The second issue of the new journal Music & Literature is a feast for Krasznahorkai enthusiasts and neophytes alike, with some 70 pages of previously untranslated fiction, interviews, and essays, along with critical context on the “Hungarian Master of the Apocalypse.” Alas, only George Szirtes‘ essay and an interview with translator Ottilie Mulzet are available digitally. But the complete analog package is highly recommended.
Sam Sacks takes a look at the “two major acts” in the life of Vasily Grossman, the Jewish-Russian author perhaps best known for his monumental account of the Stalingrad siege, Life and Fate. (Bonus: Life and Fate was picked by Stephen Dodson as his Year in Reading pick back in 2011.)
How can we not link to this? Mickey Hess creates a mock-Millions essay in refashioning Cathy Day's essay about "the novel problem" in MFA programs as "The Light-Bulb Filament Problem: 7 Thoughts on Academia’s Sheet Metal Crisis." Clever response to the ongoing MFA debate or just plain silly?
The publishers of the 33 1/3 series have made public the entire list of suggested albums submitted by their readers for the next book. Don’t worry, you didn’t miss your chance–the “Under-22” category is open through May of 2016. Pair it with our own Emily Colette Wilkinson’s hilarious musical soundtrack for her graduate school screenplay.
“But now that my first book of poems has come out, I’ve become increasingly aware of the challenge of writing a good inscription to a reader. As soon as I’ve got the pen in my hand, I become the most unoriginal message-writer on the planet.” On a little-known gripe about book signings.
"I think that every novelist of the kind of novels that I write has in them maybe one really good book, but the trouble with so many novelists is that they keep on writing novels even when they run out of ideas." Forrest Gump author Winston Groom on why it's taken him 20 years to write his new novel. Pair with our recent three-way interview with writers Emily Barton, Alexander Chee, and Whitney Terrell, all of whom needed a decade for their most recent books.