When Pleasanton mom Siah Fried and her co-author wrote Tales from Swankville, a book about hyper-competitive parenting in suburbia, they didn’t expect their neighbors to take it so personally.
In The New York Times Magazine, Heather Havrilesky cautions against “The Divorce Delusion,” or one of modern drama’s most unrealistic tropes. “Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell,” she writes, “that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm.”
Ilan Stavans’s introduction to the quadricentennial edition of Don Quixote is available on the Literary Hub website. As he explains it, the narrative is both baffling and perfect: “What I like most about Don Quixote is its imperfection. I wasn’t wrong in my teens about the sloppiness of the writing; it is just that my attitude was too pedantic. It is, unquestionably, a defective narrative. Cervantes is often criticized as a numb and careless stylist.”
“What a miracle to find this buried treasure in the archives. To think something as good as this has been lying around there gathering dust.” An unpublished picture book by Maurice Sendak has been found, reports The Guardian; Presto and Zesto in Limboland, co-written with Sendak’s longtime collaborator Arthur Yorinks, is slated for publication next year. We revisited Where the Wild Things Are not long after the site’s founding.
Charles McGrath at The New York Times reviews Per Petterson’s new novel I Curse the River of Time: “…at moments when a lot of American prose seems fizzy and over-rich, the sentences in I Curse the River of Time go down like an eye-watering shot of aquavit.”