“So a single image can split open the hard seed of the past, and soon memory pours forth from every direction, sprouting its vines and flowers up around you till the old garden’s taken shape in all its fragrant glory.” Read an excerpt from Mary Karr’s The Art of Memoir at Longreads. Pair with Beth Kephart’s essay on how memoir can be a conversation between reader and writer.
The Birth of Memory
Pen Pals Jack Kerouac and Allen Ginsberg
Janet Maslin at the New York Times reviews the collection Jack Kerouac and Allen Ginsberg: The Letters: “‘Hasn’t it been awful?’ Kerouac would write to Ginsberg in 1959. ‘We were so swingy? And now young poets are sneering at us?’”
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Something Cannibalistic
"When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?" Roxane Gay reviews Meghan Daum's The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen's Millions review of the same book.
Wodehouse Revival
P. G. Wodehouse is enjoying a popular revival thanks in part to W. W. Norton re-releasing some of his books with nice, attention-grabbing covers. Of course the British author has long had his supporters. Among them? George Orwell. Elsewhere, The Guardian compares Wodehouse's correspondence to Ernest Hemingway's.
Neil Gaiman Nachos
Neil Gaiman's writing gets compared to "a great bowl of nachos" in Nikki Steele's food-focused review of The Ocean at the End of the Lane. Pair with: our own Nick Moran on how his favorite books influence his appetite.
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