We’ve written about the newly published Laura Ingalls Wilder memoir several times, but a new review in the LA Times calls attention to one of the most interesting questions raised by the work: how much influence did Wilder’s daughter Rose Wilder Lane, an accomplished author in her own right, have on the final Little House books?
Which Wilder?
Tree of Desire
At Granta, revisit an essay from Seamus Heaney on trees and desire in literature. Pair with Trent Morris’s reflections after the poet’s passing.
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MFA Opinions
Nearly everyone has an opinion about MFA programs, and Flavorwire has 27 pulled from writers and teachers, including our own Edan Lepucki whose full piece on “The MFA Debate” can be found here.
eBooks Will Surpass Print Sales, But At What Cost?
“PwC (PricewaterhouseCoopers) estimates that trade … ebooks will drive $8.2 billion in sales by 2017 — surpassing projected print book sales,” writes Laura Hazard Owen. Meanwhile I can’t help but wonder: is this bad news for the environment?
Odd Jobs
Recommended viewing: The New Yorker‘s Adam Gopnik talks about his early years in New York writing for the magazine “though they simply weren’t aware of it, or when they were aware of it they were extremely unenthusiastic,” and about all the odd jobs that often make up a writer’s early career, something our own Emily St. James Mandel has written about before.
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Chicago’s Conscience
“If Gwendolyn Brooks wrote fiction, we’d say she was brilliant at world-building–but the world she builds is the real one, the part that didn’t used to make it into the pages of literary magazines.” On the continued relevance of Brooks’s poetry in the context of racial violence in Chicago. Pair with a piece on the power of reading poetry aloud.
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Rewiring the Real
Tonight at Columbia: A conversation with Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and most recently Super Sad True Love Story. Moderated by McKenzie Wark, professor of media and cultural studies at The New School and author of Gamer Theory. “Rewiring the Real” at 6:30 P.M.
Not for Kids
What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”
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