Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”
Another book, another ghost
Collapsing Genre
"The clash of genre values is fundamental to the novelistic experience. That’s how we ought to be thinking about our books. Instead of asking whether a comic book could be “as valuable” as King Lear, we ought to ask how the values of tragedy and romance might collide." Joshua Rothman writes about the coming "collapse of the genre system" and our own Emily St. John Mandel's National Book Award short-listed Station Eleven for The New Yorker.
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A Single Sentence
"Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them." For the Tin House blog Jacob Rubin considers one such sentence from Charles D'Ambrosio's Loitering, which our own Hannah Gersen reviewed for the Millions.
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Women’s Artistic Genius
Over at Public Books, Katie Fitzpatrick writes that Dana Spiotta's Innocents and Others is a novel on women’s artistic genius. Pair with Jason Arthur’s review of the novel.
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Sporadic Moments of Contact
"I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program ... Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle." On peripherality and the uncertain nature of literary community.
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Election Year Reading
An election year is upon us, and at the Times, John Williams offers up some reading material for the months to come. Among the books mentioned is my favorite, Hunter S. Thompson's Fear and Loathing: On the Campaign Trail '72.
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I urge all ghostwriters and sympathizers to find Author from a Savage People, a hilarious novel by Bette Pesetsky about a ghostwriter’s revenge. It’s out of print but well worth seeking out. (Here’s the NY Times review: http://www.nytimes.com/1983/03/27/books/the-ghostwriter-s-story.html)