The Right Kind of Ambivalence

In a way, this is the opposite of an interview: a series of conversations held exclusively between chatbots. At n+1, Nick Levine constructs dialogue straight out of Beckett. Pair with Houmon Barekat on Finn Brunton’s history of spam.

A basketball player gets kicked in the testicles and hundreds of news outets have to figure out how the heck to write about it: “Different outlets have different comfort levels when writing about the crotch. The New York Times, for example, threw idiomatic English out the door on first reference: ‘Exhibit A was that [Draymond] Green picked up a flagrant-1 foul — while hacked in the act of shooting — with 5 minutes 57 seconds left in the half by flailing a leg between those of Steven Adams, who wound up doubled over.'”

Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.

“Anyway, once his last season was over and NBA hadn’t called, Buck set his sights on coaching. Teaching was the best venue to get there. His wife, a pretty round faced blonde this time, was also a teacher; she taught fourth grade with my wife, Sherri. Working together had formed a friendship and it was this friendship that brought me — a manager at the Kraft Cheese plant — into this conversation with three public school teachers.” What we talk about when we talk about the Common Core.