Maya Angelou is a rapper now. The late writer’s poems have been layered with hip-hop beats for a new album, Caged Bird Songs. The album uses previous recordings of Angelou and a few made last year. “She saw (hip-hop) as this generation’s way of speaking and conveying a message,” her grandson Colin A. Johnson said. Pair with: Our tribute to Angelou.
The Caged Bird Raps
“Speaking of Memory”
In an essay for the Los Angeles Review of Books, Peter Birkenhead goes back to Nabokov‘s Speak, Memory and considers “the way our memories tell themselves to us: in hints, collisions, and rushes, overlapping, upside down, out of order.” Pair with our own Garth Risk Hallberg‘s piece on reading Ada, or Ardor.
How to Write Like a Man
“She can write like a man, they said, by which they meant, She can write.” Claire Vaye Watkins writes for Tin House about the problem that has no name. Also check out this Millions piece on sexism in the age of the internet.
The Declining Agony of Influence
According to a study cited in The Guardian, contemporary authors are less likely to be influenced by classic literature than previous generations of writers.
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Skirmishing With the Eminati
Look out, Darwin — Wolfe’s coming for you. Tom Wolfe’s new book, The Kingdom of Speech, which we reviewed a couple of days ago, takes aim at Charles Darwin and Noam Chomsky: “Like an industrial engineer who also makes bespoke dueling pistols in his shed on the weekends, Mr. Wolfe has made a side career of skirmishing with the eminati (his term) in an array of cultural fields. If fighting enlivens one’s mornings, Mr. Wolfe has had little need of caffeine.”
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On people braver than us:
Erika Anderson recites her teenage poetry at readings and shares her reasoning for doing so. “I want to live where irony meets kindness, where daring meets bullshit, where everything that failed meets the hope that something might not. I hope my readers do too.”
Ride or Die
“When I was younger, I finished everything. I was a total martyr. Now … I’m getting older. We have a finite amount of time on this earth. If something really doesn’t speak to you, and there’s not a ride-or-die reason to read it all the way through, then it’s time to give up.” Ten questions for Lisa Lucas, the new(ish) director of the National Book Foundation.
I love the idea of bringing classic texts into arenas that entice young minds. Mixing words with music and poetry and visually stimulating images of art are all great ways to encourage people to participate in new experiences. Fantastic idea! I hope it is wildly successful.