Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”
Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
“Gobble a lot of fiction very quickly and you soon find yourself suffering from the literary equivalent of a food intolerance. Oh no, you think, not another novel about X or Y. At these moments, only one thing keeps you going: the faint hope that the book in question might turn out to be the greatest novel ever written about X or Y.” Rachel Cooke writes for The Guardian about reading 80 books in four months and the process of judging the Folio prize.
Throughout the 80s and 90s journalists turned hip hop into a literary movement. Pitchfork dives into that time and explores their legacy and impact on journalism and other literary forms. “Eager to extend the outer boundaries of their creativity, many of these writers would go on to ink novels, memoirs, short stories, scripts, and poetry, much of which stayed true to the language and attitude of hip-hop, as though their words were drafted to the sound of a boom-bap beat. It all added up to a low-key literary movement that writer and activist Kevin Powell has dubbed, ‘The Word Movement.'” Includes a great reading list at the end.
We’ve written a fair bit about the By the Book series at the Times. You can read a selection of the best entries in a collection published by the paper. This week, the series featured another novel guest: Alan Gilbert, the conductor of the New York Philharmonic. Sample quote: “I don’t seek out books about music. I’ve read them over the years, but somehow, as a genre, it isn’t something I am specifically looking for.”