We’ve written about the newly published Laura Ingalls Wilder memoir several times, but a new review in the LA Times calls attention to one of the most interesting questions raised by the work: how much influence did Wilder’s daughter Rose Wilder Lane, an accomplished author in her own right, have on the final Little House books?
Which Wilder?
“The reader emerges … refreshed but crippled”
Emily Gould champions Barbara Comyns‘s overlooked novels at The Awl. One more deserving mention: Comyns’s haunting Who Was Changed and Who Was Dead.
●
●
How to Win a National Magazine Award
Medium spells out how to win a National Magazine Award. Your article should be over 6,500 words. (It also helps if you are a man.) Deena Drewis writes about sexism in our categorizations of women’s writing.
●
●
Blue Nights
An “extended short film excerpt” of Joan Didion reading from her memoir Blue Nights, which our own Michael Bourne reviewed yesterday.
Literature: A User’s Manual
“There’s no doubt that Life A User’s Manual takes an approach to depicting reality that is very different from the standard realist novel, which we have been conditioned to believe is the best and most-preferred way of representing our world…Though not without its enlightening aspects, this conversation has generally fallen into a simplistic dichotomy, where realist writing is described as giving us the real world of everyday life, and anything other than realist writing is seen as directing its energies toward a vague something that no one cares to define very well.” A look at Oulipo and its legacy from Lauren Elkin and Scott Esposito, who recently wrote an Oulipo-themed Year in Reading for us.
●
●
Oyster Pirates
This week in book-related infographics: “Unusual Jobs of Famous Writers,” from Chuck Palahniuk (diesel mechanic) to Jack London (oyster pirate).
●
●
Tarot and Literature
It’s time to recognize tarot’s place in literature. Peter Bebergal writes on Jessa Crispin’s latest project, The Creative Tarot: A Modern Guide to an Inspired Life.
●
●