A few days ago, our own Kaulie Lewis pointed readers to a LARB essay about Geoff Dyer, which nicely complemented a piece about the author our own Mark O’Connell wrote for Slate back in June. Now, at Full-Stop, David Burr Gerard suggests that Dyer’s strengths, which worked so well in Jeff in Venice, Death in Varanasi, may have hampered him in Another Great Day at Sea. FYI, our own Janet Potter reviewed the latter book for The Millions.
Etgar Keret is busy these days. Aside from publishing a story about the ongoing Israeli/Palestinian conflict, and aside from promoting stories for Electric Literature’s Recommended Reading blog, he also has time to commission novelty houses in Warsaw. At 133 cm (or ~4.3 feet) wide, the Keret House is, in my opinion, the stuff of nightmares. (Scroll along the page banner for more pictures.)
Another big, literary title hits shelves today. Tom McCarthy turned heads with Remainder in 2007. Now he’s back with C. Posthumously published is Nobel Laureate Jose Saramago’s The Elephant’s Journey. Also newly released is Sara Gruen’s tale of bonobos and reality television: Ape House, William Gibson’s latest Zero History, and The Widower’s Tale by Julia Glass. Culture mavens will be intrigued by The Official Preppy Handbook reboot True Prep. And this week’s intriguing art book is Full Bleed: New York City Skateboard Photography. And in non-fiction, Bob Dylan In America by Sean Wilentz and Isabel Wilkerson’s The Warmth of Other Suns, so compellingly written up in last week’s New Yorker.
We recently offered a look at the odd history of the book blurb here at The Millions. Now the New York Times is looking at this peculiar custom, inviting four contributors to discuss their merits and pitfalls. Among them is our own Bill Morris, who revisits his 2011 essay “To Blurb Or Not To Blurb” about the dilemma he faced when asked to blurb a friend’s book.