HarperCollins has announced that it will offer its trade paperback of Harper Lee’s To Kill A Mockingbird at a discounted price to schools. This came as a response to the discontinuation of the mass-market paperback edition published by Hachette.
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
“My daughter spent some of this summer performing a dance, which she learned at summer camp, to a certain song by Shakira, called “Waka Waka.” It was earnest, funny, beautiful dance; however, I am, it seems, unable to watch my daughter perform her Shakira dance, to a song I don’t very much care for, without sobbing. There is no explanation for this excessive reaction—the dance is homely and human and not at all out of this world—but that the reaction is about beauty, and joy, and potential, and not sorrow. And this, it seems, is one aspect of what crying celebrates: the sublime.” Here is Rick Moody, life coach, from The Literary Hub. Here’s a recent Millions interview with Moody.
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
This year marks the 100th anniversary of the publication of Franz Kafka’s The Metamorphosis, and now is as good a time as any to revisit R. Sikoryak’s Good ol’ Gregor Brown. Our own Matt Seidel’s essay on The Metamorphosis is perfect for those craving more Kafka.
The website Victorian Serial Novels lets you experience 19th-century novels “serially and in their cultural contexts.” Select your author, the timespan within which you want installments to come, and enjoy.
How to choose what to read first? Not to worry, these six Dickensian experts have you covered.