We’ve told you about The Atlantic’s By Heart series a few times before. Now, here’s a compendium of some of the series’ best advice on writing collected from the past year.
Writing By Heart
Crocodiles and Chinese Queer Classics
“It was only in 1987, when she went to National Taiwan University, that the censorship laws were relaxed. Yet the censorship laws seemed to have an opposing effect on her literary ambitions. ” Meet Qiu Miaojin, the first woman in Chinese literature to come out as openly gay. Ankita Chakraborty at Longreads has more on this remarkable writer.
Listening: Between the Covers
Recommended Listening: Looking for interviews with authors previously featured on The Millions? Check out David Naimon‘s Between the Covers podcast, which features the likes of Chang-rae Lee, Kyle Minor, Lorrie Moore, Helen Oyeyemi and Gina Frangello.
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Publishing Industry Rebounds
Time to quit moaning and groaning, publishing industry insiders: a survey released today by Bookstats shows publishers brought in 5.6% more revenue and sold 4.1% more books in 2010 than in 2008, according to the New York Times.
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The Return of the (Poet) King
“Grim was the world and grey last night / The moon and stars were fled.” It looks like even J.R.R. Tolkien might have been a an angsty teen. Two previously unseen poems by the legendary author have been found in a forgotten annual printed by a small primary school in Abingdon, Oxfordshire, in 1936. For another Tolkien-related blast from the past, here is W.H. Auden’s review of The Return of the King, book three of the Lord of the Rings series.
Outkube
The Onion‘s tired of incendiary comments left by trolls reading their articles. (Who isn’t?) So the publication has created Outkube, a “decoy website” rife with troll-bait. It’s hysterical. Elsewhere, they’ve started curating a list of people who just don’t get the joke.
F. Scott Fitzgerald on YouTube
F. Scott Fitzgerald reads from Othello (via The Missouri Review), John Keats, and John Masefield.
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The Marriage Plot Problem
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
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