The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the “Novel” category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.
Leslie Jamison and Francine Prose discuss the ways reading can affect your life for the worse, with potential results ranging from murder to being bad at sports.
Recommended Reading: Kayla Williams‘s overview of books about war written by women veterans. “Works have been published by women veterans from all four branches of service, officers and enlisted, active duty and reservists, and from multiple ethnic backgrounds. Their diverse voices can significantly deepen our understanding of both who volunteers to serve in today’s military and what they experience.”
“Located along a private beach on 235 Middle Neck Road, this opulent Gatsby-inspiring estate spans over 5 acres. A mere 25 minutes away from New York City by boat, this home is the perfect scene for a roaring 20s party. Just picture the glitz and glamour of fireworks reflecting across the water at all hours of the night.” For a cool $16.9 million you, too, can live in the home that inspired F. Scott Fitzgerald. Pair with our own Sonya Chung on adding The Great Gatsby to her teaching syllabus.
The passing of Muhammad Ali was sad for fans of both sports and greatness alike. One little known Ali fact is that he once composed a line-for-line sonnet with another one of “the greatest,” the poet Marianne Moore. Let none other than George Plimpton explain it to you.
Recommended reading: Lauren O’Neal writes for the LA Review of Books about analog music, Millennial poetry and Jack White‘s foray into publishing.
Jonathan Franzen’s 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you’re concerned with critical reception, looks like you’re not a creator of “serious art and literature,” in Franzen’s eyes.