“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
Fresh Air’s Terry Gross sits down with Jonathan Franzen to talk about Purity, writing, and the possibility of parenthood. “I’ve always thought of myself as a comic novelist. It’s a tough road to hoe because comedy means light in people’s mind. There was an ambitious part of me that kind of chafed and was secretly relieved when the comedy was overlooked, but at a certain point, it becomes wearing for people not to get the humor.” Pair with our review of the novel.
How’s your NCAA bracket doing? Busted? Well, maybe you should’ve picked your teams based on which ones turn the highest profit. The Atlantic analyzed the financial data and, voilà, their bracket correctly predicted nine of the teams in the Sweet Sixteen.
Short on insult fodder? In that case you’ll want to read Colin Burrow’s review of Melissa Mohr’s Holy Shit: A Brief History of Swearing. It includes such notables as: “slapsauce fellows, slabberdegullion druggels, lubbardly lowts … slutch calf-lollies, grouthead gnat-snappers, lob-dotterels, gaping changelings, [and] codshead loobies.” In the end, “swearing is one of the most basic human acts,” he writes.
“Seidel scared himself with poetry, and us too. How had he done it?” John Jeremiah Sullivan presented the Hadada Award to Frederick Seidel at The Paris Review’s Spring Revel last month. You can read the full text of his speech and three of Seidel’s poems. This seems to be a much better week for Sullivan because he also just won the James Beard Foundation’s MFK Fisher Distinguished Writing Award for his essay “I Placed a Jar in Tennessee.”