“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.
New this week: The Brunist Day of Wrath by Robert Coover; Frog Music by Emma Donoghue; Off Course by Michelle Huneven; And the Dark Sacred Night by Julia Glass; Worst. Person. Ever. by Douglas Coupland; The Ballad of a Small Player by Lawrence Osborne; Love & Treasure by Ayelet Waldman; and The Empathy Exams by Leslie Jamison. For more on these and other new titles, go read our Great 2014 Book Preview.
There’s been an incredible amount of both excitement and controversy ever since Harper Lee‘s publisher announced the upcoming publication of Go Set a Watchman, the reclusive author’s second novel. But in a piece for Ploughshares Cathe Shubert wonders “Why not marvel at what all this hullabaloo in the news really signifies: that books still matter, deeply, to the American public–especially books that spark dialogue about interracial relations, justice, and, as Atticus would say, walking in another person’s shoes.”
It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.