Recommended Reading: This review of Mary Karr’s The Art of Memoir over at Slate. For a bit on Karr and some other Catholic writers with whom she is often associated, here’s an essay from The Millions.
The Heyday of Memoir
Masochism and Drama
“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.
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Who Reviews the Reviewers?
Our own Lydia Kiesling discusses James Wood’s literary “lodestars,” and also looks at “what is fascinating, if not exactly fun” about The Fun Stuff, the critic’s latest essay collection.
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When James met Wilde
Oscar Wilde: a “fatuous fool,” a “tenth-rate cad,” and an “unclean beast?” According to Henry James, all of the above.
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“If there was ever a people that knew how to handle a hangover, surely it is we.”
John Banville looks at the “persistently grim cheerfulness” of the Irish people.
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Timely Books?
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
Raised on B-Movies
I’ve loved old sci-fi B-movies forever, and a staggering number of my childhood memories involve Ray Harryhausen. For this reason, I’m really geeking out over The New Yorker’s entire science fiction issue, but in particular this piece by Colson Whitehead deserves your time.