Some folks were abuzz this week about the release of all 47 endings to Ernest Hemingway’s novel A Farewell to Arms. That kind of commitment to a single story is impressive, and illustrates the author’s dedication to his work, but as Andrew O’Hagan points out in the London Review of Books, Big Papa loved no story so much as his own.
He Even Chose His Own Ending, In A Way
New McEwan on the Way
Here's another book that will be in our July "Most Anticipated Books" round up: Sweet Tooth by Ian McEwan, said to be set in 1972 and follow a female spy who is a compulsive reader of novels.
It’s All Volapük To Me
"'A language without umlauts,' he wrote, 'sounds monotonous, harsh, and boring.'" If Esperanto just doesn't have enough umlauts, Volapük just might be the right made-up language for you.
Suck It, MRAs
“I am very fortunate to be involved in a number of supportive communities who rally when things like this happen – but rarely do I laugh quite as hard as I did when reading Avid Reader’s responses.” The Guardian has the uplifting story of how an independent Australian bookstore "took on anti-feminist trolls and won." If for some reason, after reading that, you want to wade into an equally polarized comments section, scroll down to the conversation following Daniel Jose Ruiz's recent piece on geekdom and race.
Harry Potter and the Depressing Play
For a boy wizard whose saga ended six years ago, Harry Potter is in the news a lot lately. The Chosen One got a makeover by Jim Kay, and now J.K. Rowling is working on a stage play based on Potter. Don't expect a stage set of Hogwarts because the play will focus on Harry's early years at 4 Privet Drive.
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Fish N a Barrel
The Vault chooses the "20 Worst Hip-Hop Album Covers". Sorry, South Coast Shorty.
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Beach Reads
From Ian McEwan to Iris Murdoch, The Guardian offers a list of the 10 best seaside novels. Pair with our own Mark O'Connell's account of a close encounter with John Banville, whose The Sea makes the #8 spot.
A Front-Row Seat
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
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