I’ve always thought that British book covers, generally speaking, are nicer looking than their American counterparts, with the latter seeking to target a demographic rather than to dazzle the eye. With this in mind, the following is an incredibly unscientific experiment in aesthetics. I’ve taken as a sample the Tournament of Books contenders whose American and British editions differ. The American covers are on the left, and clicking through takes you to a larger image. Your equally inexpert commentary is welcomed in the comments.
I happened across an odd little story today. Apparently, books made of gold are a fad among the super-rich in China. There is also concern that the books, which cost upwards of $1,000 are becoming a "means of bribery," according to a story from Xinhua, as they are given as gifts to public officials. None of the English-language stories had photos of the books so I did some searching to find out what they look like. You can see pics here and here.
I happened upon this story about a scheme to smuggle drugs into a Michigan prison using library books. From the Muskegon Chronicle:Inmates at the prison in eastern Montcalm County communicated with somebody on the outside, providing titles to check out from the Madison Square branch library on the southeast side of Grand Rapids. The outsider was to check out the books, cut open the bindings, tuck drugs inside, then reseal them. Then, the accomplice would return the books to the library and contact the inmates, telling them which drug-packed books to request.Luckily the plot was foiled before any books could be mangled in its service.
When I worked at the bookstore in Los Angeles,we would occasionally get customers who would by books based not on their subject matter or on who wrote them, but by the color of their spines. Somebody would come in looking for light covered spines. Another would peak behind dusk jackets looking for books that conveyed a "vintage look." More often than not these shoppers were Hollywood set designers, trying to fill the bookshelves that would provide the backdrop for the action in a movie or television show. Ever wonder why movies cost tens of millions of dollars to make? It's because these guys were paying full price for these books and not picking them up cheap at a Goodwill store. But other people shopped like this to fill their homes because full bookcases look nicer than wallpaper. One celebrity would routinely buy multiple copies of dozens of books, so that his bookshelves would be equally full in each of his multiple homes.According to a Knight-Ridder article, this book decor trend is filtering down to the masses:Perhaps the ultimate signal that books are decor came when a recent Pottery Barn catalog showed an entire bookcase with the books turned backward, annoying mismatched spines facing inward, all in an attempt to achieve a neutral, uniform look.Luckily the article is mostly skeptical of this trend, but it goes on to mention Book Decor, "a California company that sells foreign books by the foot for the express purpose of looking at them rather than reading them. Danish books cost $100 a foot, German are $150 a foot and French are $200."In a way they're right. Books look great on the walls, elegant and inviting. A well-stocked library makes an impressive statement about one's taste, but of course, lest we forget, each of the books is filled with stories. Walking into such a room, one can almost see all the words and characters peaking out from behind the book covers and floating through the ether. It strikes me as insane that anyone would fill shelves with books that they would never be able to read. After all, books are multitaskers of home decor. They look great, but you can read them and share them with friends, too. Try to do that with wallpaper.
As we've done for several years now, we thought it might be fun to compare the U.S. and U.K. book cover designs of this year's Morning News Tournament of Books contenders. Book cover art is an interesting element of the literary world -- sometimes fixated upon, sometimes ignored -- but, as readers, we are undoubtedly swayed by the little billboard that is the cover of every book we read. And, while some of us no longer do all of our reading on physical books with physical covers, those same cover images now beckon us from their grids in the various online bookstores. From my days as a bookseller, when import titles would sometimes find their way into our store, I've always found it especially interesting that the U.K. and U.S. covers often differ from one another. This would seem to suggest that certain layouts and imagery will better appeal to readers on one side of the Atlantic rather than the other. These differences are especially striking when we look at the covers side by side. The American covers are on the left, and the UK are on the right. Your equally inexpert analysis is encouraged in the comments. So this is interesting. It would seem that us American readers require more orbs to get us interested in a novel of Victorian scope and heft. I like the slightly more subtle U.K. look The U.S. version is a little dull though it has a pleasing spareness to it and I like the vintage botanical illustration thing going on there. I far prefer it to the U.K. cover. I get that there's a handmade motif happening but the colors are jarring to my eye. I don't think you would ever see a cover that looks so "genre" on a literary novel in the U.S., and it kind of makes sense with Hamid's self-help-inflected title and the "Filthy Rich" in a giant font. The U.S. cover is aggressively boring. Both are bold, but I prefer the U.S. cover. The burnt tablecloth is a more original image than the lobster. I suspect I may be in the minority here, but I prefer the U.S. cover which seems to bank on the Lahiri name, rather than the U.K., edition which seems to telegraph the subcontinental content. Neither of these seems to be exerting much effort to break out of the Western-genre tradition, but the U.S. version's painterly affect at least gives it a little intrigue. At first glance, both of these appear to be going for the creative use of classic Asian motifs, but the British cover is actually pretty wild, using something called "Blippar technology" to produce an animated effect when you look at it with a smartphone. So, points for innovation in book cover design. Both of these are pretty great, but I love the U.S. cover. It's clever to have a YA book with a cover that looks drawn by the hand of a precocious teen. It kind of reminds me of the similar design philosophy of the 2007 movie Juno. Drawings inspired by vintage botany texts must be in this year. Here we have two different versions of the same idea, but the U.S. take is more lush and interesting. Atkinson is a superstar in the U.K. (as opposed to merely having legions of devoted fans in the U.S.) so that may account for the foregrounding of her name on the U.K. cover. Regardless, the U.S. look is far more intriguing. The Flamethrowers unaccountably didn't get a Tournament bid, but it should have, so we'll include it here, especially because it's a great example of some seriously bold cover design going on on both sides of the pond.
In January I posted scans of a bunch of fantastic new editions of classic books from Penguin with covers designed by famous comic book artists. I'd heard that another batch was on the way, and I finally got my hands on the images so here they are. They come out this fall:Rashomon and Seventeen Other Stories by Ryunosuke Akutagawa, Cover by Yoshihiro TatsumiWe Have Always Lived in the Castle by Shirley Jackson, Cover by Thomas Ott The Dharma Bums by Jack Kerouac, Cover by JasonLady Chatterley's Lover by D.H. Lawrence, Cover by Chester Brown Gravity's Rainbow by Thomas Pynchon, Cover by Frank MillerPhilosophy in the Boudoir by Marquis de Sade, Cover by Tomer HanukaSee the full-size pictures hereSome other notes: I first saw some of these covers posted at the Fantagraphics blog. Tomer Hanuka has a really cool post about designing his cover at his blog Tropical Toxic.