One measure of a writer may be the quality of the thinking he elicits in others. Here, in advance of The Pale King, is an uncommonly perceptive BBC radio documentary about David Foster Wallace.
Listening to David Foster Wallace
Janie Crawford and Tea Cake on Air
To commemorate the book’s 75th anniversary, WNYC and WQXR Radio will present a live radio play of Zora Neale Hurston’s Their Eyes Were Watching God. New Yorkers will be able to catch the broadcast on February 29th and March 1st, and then the rest of the nation can hear it in September.
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Lydia Davis Whistles
The Art of the Adaptation
For The Guardian, Adrian Horton asks: how modernized should literary adaptations be? What liberties is it okay to take?
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Back from the Gulag
On NPR, Russian high school students now must read from The Gulag Archipelago. Genuine reflection or lip service? (Thx, Laurie)
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Extreme Bookselling: Japanese Edition
Japanese booksellers are not content to handsell books these days. No, no. Instead, they’re drawing on architectural know-how and creative spirit in order to master “the avant-garde art of book stacking.” (Hopefully none of them experience the Mariko Aoki phenomenon.)
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“Was it a vision, or a waking dream?”
Sherlock star Benedict Cumberbatch performed a haunting interpretation of “Ode to a Nightingale” by John Keats, and the actor has also recently signed on to play Hamlet on the London stage in autumn 2014. This raises the question: is Cumberbatch the British James Franco?
Best Last Lines
The American Book Review has a list (pdf) of the 100 best last lines from novels. I can’t think of mine; I keep getting “last line” confused with “end.” Thoughts? (Thanks Shakesville).
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“My spirit has come home, that sailed the doubtful seas.”
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.
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Thanks for posting that link. The documentary was very interesting — it’s a good primer explaining why DFW’s work is valuable.