The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
LA Weekly writes up the Los Angeles indie bookstore scene, of which I was once a part. Book Soup, my former place of employment, gets a nice and quite accurate writeup. I’ve never shared my stories on the blog, but, for example, the stuff about Faye Dunaway and Elton John is true. Tyson, the star of the article, was one of our more colorful newsstand employees when I was working there. The article’s take on Book Soup owner Glenn, meanwhile, is hilarious and right on the nose. As a bonus, the LA Weekly’s package includes a little bookstore tour of Los Angeles that serves as a nice counterpoint to the one that Garth created for NYC recently.Speaking of LA, obsessive film fans and those who love them should note that Amazon is having a big sale on Criterion Collection DVDs right now.Looking for a new place to live? The house in which Jack Kerouac was born is now for rent.TEV goes out on a “limn” with Michiko Kakutani.
“It may be true… that the internet will turn out to be ‘a giant empathy machine.’ And yet, as any reader knows, we’ve already had one for centuries.” Drew Calvert reviews The Novel: A Biography for the Los Angeles Review of Books and provides an argument for the novel in the digital age.
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
“How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?” Year in Reading alum Rebecca Makkai writes for Electric Literature about the opening of the new American Writers Museum in Chicago and what it means to curate an historical canon of letters. See also: our interview with Makkai from a couple of years back.