The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
In the wake of the terrorist attacks in Paris, Ernest Hemingway’s A Moveable Feast has rocketed to number one best-seller status in France as an emblem of cultural defiance. With a title in its French iteration that roughly translates to “Paris is a celebration,” the sudden popularity of the book run even Amazon out of stock.
Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.