Out this week: Clock Dance by Anne Tyler; The Seas by Samantha Hunt; The Last Cruise by Kate Christensen; An Ocean of Minutes by Thea Lim; A Terrible Country by Keith Gessen; Early Work by Andrew Martin; Interior by Thomas Clerc; and My Year of Rest and Relaxation by Ottessa Moshfegh.
“Riordan’s books prompt an uneasy interrogation of the premise underlying the ‘so long as they’re reading’ side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes.” In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
Having kicked off his career with a book of poetry, it’s not surprising that Ben Lerner is interested in the late Johns Hopkins professor Allen Grossman, who theorized that people dislike poetry because poems are — by definition — failures. In a piece for the LRB, he runs through the implications of Grossman’s theory, touching on poets as disparate as Shakespeare and William McGonagall. Pair with Kate Angus on why Americans don’t buy poetry books.
“I’ve never actually read the books that I’ve blurbed.” – Nick Tosches in BookforumThat terrific Kenneth Tynan piece on Johnny Carson that Tingle was looking for.Want to bone up on philosophy, but can’t quite find the time? Try Squashed Philosophers.The CS Monitor gives capsule reviews of the NBCC fiction finalists, in case you didn’t get to any of them.O, Brother, Where Art Thou? Oh Right, Everywhere: Discarded titles for George Orwell’s 1984 at McSweeney’s (via Kottke).David Sedaris’ recommended reading list
From The Guardian, a look at eighty years of book cover design by Faber and Faber.