Out this week: The Friend by Sigrid Nunez; An American Marriage by Tayari Jones; House of Impossible Beauties by Joseph Cassara; Heart Berries by Terese Mailhot; Asymmetry by Lisa Halliday; Back Talk by Danielle Lazarin; The Line Becomes a River by Francisco Cantú; Call Me Zebra by Azareen Van der Vliet Oloomi; and Feel Free by Zadie Smith.
Out this week: The Lost Time Accidents by John Wray; Wreck and Order by Hannah Tennant-Moore; Dog Run Moon by Callan Wink; The Fugitives by Christopher Sorrentino; The Heart by Maylis de Kerangal; You Should Pity Us Instead by Amy Gustine; The Life of Elves by Muriel Barbery; Square Wave by Mark de Silva; The Arrangement by Ashley Warlick; Sudden Death by Álvaro Enrigue; and The Daredevils by Gary Amdahl. For more on these and other new titles, go read our Great 2016 Book Preview.
Depending on your perspective, this is either the best or the worst pairing of speaker to content there is: Benedict Cumberbatch reading Kafka’s Metamorphosis for the BBC. As always with Cumberbatch, the reading is a nice complement to our own Elizabeth Minkel on Sherlock.
In a recent article on Irène Némirovsky’s daughter Élisabeth Gille, Ruth Franklin picks up where our own Emily St. John Mandel left off.
Interested in reading some of the indie and small press books coming out in 2014, but don’t know where to start? Michael Seidlinger put together a great Cheat Sheet of titles to get excited about this year. Think of it as a complement to our Great 2014 Book Preview.
While the federal government is turning to video games to get kids into the math and sciences, back in the day comic books provided a near-direct link to young minds. But the medium wasn’t warmly received by the older generation (sound familiar?), and the company debated whether it was worth taking a hit with parents in order to appeal to their kids.
“One thing that could have made this story end differently is if the United States had a significant cultural policy. We have a trade policy – we protect industries we value – and we have an anti-trust policy designed to protect consumers. We have arts and humanities endowments that assist institutions. But our cultural policy is mostly to let culture fend for itself in the open market. It works great, but sometimes it doesn’t.” Salon looks at what Amazon, the Penguin-Random House merger, and the imposition of capitalism to culture might mean for literature at large.