“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
“A vast human action is going on. Death watches. So if you have some happiness, conceal it. And when your heart is full, keep your mouth shut also.” Saul Bellow saw a bit of resurgence this year with the publication of his collected non-fiction, There Is Simply Too Much to Say. Why do we need him now more than ever? According to Michael Weiss at The Daily Beast, it’s because he has “a bit of the opposition in him.” This essay is exhaustive and thoroughly researched and well worth your time.
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
“João Gilberto Noll frustrates attempts to foresee the plot or to craft stories as they are traditionally understood and written. The series of events that appear in them are as tenuously linked into a broader narrative as those of a dream.” An interview with Noll translator Adam Morris.