2012 could be the year that we get to know Sergei Dovlatov, and our own Sonya Chung may have played a role. Her 2009 piece on the forgotten Russian humorist helped land one of his stories in PEN America. Soon we started seeing Dovlatov mentioned everywhere, and last year, Counterpoint published The Suitcase, and now The Zone will be released this week. Other new releases this week: An Available Man by Hilma Wolitzer, Heft by Liz Moore, and The Evening Hour, a debut novel by Carter Sickels.
“The most interesting writers we know, all asking and answering the same question: why can’t we stop watching cat videos?” Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos and “how we decide what is good or bad art, or art at all.”
In today’s NY Times, former Simon & Schuster executive Joni Evans ruminates on the Darwinian transformation of publishing, from tactile and sensory (paper and fountain-pen stains and typewriter bells) to e-everything (bidding wars and clean desks); she herself picked flight over fight.
Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: “I check in with Patrick every now and then—as with this article you’re reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth.”