My book, The Late American Novel: Writers on the Future of Books is out today (more on that here), and also out this week is Joshua Foer’s (the latest of the Foer’s to throw his hat in the authorial ring) Moonwalking with Einstein: The Art and Science of Remembering Everything, buzzed about food memoir Blood, Bones & Butter: The Inadvertent Education of a Reluctant Chef, a new look at the modern world’s most ubiquitous commodity James Gleick’s The Information: A History, a Theory, a Flood, Library of America boxing anthology At The Fights: American Writers on Boxing, Mat Johnson’s Poe-inspired Pym, and Victoria Patterson’s This Vacant Paradise. New in Paperback: Sam Lipsyte’s The Ask and Chang-rae Lee’s The Surrendered.
New Vessel Press is a new publisher specializing in the translation of foreign literature into the English language. Translator Ross Uffberg and journalist Michael Z. Wise started it last year. Next month, they’ll publish their first book, The Missing Year of Juan Salvatierra by Pedro Mairal, and they have plans for quite a few more as well.
You may have heard that Kazuo Ishiguro recently published his first novel in more than ten years. The Buried Giant, which takes place in Arthurian England, is a departure for Ishiguro, a work of overt fantasy. At Slate, our own Mark O’Connell provides his take on the book. You could also read our own Lydia Kiesling’s review.
This week, our own Lydia Kiesling took part in The Morning News Tournament of Books, where she adjudicated a showdown between Scott McClanahan’s Hill William and Ruth Ozeki’s A Tale for the Time Being. Who went on to the next round: the trans-Pacific odyssey, or the tale of West Virginia? (You could also read our own Edan Lepucki’s Tournament contribution from last year, or else read our own Nick Moran’s Year in Reading piece on Scott McClanahan.)
Errol Flynn was unique. Quick with a quip, the Australian-born silver screen swashbuckler (and current Tumblr heartthrob) had such immortal lines as, “I like my whiskey old and my women young.” Fans have long been drawn to the actor’s incredibly interesting life—much of which was relayed in his posthumously published autobiography My Wicked, Wicked Ways—so the Cuban National Archive’s uncovering of previously lost footage from his film Cuban Story should excite many of them.