Out this week: The Friend by Sigrid Nunez; An American Marriage by Tayari Jones; House of Impossible Beauties by Joseph Cassara; Heart Berries by Terese Mailhot; Asymmetry by Lisa Halliday; Back Talk by Danielle Lazarin; The Line Becomes a River by Francisco Cantú; Call Me Zebra by Azareen Van der Vliet Oloomi; and Feel Free by Zadie Smith.
Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.
Imagine a reality television show that pits up-and-coming writers against each other in a series of challenges designed to test their skills and endurance. When the smoke clears, and the bourbon’s gone, one talented writer will be reborn into gritty glory; only one writer will become America’s Next Top Writer!
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”