I’ve always thought that British book covers, generally speaking, are nicer looking than their American counterparts, with the latter seeking to target a demographic rather than to dazzle the eye. With this in mind, the following is an incredibly unscientific experiment in aesthetics. I’ve taken as a sample the Tournament of Books contenders whose American and British editions differ. The American covers are on the left, and clicking through takes you to a larger image. Your equally inexpert commentary is welcomed in the comments.
I happened across an odd little story today. Apparently, books made of gold are a fad among the super-rich in China. There is also concern that the books, which cost upwards of $1,000 are becoming a "means of bribery," according to a story from Xinhua, as they are given as gifts to public officials. None of the English-language stories had photos of the books so I did some searching to find out what they look like. You can see pics here and here.
Artist Thatcher Hurd, son of Goodnight Moon creators Margaret Wise Brown and Clement Hurd has an art show up at the Rhode Island School of Design that features a three-dimensional life size display from of the illustrations from the book. For more, see the AP story and a photo of the work.(via H2O)
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I was recently looking at the covers of Dutch-language books. Despite our different cultures, we share many overlaps in our literary taste. I hoped that I could draw some conclusions about those tastes by comparing book covers. After spending way too much time on the task, I conclude that I can’t.
If you thought books were just to read - to entertain, educate or enlighten - then think again.Macleans Magazine ran a piece recently on a little bookshop in Old Montreal that displays its wares as museum-pieces. Librissime offers Dante's Divine Comedy, "bound in buttercream-white calfskin leather, a hand-chiseled brass rendering of the crossing of the River Styx by Italian sculptor Alessandro Kokocinski on its cover." Priced at $36,200, it "looks best bathed in indirect halogen light." The thinking behind all this is that the prospective customer has already read the book, and now "wants to honour it by turning it into art." If you are indeed brave enough to walk in off the street, and if something on display catches your eye, apparently gloves will be required before daring to touch the "artified memento."At the other, more utilitarian, end of the spectrum, books can be a handy substitute for a weapon. A number years ago I was visiting my friend Doug in Britain. He'd been living with friends in a big old house, and in that life of dilapidated grandeur, a music room of sorts was doubling as his bedroom. I was asleep on a futon at one end off the room; Doug was slumbering on a mattress at the other end. Evidently my snoring became so unbearable that Doug awoke, picked up the closest object - a hardcover book - and with remarkable and unprecedented marksmanship, he propelled the book across the room toward my invisible bull's-eye, clonking me in the head, silencing my snoring, and returning peace and quiet to the South London night.More Books as Objects: Limited Editions, A List of Bookish Objets, Books by the Foot, The Ultimate Prop