John Darnielle, who you may know through his work with The Mountain Goats, released a new novel last week, titled Wolf in White Van. Over at The Hairpin, our onetime #LitBeat editor Emily M. Keeler reviews the book, which she calls “a novel that unspools rather than reads.” Pair with: Jesse Jarnow on the 33 ⅓ book series, which includes a volume written by Darnielle.
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
“Part of the allure of Bosnia for westerners, I think, has been the surprising nearness of the East. To put it more bluntly, and problematically: in Bosnia the East is tamed, less scarily dogmatic.” Elvis Bego draws a parallel with Madame Bovary at Bookslut.
A new Pew Research Center survey finds that the share of Americans who have read a book in the last 12 months – 73% – has remained largely unchanged since 2012. And when people do reach for a book, it is much more likely to be a traditional print book than a digital product. See also our essay on the persistence of physical books and, of course, The Late American Novel: Writers on the Future of Books, edited by our own C. Max Magee.
File under events you won’t want to miss: Kate Zambreno hosts her second Belladonna* Prose Event this Tuesday in New York, featuring three leading ladies of innovative lit. Renee Gladman, Danielle Dutton, and Amina Cain will discuss the walker as essayist, flaneuring through urban space, and skirting the margins of genre. 7:30pm, at Dixon Place.