Year in Reading alumnus Jonathan Safran Foer and Oscar-winning actress Natalie Portman have been exchanging emails for over a decade. Over at The New York Times Magazine, they share their recent correspondence on how things have changed since the beginning of their friendship.
Robert Perišic’s Our Man in Iraq made it onto the first installment of our Great 2013 Book Preview. A few weeks ago, Perišic sat down for an interview with John Feffer about ongoing changes in the author’s native Croatia, which recently acceded to the EU as its 28th member state.
“But migraines! Everyone relishes a migraine. They have a literal aura! Migraines foster the sort of pure narcissism that only intense, essentially benign pain can. We sufferers (that’s how it’s described, “migraine sufferer”) feel it is meet and right that the migraine should be dramatized in films like Pi or White Heat; this strengthens the perception that migraines are the hallmark of geniuses, or at least psychopaths. Joan Didion writes about them; of course she does.” Sadie Stein on the allure of the headache to end all headaches.
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.