government protests in 1973, as she navigates life in a melancholy city bleeding out its ancient culture. In one story, Nee is estranged from her sister Nok after she discovers Nok’s restaurant in Japan buys its Thai ingredients from a corrupt ex-colonel. In another, Nee goes to work managing a high-rise condo, the lobby of which is a colonial-style Thai house—the heart of this novel—once owned by one of the building’s wealthy elderly residents. When the old woman’s son comes home from abroad, he and Nee begin a disastrous affair. Interspersed among Nee’s stories (which are not presented chronologically) are beautifully wrought tales of a doctor-missionary in old Siam, whose Western faith morphs into enlightenment with the help of witch doctors, cholera, and despair. Occasionally birds will narrate a story—or an aging American jazz musician, another foreigner seduced by Krungthep, the name the Thai people use to describe their city. Though this novel’s ambitious architecture—disparate stories in shifting eras—can sometimes work against its considerable strengths, all of Sudbanthad’s characters live and breathe with authenticity, and his prose is deeply moving, making for an evocative debut.”

The Good Immigrant edited by Nikesh Shukla and Chimene Suleyman

coverHere’s what Publishers Weekly had to say about The Good Immigrant: “In this revealing follow-up to the 2015 British edition, Shukla (Meatspace) and Suleyman (Outside Looking On) invite 26 artists and scholars, who are immigrants or have ties to multiple countries, to reflect on race, ethnicity, nationality, belonging, and the legacy of colonization, mostly in the context of post-2016 U.S. Written after, and in response to, U.S. President Trump’s Muslim travel bans and references to ‘shithole countries,’ these essays string similar notes—history, memory, pride, and (non)belonging—into many different melodies. Journalist Porochista Khakpour wonders at how she has come to write about nothing but “Iranian-America.” Artists Adrián and Sebastián Villar Rojas lay out Argentina’s struggle between its indigenous roots and its desire to be Western. Teju Cole and Walé Oyéjidé offer contrasting interpretations of depictions of Africa in the blockbuster film Black Panther. French-British film director Yann Demange gives an extended answer to the question, ‘Where are you from?’ and concludes that he will keep giving the short answer, because ‘the alternative answer can take for-fucking-ever, innit.’ The strength of this collection is in its diversity—of gender, sexuality, privilege, experience, and writing style. A gift for anyone who understands or wants to learn about the breadth of experience among immigrants to the U.S., this collection showcases the joy, empathy, and fierceness needed to adopt the country as one’s own.”

Nobody’s Looking at You by Janet Malcolm

coverHere’s what Publishers Weekly had to say about Nobody’s Looking at You: “Malcolm (Forty-One False Starts: Essays on Artists and Writers) assembles an eclectic group of essays, mainly culled from the New Yorker and New York Review of Books, most of them from the past decade, into this outstanding collection. Varied and witty, the book includes profiles of such people as fashion designer Eileen Fisher, with her ‘aesthetic of elegant plainness’ and concert pianist Yuja Wang, ‘whose tiny dresses and spiky heels’ draw attention to the contrast between her petite frame and the ‘forcefulness she achieves at her instrument.’ Several essays are literary critiques, touching on, among other points, New Yorker writer Joseph Mitchell’s ability to ‘bend actuality to [his] artistic will’ and how Tolstoy follows the ‘deep structures’ of dream logic in Anna Karenina. Malcolm also explores the differing ways millennials and baby boomers view sexual harassment, email etiquette, and the high-stakes drama of John Roberts’s Supreme Court nomination hearings, where little was learned about his judicial philosophy, but revelations about character emerged. With no weak selections and several strikingly prescient ones, this collection shows its author as a master of narrative nonfiction.”

Aerialists by Mark Meyer

coverHere’s what Publishers Weekly had to say about Aerialists: “Mayer’s high-wire debut exposes the weirdness of everyday life. In the title story, a young man about to follow his brother into the navy constructs a computer-generated simulacrum of his neighborhood. Animals are featured in several stories: in ‘The Evasive Magnolio,’ the caretaker for a town’s dying mascot, a former circus elephant, has to plan its funeral; in ‘The Wilderness Act,’ a middle-aged outdoors advocate, unfamiliar with the online dating scene, begins to date a woman who hopes to see a mountain lion. Other stories feature children, including ‘Strongman,’ in which a child of divorce falls under the influence of his mother’s friend, a female bodybuilder, and ‘The April Thief,’ in which a boy is asked to care for a disease-ridden dog until his estranged mother returns home. And then there are stories with idiosyncratic characters: Uncle Bart is a Marxist who lives in the basement and cares for his orphaned nephew along with his cancer-survivor wife in ‘Solidarity Forever.’ A divorced real estate agent has the inner life of a killer clown in ‘The Clown.’ And in ‘The Ringmaster,’ an electrical engineer has a difficult time giving away his extensive model railroad. Mayer wittily subverts reader expectations with stories told in a realistic manner about characters or situations that all share a slightly surreal bent, resulting in a clever collection.

The Study of Animal Languages by Lindsay Stern

coverHere’s what Publishers Weekly had to say about The Study of Animal Languages: “Stern’s latest (after Luz and Town of Shadows) is a taut, brainy tale that tracks the breakdown of an academic couple’s marriage while dissecting differences between language and communication, knowledge and truth, madness and inspiration. Forty-six-year-old philosophy professor Ivan Link drives his wife Prue’s father, Frank, from Vermont to the Rhode Island college where Ivan and Prue teach to attend Prue’s public lecture on birdsong. Bi-polar Frank is not taking his medication, but it is Prue who unsettles her audience by accusing animal language researchers of anthropocentrism, going so far as to call herself prison warden for the birds in her experiments. At the after-lecture party, Frank tries to force guests to admit animals have feelings by threatening to stab Ivan’s cockatiel with a fountain pen. The next day, at the aquarium, believing he understands what sharks are communicating, Frank destroys the shark tank. Frank is hospitalized; Ivan and Prue quarrel. Epistemologist Ivan mistakenly assumes Prue is having an affair with a visiting novelist; biolinguist Prue, meanwhile, cannot articulate the depth of her discontent. Stern’s intellectually teeming prose makes for a thought-provoking novel, though its more successful asking questions such as, ‘Can voles experience heartbreak?’ than depicting people breaking each other’s hearts.”

Trump Sky Alpha by Mark Doten

coverHere’s what Publishers Weekly had to say about Trump Sky Alpha: “A blistering and heartbreaking satire in which president Trump brings about a nuclear apocalypse, Doten’s second novel (after The Infernal) is by turns a dystopian nightmare, a cyber thriller, a spot-on treatise on memes, and a tragic tale of love and loss. After the president, aboard his ‘ultraluxury zeppelin’ named Trump Sky Alpha, executes a nuclear strike that kills a majority of the world’s population, Rachel, a tech journalist, receives an assignment for the reformation of the New York Times Magazine on ‘internet humor at the end of the world.’ Though she finds the idea of the piece irrelevant, Rachel accepts with the condition that she be able to travel to the field where the bodies of her wife and daughter were taken. She’s led to ‘the room with what was left of the internet’ to investigate the jokes, memes, and witticisms that were shared and posted as the global catastrophe took place, but she uncovers, instead, a possible explanation as to who was behind the cyber attacks that precipitated what becomes known as ‘1/28’— i.e., the day of the mass destruction. A group known as the Aviary, who were inspired by a 2015 novel called The Subversive, took credit for the four-day shutdown of the internet, and Rachel seems to have stumbled on some clues about their identities. Featuring a disturbing not-so-distant future, Doten’s novel is haunting, incisive, and surprisingly touching.”

Also on shelves: The White Book by Han Kang.

is a staff writer for The Millions and an MFA candidate at Johns Hopkins. Prior to coming to Baltimore, he studied literature and worked in IT while living in Dublin, Ireland. You can find him on Twitter at @tdbeckwith.

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