Recommended Reading: Ruth Graham on the uncensored memoirs of Laura Ingalls Wilder.
Pioneering
7 reasons not to write a novel
Javier Marías cogently summarizes all the reasons to stop writing novels immediately, and adds only one reason to write them anyway: “Fiction is the most bearable of worlds.” We reviewed The Infatuations, one of his own twelve works (to date), last year.
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Tuesday New Release Day: King, Munro, Vásquez
New releases this week include The Wicked Girls by Alex Marwood, a limited edition of Stephen King’s illustrated poem The Dark Man and The Sound of Things Falling by Juan Gabriel Vásquez, which we covered as part of our Great Second-Half 2013 Book Preview. Now available in paperback is Alice Munro’s Dear Life.
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“You can’t be up the reader’s ass, as many a writer I think is—cute as hell, ingratiating as hell.”
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
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“The worlds of rock and lit appear to be merging”
What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
A Beautiful Alternate World
Kaveh Akbar interviews poet Wendy Xu about oppressive syntax, imaginary realms, and poems as ecosystems. As she puts it, “Poetry validates the emotional realness of the imaginary.” Pair with Andrew Kay’s Millions essay on the power of poetry.
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With a Twist
In the New York Times, a review of 2013 Year in Reading alum Olivia Laing’s new book, which delves into the alcoholism of Hemingway, Fitzgerald and six other famous writers. Among the biographical tidbits in the book: Tennessee Williams had a brandy Alexander every day when he lived in New Orleans.
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