“I’ve always loved memoir, but it’s still seen as such a trashy genre and I wanted to speak to it as actual literature because that’s how it feels to me.” Mary Karr sits down with The Rumpus to discuss The Art of Memoir. We recently posted an excerpt from and a review of the book.
Memoir and Literature
It’s Not TV, It’s Jonathan Franzen.
To celebrate the official HBO adaptation of Jonathan Franzen‘s The Corrections, The New Yorker has compiled a list of “Franzen Facts.”
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On Bad Reviews
Recommended (Archival) Reading: “The language is too rich and poetic for my liking” and other gems from Amazon one-star reviews of classic novels, dredged up in 2014 by Electric Literature. Pair with the worst book review ever written.
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What’s Your Favorite?
Earlier this week, I told you about a few lists of some really great poetry from 2015. In keeping with the poetic spirit, here’s another fantastic piece from The New York Times in which everyone from Ta-Nehisi Coates to Elena Ferrante talk about their favorite poems of all time.
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“I was going to be an essayist, and it was going to be awesome.”
Nonfiction writing might work wonders for history books, but the heart of the genre is still the essay. In a piece for The Morning News Martin Connelly discusses his youthful resolution to be an essayist, which he quickly forgot and then gradually remembered. There are also ironic license plates, convicts and a baby, just to jazz everything up a little bit.
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What Should Be ‘Forbid’
“On closer inspection, however, the book comes off as something more complicated than a flowering of one eccentric and filthy man’s erotic imagination. Its elaborate descriptions of pleasure given and taken start to seem like scrims for a moral argument about what sorts of sexual behaviors should be ‘forbid’ and which should be encouraged—an argument refined in prison by an author deeply occupied with thoughts of punishment, dissipation, and sin.” On John Cleland’s (very erotic) novel Fanny Hill and the importance of its having been written in prison.
Crash Course
Koa Beck’s father gave her a copy of Erica Jong’s Fear of Flying when she was 15 years old. Depending on your persuasion, this was either a brilliant idea or an awful parental blunder. Regardless, Beck says the book (aided by The Bell Jar and Diary of a Mad Housewife) helped her understand that “the game was rigged, that everyone was lying, [and] that there was so much more to being a woman than what society said there was.”
When James met Wilde
Oscar Wilde: a “fatuous fool,” a “tenth-rate cad,” and an “unclean beast?” According to Henry James, all of the above.