Pevear and Volokhonsky (first names no longer needed, really…like Madonna or Cher) rap with The Wall Street Journal about their luminous (dare we say definitive?) new translation of Tolstoy‘s The Death of Ivan Ilyich and Other Stories.
A Columbia University course that has taught generations of bright-eyed would-be Maxwell Perkins the ins and outs of the New York publishing biz has had to retool its curriculum to account for the e-book phenomenon, the New York Times reports.
In the mid-90s, David Foster Wallace published a scathing review of a John Updike novel, Toward the End of Time, that became a key text for critics of the celebrated author. Now, at The New Republic, David Baddiel argues that Updike gets a bad rap, while Jeffrey Meyers backs up DFW’s position. It might also be a good time to read James Santel’s review of Updike's Collected Stories.
There was an article in the New York Times on cook book ghostwriters, and it called Gwyneth Paltrow out for not writing My Father's Daughter. Then the actress cum gourmand denied having worked with a ghostwriter in a tweet. Now Sari Botton, a frequent ghostwriter, has tried to clear the whole thing up in an essay on The Rumpus on why ghostwriting is such a fickle business, and a tricky term.
When did the air of scandal surrounding Philip Roth give way to a kind of reverence? At a certain point, Roth lost his reputation for controversy. In The New Republic, Adam Kirsch investigates the odd story of Roth’s career, including evidence from Claudia Roth Pierpoint’s new book about the author, Roth Unbound (which we reviewed).