Out this week: The Friend by Sigrid Nunez; An American Marriage by Tayari Jones; House of Impossible Beauties by Joseph Cassara; Heart Berries by Terese Mailhot; Asymmetry by Lisa Halliday; Back Talk by Danielle Lazarin; The Line Becomes a River by Francisco Cantú; Call Me Zebra by Azareen Van der Vliet Oloomi; and Feel Free by Zadie Smith.
David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
“Like actual endangered species, independent bookshops induce a fiercely protective kind of love; paradoxically, it’s often their precarity that saves them.” The Guardian profiles Philippe Ungar and Franck Bohbot, the men behind “We Are New York Indie Booksellers,” which features the 50 remaining indies in and around Manhattan. (Pair with: Janet Potter‘s history of bookstore love).
As you may have heard, Twitter went public last week, which means a lot of people are trying to figure out just what its IPO means for social media. Over at n+1, Benjamin Kunkel proposes that social media, by its very nature, cannot be profitable, and thus should be administered by the state as a public good.
20 Under 40 alum and A Better Angel author Chris Adrian teamed up with Eli Horowitz to publish a digital novel with Atavist Books. The novel, titled The New World, employs new storytelling techniques made possible by Atavist software. It’s worth remembering here that the first book Atavist published was written by fellow 20-Under-40er Karen Russell.