Out this week: The Friend by Sigrid Nunez; An American Marriage by Tayari Jones; House of Impossible Beauties by Joseph Cassara; Heart Berries by Terese Mailhot; Asymmetry by Lisa Halliday; Back Talk by Danielle Lazarin; The Line Becomes a River by Francisco Cantú; Call Me Zebra by Azareen Van der Vliet Oloomi; and Feel Free by Zadie Smith.
Forget “Gangnam Style.” The next Korean musical craze should involve the sijo (pronounced “shee-jo”), a type of poem dating back to the 1300s, and, “up until the 20th century … was mostly composed and sung, not written and published.” You can listen to a performance of Yi Cho’nyön’s “Moonlight Pear Blossoms” over here.
Last week, I wrote about Caleb Crain’s entry in By Heart, a series at The Atlantic in which prominent writers talk about their favorite passages. Now, & Sons author David Gilbert talks about Moby Dick, which he says is “one of a few books [he’s] dreamed about.”
“How easy for the waterfall to turn back / into the river, the long, silent face / holding all that has passed through it / as though untouched…” A new poem from Charif Shanahan at Lit Hub, “Wanting to Be White,” forces the audience “to reconsider poetics and race, distinct yet indivisible in the American grain.” Not a fan of poetry? Check out our list of ten poems for people who hate poetry.
Daniel Hahn reminds us that translators are vastly under appreciated. To help combat this, he created the TA First Translation prize, an award that will go to a translator for a book’s English-language debut. “There are many prizes in the book world, perhaps too many. But some exist not merely to reward one individual per year, but also to make a statement about what should be valued, and what we need more of. “
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me…” This excerpt from Homero Airdjis’s upcoming The Child Poet, is fraught with elements of tension and discovery. Something of a künstlerroman, the book tracks Airdjis’s artistic and poetic development from his boyhood through the present day.