“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
“Our bookstores hold a place in our communities where people go to escape their lives, to talk to a real person and just sit in a comfy chair surrounded by personally curated literature. This is what we do, who we are, so let’s make an extra effort to step away from our desks and computers and provide a safe and compassionate place for people to share their anger and grief today.” In the wake of Monday’s tragedy, Boston’s bookstores figure out how to deal. And at The New Yorker, a poem for Boston.
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.