Recommended viewing: John Darnielle talks about his debut novel, Wolf in White Van, in a video for the Los Angeles Review of Books.
Interview with John Darnielle
Poetry As a Response to Sexual Violence
“Most poems are rooted in a powerful emotion. With visuals and details of violence against women being flashed every second on TV and debated by different groups, it is only natural that such incidents become themes in our writing,” says Bindya Subba, who is one of several Indian poets writing response pieces to the recent rape incidents in Delhi and Mumbai.
Hello, Shalom.
Shalom Auslander believes. He can’t really seem to help it.
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Miranda July’s Advice
Miranda July’s advice to high school girls (and feminists everywhere).
Partying Tomorrow
David Naimon interviews Rob Spillman, editor of Tin House and author of All Tomorrow’s Parties. Spillman discusses his favorite issue of Tin House with Nick Ripatrazone at The Millions.
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If Bears Were Presidents
Recommended Reading: Three poems by Dalton Day at Hobart. “In the end, there are five bear cubs underneath your porch. You name them after U.S. Presidents. Taft dies of starvation.”
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The Bad Sex Award
What’s it like to win the Literary Review‘s Bad Sex award? As 2010 “winner” Rowan Somerville reports, “It’s a hard pill to swallow … Despite the magazine’s assertion that ‘it’s only a bit of fun’ there’s an atmosphere of bullying peculiar to public schools about the whole thing.”
McCann and Hemon in Conversation
The kind folks at the PEN American Center recorded Colum McCann’s recent conversation with author and soccer ace Aleksandar Hemon. Listen to the pair discuss the Western distinction between fiction and non-fiction, and also the hypothetical merits of “watching a potato.”
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Moral Fiction
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.