Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
“Define your character’s obsession. Take that obsession and dig up all the language that surrounds it or alludes to it. Rewrite your story using as much of that language as possible.” Molly Prentiss for Amazon Author Insights on using personal preoccupations to bring your narratives to life.
“Guilt and a feeling of never being satisfied with what you’ve done. And a sense that you are inadequate and a big phony. All useful for a writer. I’m always being edited by my inner nun.” An interview with the inimitable George Saunders, author of Tenth of December, on his approach to humor. Pair with: our own reviews of his stories.
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.
“The first boy to kiss your mother later raped women / when the war broke out. She remembers hearing this / from your uncle, then going to your bedroom and lying down on the floor. You were at school.” The poetry of Warsan Shire, Young Poet Laureate of London, does not mess around.
Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: “I check in with Patrick every now and then—as with this article you’re reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth.”