A few days ago, our own Kaulie Lewis pointed readers to a LARB essay about Geoff Dyer, which nicely complemented a piece about the author our own Mark O’Connell wrote for Slate back in June. Now, at Full-Stop, David Burr Gerard suggests that Dyer’s strengths, which worked so well in Jeff in Venice, Death in Varanasi, may have hampered him in Another Great Day at Sea. FYI, our own Janet Potter reviewed the latter book for The Millions.
Are you on Pinterest? If so, you may be interested in Alice Northover’s round-up of university presses and university libraries that use the site.
A scholar who has uncovered Walt Whitman‘s handwritten documents announced his findings Tuesday at the National Archives. These documents are from Whitman‘s time as a government worker, concerning civil rights, war crimes, treason, and western expansion. View the documents here.
“I was being paranoid, but those of us who write memoirs should never underestimate the damage they can cause. I’ve seen close relationships rocked by a memoir. I’ve seen parents stop speaking to their children for years. Memoirs pose a natural threat to the family mythology, those portraits framed on the mantel piece that say everyone is happy and nothing is wrong.” Sarah Hepola asks her mother and father what it felt like to be portrayed in her memoir, Blackout.
Eric Benson interviewed Bruce Jackson about “the strange and brutal world of Southern prison farms.” Jackson, who recently published a collection entitled Inside the Wire, snapped prison photographs in Texas and Arkansas from 1964 to 1979. The images depict both the mundane and the surreal, occasionally appearing as though they were “taken from a fever dream.”
In the early days of sportswriting, journalists weren’t necessarily focused on soccer, football or even baseball. In the forties, boxing and horse racing were still important beats, and they gave W.C. Heinz the opportunity to build his legacy. In the Times, a review of The Top of His Game, a new collection of the reporter’s sportswriting. You could also read Sebastian Stockman on the problem with sportswriting as a genre.