Recommended Reading: This review of Mary Karr’s The Art of Memoir over at Slate. For a bit on Karr and some other Catholic writers with whom she is often associated, here’s an essay from The Millions.
“Publishing is also an industry that selectively values a kind of swaggering authenticity that would never capitulate to demands for something so banal as being nice. But authenticity is too often a short hand for callous, aloof, or honest for the purpose of cruelty rather than truth-seeking.” Alana Massey writes about the “niceness” of publishing.
New this week: Summer House With Swimming Pool by Hermann Koch; I’ll Be Right There by Kyung-Sook Shin; The Book of Unknown Americans by Year in Reading alum Cristina Henríquez; In the Wolf’s Mouth by Adam Foulds; The Lemon Grove by Helen Walsh; The Girl Who was Saturday Night by Helen O’Neill; and two new books, Paper Lantern and Ecstatic Cahoots, by Stuart Dybek.
This week in book-related infographics: an “Obsessively Detailed Map of American Literature’s Most Epic Road Trips.”
Nobody needs reminding that Yeats was a major poet, but it can be easy to forget, a hundred years of his major work, just why his poetry has endured. In The Irish Times, Denis O’Donoghue makes a forceful case for Yeats’s relevance, arguing that “Yeats solved, or came closer than any other modern poet in English to solving, the problem that defeated so many of his contemporaries: how to reconcile the claims of common speech, morally responsible, with the insisted-on autonomy of the poem.”