At The Rumpus, Greg Hunter talks with John Darnielle of The Mountain Goats, whose debut novel, Wolf in White Van, came out last month. In the past few weeks, I’ve recommended former Millions-er Emily M. Keeler’s review of the book, as well as a video interview with Darnielle.
Peter Hedges, author of the novel and screenplay for What’s Eating Gilbert Grape?, as well as Dan in Real Life, and Pieces of April, is set to adapt and direct his latest novel, The Heights. Set in Brooklyn Heights amid its wealthy, over-zealous, stay-at-home mommy set, the novel follows a happy, slightly down-at-the-heel couple as their marriage is tested by the arrival of another woman. (All of the wit of Tom Perrotta’s Little Children, but not quite so dark and cynical.)
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
Reading War and Peace was always a challenge, but how much harder is it in an age of constant distraction? At Salon, Mike Harris, a self-confessed distraction addict, writes about his experience tackling the Russian classic. You could also read our own Kevin Hartnett on the book’s effect on perception.
Last month, in a review for The Millions, Chris Barsanti called George Packer’s The Unwinding an “awe-inspiring X-Ray of the modern American soul.” Now, in The Guardian, Sukhdev Sandhu calls the book “decent, meticulous and concerned,” though it could have benefited from the “roiling prose-fire of Rolling Stone journalist Matt Taibbi.”