Coming this fall: a newly published autobiography that Laura Ingalls Wilder wrote before she decided to retool her life story into the Little House on the Prairie books. Originally intended for an adult audience, Pioneer Girl gives a decidedly unsanitized account of Ingalls Wilder’s life, including love triangles, deadbeat fathers and episodes of drunken abuse. In The Telegraph, Rosa Prince compiles a preview of the new book.
Helen Vendler is one of those rare scholar-writers who doesn’t adhere to a particular school of theory. In her new book of essays, she explains her view of criticism as distinct from both philosophy and scholarship, as a form of learning that’s inherently “unsystematic and idiosyncratic.” In Open Letters Monthly, Jack Hanson reads through the book. You could also read Jonathan Farmer on Rita Dove’s letter to Vendler.
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
A transcript of Jorge Luis Borges’s conversation with Argentinian poet Osvaldo Ferrari about the power and pleasure of academic knowledge appears in English for the first time. As Borges explains it, “I think that the encyclopedia, for a leisurely, curious man, is the most pleasing of literary genres.”
We have written about author and Interview Magazine’s Editor-at-Large Christopher Bollen a few times before. He recently sat down with The Rumpus to discuss his latest work, Orient, mystery novels, and writing. Fun fact: he’s obsessed with Agatha Christie.
It’s about an hour away from 5 o’clock over here, so that gives you plenty of time to read Chris Newgent’s “No-Bull Bourbon Review” on Hobart’s website. “A true bourbon,” Newgent writes, “is a bourbon with a story worth remembering.” Agreed. And so would Walker Percy.
What’s it like to win the Literary Review‘s Bad Sex award? As 2010 “winner” Rowan Somerville reports, “It’s a hard pill to swallow … Despite the magazine’s assertion that ‘it’s only a bit of fun’ there’s an atmosphere of bullying peculiar to public schools about the whole thing.”