Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
This year’s Tournament of Books comes to an end today, after nearly a month of analyses, debates and thoughtful arguments. In the final round, Kate Atkinson’s Life After Life squares off with James McBride’s The Good Lord Bird, both of which are, in Héctor Tobar’s words, “unorthodox, historical novels.” Now that the verdicts are in, the only question is: who won? (You could also read the quarterfinal judged by our own Lydia Kiesling.)
Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
“In the imposed rhythm of the day, there wasn’t the time to step back and appraise my ideas, to delete paragraphs, to question my identity. Whether or not I was a writer was temporarily immaterial, because I was writing.” Adam Dalva contemplates life at an artists’ residency. For more of his writing, check out his essay on Donna Tartt’s The Goldfinch for The Millions.
The Morning News is asking writers to visit restaurants and then write about the experience, so long as the piece they write adheres to two criteria: “1) it is a restaurant review” and “2) it is not a restaurant review.” First on deck: Roxane Gay, whose novel Untamed State was recently reviewed for our site.