Recommended Reading: This review of Mary Karr’s The Art of Memoir over at Slate. For a bit on Karr and some other Catholic writers with whom she is often associated, here’s an essay from The Millions.
Emily Dickinson didn’t get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there’s controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
Last week in the LRB, Christian Lorentzen used a review of Dear Life to slam the critical consensus surrounding Alice Munro. At Salon, Kyle Minor defends the author, who he thinks “demonstrates that the short story can operate out of a formal dexterity no less expansive in its possibility than the novel’s.”