“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
“My scant respect for the trade to which I belong (from the most ancient of academicians to the most youthful of libelists) derives from a childhood home in which I grew used to mistreating and misusing almost all the seminal texts from the history of culture.” Javier Marias on the dangers of growing up with too many books.
To encourage first edition sales of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage, his publishers are going to include “a special sheet of stickers designed by five Japanese illustrators.” If that sounds as corny to you as it does to me, then consider the fact that the book likely does not need any real marketing strategy whatsoever: when it came out in Japan, it sold over a million copies per week.
New writers need to trust themselves, Marilynne Robinson advises in an interview with Thessaly La Force for VICE. “The idea that you might do something radically brilliant—that assumption is very empowering and it has given the world a lot of really interesting things to look at,” she said.