Last year we had fun comparing the U.S. and U.K. book cover designs of a sample of the Rooster contenders, so I decided to do it again with this year’s batch. There are all sorts of marketing considerations behind these designs, and it’s interesting to see how designing for these two similar markets can result in very different looks. The American covers are on the left, and clicking through takes you to a larger image. Your equally inexpert analysis is welcomed in the comments.
This November, Knopf recently announced, Alice Munro will publish Dear Life: Stories, her 13th book of shorts and second since her announced “retirement” in 2006. For Alice Munro fanatics — a group in which I proudly include myself — this is, of course, wonderful news. It’s also an excuse, as if we needed one, to revisit her previous work, and to push her books on the world’s non-Munroviacs.
Considering which of Alice Munro’s stories to read can feel something like considering what to eat from an enormous box of chocolates. There are an overwhelming number of choices, many of which have disconcertingly similar appearances — and, while you’re very likely to choose something delicious, there is the slight but real possibility of finding yourself stuck with, say, raspberry ganache.
Herewith, a partial guide:
The Munro book to read if you’re only willing to read one: Selected Stories
The Munro book to read if you’re only willing to read one but don’t like the idea of reading a literary greatest hits album: The Beggar Maid. Published in 1977, The Beggar Maid is as close as Munro has ever come to writing a novel, but it actually does a better job than just about any novel I know of getting an entire, living human being onto the page. The book follows a woman named Rose all the way from her early childhood to her middle age, and never feels stretched. It’s an extraordinarily high-grade steak that just happens to be served in slices.
Best story, in the category of autobiographical-seeming stories about love: “Bardon Bus,” which contains some of the most convincingly rendered emotional agony I’ve ever read.
Best story, in the category of historical drama: “A Wilderness Station,” which should, with its many voices and bizarre, dramatic happenings, put to rest any notion of Munro as a predictable dispenser of affair/epiphany-type fiction.
Best story, all categories: “The Beggar Maid,” which showcases, among other things, her remarkable deftness in telling stories that leap around in time.
Story featuring most implausible twist: “Tricks.” A woman falls in love with a man, meets him again and is puzzled by his coldness. Turns out, the cold one was an identical twin. She acknowledges the silliness within the story, but still.
Stories featuring drownings or near-drownings: “Miles City, Montana,” “Changes and Ceremonies,” “Gravel,” “Walking on Water,” “Love of a Good Woman,” “Pictures of the Ice,” “Child’s Play.”
Stories featuring murders or near-murders: “Open Secrets,” “Fits,” “Dimension,” “Free Radicals.”
Story whose plot, after three or four readings, I’m still not sure I understand: “Open Secrets.”
Most depressing story that will somehow leave you uplifted: “Dulse,” in which a woman spends a few days thinking gloomy thoughts in New Brunswick in the wake of a devastating breakup. The brilliant little breakfast scene with the Willa-Cather-obsessed man is a joy.
Most uplifting story that will somehow leave you depressed: “The Turkey Season,” in which the narrator cheerfully remembers the winter she spent working in a turkey barn. A sense of never-quite-resolved unease hovers over this story like a snowstorm.
Authors to read once you’ve finally gotten your fill of Munro: William Maxwell (who’s Munro’s favorite writer), Eudora Welty (whose story, “A Worn Path,” Munro has called the most perfect story ever written), and George Saunders (whose stories, despite very much not being set in rural Canada, are as moving and smart and humane as Munro’s).
Lives of Girls and Women: “Changes and Ceremonies”
Something I’ve Been Meaning to Tell You: “Walking on Water”
The Progress of Love: “Miles City, Montana,” “Fits”
Friend of My Youth: “Pictures of the Ice”
Open Secrets: “A Wilderness Station,” “Open Secrets”
Love of a Good Woman: “Love of a Good Woman”
The Moons of Jupiter: “Turkey Season,” “Bardon Bus”
Too Much Happiness: “Free Radicals,” “Dimension,” “Child’s Play”
We recently posted a new edition of Judging Books by Their Covers 2015: U.S. Vs. U.K. These comparisons are fascinating — what does a “little billboard” on a book say about our respective cultures?
I was recently looking at the covers of Dutch-language books and found many titles that I recognized. Despite our different cultures, we share many overlaps in our literary taste. I hoped that I could draw some conclusions about those tastes by comparing U.S. and Dutch-language book covers. After spending way too much time on the task, I conclude that I can’t. The comparisons, however, are equally fascinating.
With my tongue in one cheek, I’ve provided a few thoughts below. You are encouraged to take equally wild stabs in the comments. If anyone has more cultural insight, please do weigh in.
The American covers are on the left, and the covers from the Dutch originals or translations are on the right.
The Dinner is a good place to start as it was first published in Dutch in 2009. I understand the scorched place setting of the U.S. cover. Looking at the lobster on the Dutch cover…I’m thinking of a seaside restaurant in Maine. Maybe it’s evoking the feelings that lobsters have when they go into a pot? That’s how the tension of the novel feels, like being boiled alive?
A Millions favorite, Stoner. I read the New York Review Books Classics version and it blew me away, so it is difficult for me to say anything that might sound disloyal. However, if I could draw a picture of my face after I read the novel, I would have looked exactly like the man in the Dutch cover on the right.
I had to run this Dutch title through Google Translate to make triple sure that I had the cover of A Visit from the Goon Squad. It becomes “Visit the Thugs” in Dutch, which has a nice ring to it. I’m less clear about what purples evoke to the Dutch that turquoise on the U.S. hardback cover does not? Why one less fret on the neck of the guitar? Google Translate was no help in answering these questions.
Some of the imagery for Freedom is similar, but the covers have very different feels. To me, the lake country in the U.S. cover evokes the gentrified world view of Patty and Walter Berglund. I’m interested in the choice of a flat field — is it trying to say something similar to a Dutch speaker? If there is an Ornithologist out there, please let me know if the bird on the right speaks Dutch or English.
Cloud Atlas by David Mitchell: wow.
Anthony Doerr’s Dutch translation is interesting as the publisher went with the U.K. cover (we declared it “pretty dull.”) Maybe the Dutch designer agreed because there are some differences. Most striking are the changes of tint. The girls dress, for example, is much more vibrant on this cover than on the U.K. version on the right. In general, the U.S. cover takes the broader view of the book I read. I wonder if a reader in Amsterdam or London would disagree?
**We’re doing a version of this tour in May. Click here to get all the details.I. IntroductionBy the time our original “Walking Tour of New York’s Independent Bookstores” hit the web in 2007, its first stop – the Gotham Book Mart – had closed its doors for good. As I type these words, stop number 5, Greenwich Village’s venerable Oscar Wilde Bookshop, looks likely to join the Gotham on the honor roll of bookstores past. The Strand Annex in lower Manhattan is, as of last summer, no more.It would be belaboring the obvious to say the last two years have been tough times for the bookmen and bookwomen. And yet, despite the vagaries of the business, independent bookstores continue to open, and to serve as hubs for communities real and imagined. I’ll spare you the exegesis on why I think this matters – we’ve covered that ground in the original post, and elsewhere. Instead, I’d like to offer you a new and improved edition of the Walking Tour.You can still find brief descriptions of many of the stops in our first “Islands in the Stream Post,” but the route we’ve charted has changed, and we’ve added new stops, with new descriptions below. In addition, through the magic of modern technology, we’ve created an information-rich online map of the tour.The full-size version of this map contains all of our capsule reviews, plus directions and website links. [Update: You can also now add your own edits to the tour at our Collaborative Atlas of Book Stores and Literary Places.] Below we offer the step-by-step itinerary, including capsule reviews for the newly added stops.II. The TourStop 1: St. Mark’s Bookshop (31 3rd Avenue at 9th Street).Stop 2: The Strand (828 Broadway at East 12th.)Stop 3: Partners & Crime Mystery Booksellers (44 Greenwich Avenue at Charles Street)This well-stocked half-basement shop in the heart of Greenwich Village is one of several area bookstores that specialize in mystery books. The staff is steeped in the store’s chosen genre, making this an excellent place for suspense buffs to find new titles and old classics.Stop 4: Three Lives & Co. (154 West 10th Street at Waverly Place)The owners of Three Lives know that varnished wood and books go together like Marvin Gaye and Tammi Terrell, and so the whole space has a uniquely warm atmosphere. The staff – one of the friendliest and most knowledgeable in the city – contributes to the sense of ease and comfort. Three Lives has also figured out how to maximize the number of titles placed face-up or face-out, which makes browsing easy. This is a particularly good spot to look for literature in translation; Ingo Schulze’s New Lives was prominently displayed on a recent visit.Stop 5: Housing Works Used Book Cafe (126 Crosby St. between Prince and Houston)Stop 6: McNally Jackson (formerly McNally Robinson) (52 Prince St. between Mulberry and Lafayette)Stop 7: Bluestockings (172 Allen Street between Stanton and Rivington)Bluestockings, the venerable, cooperatively run Lower East Side institution, puts the independent back in independent bookstore. Of New York’s many bibliophile haunts, this one boasts perhaps the most pronounced curatorial sensibility. Punk, feminist, progressive, culture-theoretical, and environmental sensibilities predominate, without domineering. With its extensive and esoteric periodical section, its frequent events, its adventurous front tables, and its terrific coffee, Bluestockings is a great place to make a discovery.Now, across the Brooklyn Bridge to Stop 8: Melville House Bookstore (145 Plymouth Street at Pearl Street, Brooklyn)Melville House HQ, as I like to think of it, is part publishing house, part bookstore. The daily operations of Dennis Loy Johnson’s stalwart independent press take place in Bat-Cave-like secrecy behind a nifty set of pivoting bookshelves. Up front, shelves and tables are stocked with the Melville House catalog, as well as the wares of other Brooklyn-based independents and literary magazines, including Akashic Books, Ugly Ducking Presse, N+1, and A Public Space.Stop 9: BookCourt (163 Court St. between Pacific and Dean)Stop 10: Freebird Books & Goods (123 Columbia St. between Kane & Degraw)Stop 11: WORD (126 Franklin Street at Milton Street, Brooklyn)WORD, a new Brooklyn bookstore, seeks to bring the Three-Lives/BookCourt model of the cosy neighborhood bookstore to the off-the-beaten-path precincts of Greenpoint. In this case, WORD combines top-shelf contemporary literature with a great selection of kids’ books. Frequent events and a terrific staff help cement the connection between store and neighborhood. With one of the more impressive internet efforts among NYC independents, WORD is doing online community-building, as well.III. The Future(s) of IndependentsNot just in the Big Apple, but all over America, the rapid technological and economic transformations of the last decade have profoundly altered the ecosystem in which independent bookstores exist. Far from solemnizing the end of an era, however, our Walking Tour seeks to illuminate some of the strategies that may help our favorite bookstores thrive in the 21st Century. A glance at our last three stops serves to illustrate the point.Since we first wrote about BookCourt (Stop 9), the store has expanded, nearly doubling its square-footage. This has allowed it to create a more generously apportioned area for children’s books – a growth genre in this baby-booming neighborhood, and a turf BookCourt can now vigorously compete for with the Barnes & Noble down the street. Another advantage of expansion: the store can now book readings for big names such as Richard Price without fear of running out of space.Freebird Books (Stop 10), under new ownership, has expanded in a more metaphorical sense, building up its events calendar. Readings and screenings, post-apocalyptic book clubs, and back porch barbecues help attract readers over to quiet Columbia Street. Owner Peter Miller also maintains a lively, involving blog detailing his discoveries in the used-book trade.WORD (Stop 11) has nudged the events-plus-online-presence strategy even further toward the latter. With a frequently updated blog, a Twitter account, a facebook following and a highly functional website, Word involves even those readers who can make it to the store only infrequently. Millions alum Patrick Brown, now blogging for L.A.’s Vroman’s Bookstore, has written perceptively and at length about how a bookstore’s online dimension can become more than window-dressing. I’ll be interested to see how aggressively, and how successfully, independent bookstores expand their online efforts in the coming years.More mapping fun: The Millions’ Collaborative Atlas of Book Stores and Literary Places