One measure of a writer may be the quality of the thinking he elicits in others. Here, in advance of The Pale King, is an uncommonly perceptive BBC radio documentary about David Foster Wallace.
Listening to David Foster Wallace
Like TED for books
The annual Edinburgh World Writers’ Conference wrapped up earlier this week, but, thanks to the wonders of the internet, you can relive the magic: Transcripts and videos of notable speeches are available on the conference’s website, including the concluding talk on the future of the novel by China Mieville.
The Half-Windsor
Recommended Reading: Alex Myers’s essay “Just Like…” on Hobart. “I was seventeen, and I wanted to show him – and everyone else (most of all, myself) – that I could be a man on my own terms.”
●
●
Come Out and Party with The Rumpus
New Yorkers: tonight you can party with the likes of Sam Lipsyte, Colson Whitehead, Amber Tamblyn, Andrew McCarthy, Nato Green, Nick Flynn, Janine Brito, K. Flay and a whole bunch of the writers for The Rumpus. All it takes is $10 at the door. Festivities begin at Brooklyn’s Public Assembly at 7pm. Details can be found here.
●
●
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Interview with an Innkeeper
Some holiday cheer: John Scalzi offers up an interview with history’s most famous innkeeper.
Choose Your Own Apocalypse: Skynet or Stingrays
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
●
●
Kaitlyn Greenidge on Seeing Past the Dominant History
Kaitlyn Greenidge discusses her new novel, Libertie, and how she sought to tell stories from communities not commonly heard from in history books.
●
●
●
Thanks for posting that link. The documentary was very interesting — it’s a good primer explaining why DFW’s work is valuable.