“Everyone says Anna Karenina is about individual desire going against society, but I actually think the opposite is stronger: the way societal forces limit the expression of the individual.” Here is Mary Gaitskill on Anna Karenina for The Atlantic’s By Heart series, in which writers reflect on some of their favorite passages in all of literature. We’ve brought you a bit on By Heart here, here, and here.
The Occupy Wall Street demonstrations attracted two notable literary figures this weekend. Author and activist Naomi Klein (The Shock Doctrine) addressed protestors. Here’s the longer, uncut version of her speech. On Sunday, Slovenian philosopher Slavoj Žižek (Living in the End Times) gave an address as well.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
Facebook’s amended S-1 to its IPO was filed this week, and the details confirm some of the doubts raised in the last filing. The company estimates that between 5-6% of its most active users could in fact be “duplicate” (read: fake) accounts. Put in more concrete terms, of Facebook’s estimated 850 million users, 46,475,000 may be like this one. (46 million, by the way, is roughly the population of Colombia, Spain, or Ukraine.)
In a turn of events that are probably not good for Baltimore’s reputation for decay, the Edgar Allen Poe House might close due to lack of funds. The Times had the details when news of the troubles first broke; at The Paris Review, you can find more links and laments.
A pair of pieces from The Millions are among the finalists in this year’s 3 Quarks Daily Arts and Literature Prize: “Her Story Next to His: Beloved and The Odyssey” by Frank Kovarik and “Reading and Race: On Slavery in Fiction” by our staff writer Edan Lepucki.
Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good “bad” review?
We’re pleased to announce a new feature here on The Millions, “Ask the Writing Teacher.” Our own Edan Lepucki will now be taking your questions about all things writing related, dialogue, plot, point of view, or other elements of writing that might be putting a pickle in your prose. Send your questions her way at askthewritingteacher[at]gmail[dot]com