Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
Earlier this week, our own Thomas Beckwith reported on the Hermione/Ron scandal. Now, Mallory Ortberg has penned Ron Weasley’s secret diary at The Toast. “I don’t want to die. I’ve never even seen a movie. Seventeen years old and I’ve never seen a movie and I still don’t know what math is.” No wonder why J.K. Rowling wanted Hermione to end up with Harry.
How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
Ivyland author (and enthusiastic Tumblr-er) Miles Klee was interviewed by Matt Hackett, and a snippet was posted on Tumblr’s new Storyboard blog. If you like what you see, you can get even more from Klee courtesy of his recent Other People Podcast with Brad Listi.