Horacio Castellanos Moya, the author of Senselessness [review], again tackles the commodification of Roberto Bolaño, this time in a lengthy piece in Guernica. “It’s the landlords of the market,” he writes, “who decide the mambo that you dance.”
Castellanos Moya on the Bolaño Bubble, Part Two
On Ebooks on the Cheap
Chad Post of Open Letter Books writes a compelling piece on the devaluing impact of ebook pricing, and why, despite that, Open Letter not only now offers ebooks, it put them all on sale for $4.99 for the month of June.
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Amazon Plans for Zombies
Ever Thus
Recommended Reading: Gary Krist on the friendship-gone-wrong of John Dos Passos and Ernest Hemingway.
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A Tale of Murder
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
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87 Years Delayed: New Zora Neale Hurston
New York Magazine has an excerpt up from Zora Neale Hurston‘s long-lost manuscript, Barracoon: The Story of the Last Black Cargo, the first-person account of Cudjo Lewis, the only living survivor of the final slave ship to land in America. Barracoon will finally, 87 years later, be published next week.
Celebs to Read to You
Audible is bringing out the big guns for its new A-List collection, a series of audio books read by celebs, including Samuel L. Jackson narrating A Rage in Harlem and Anne Hathaway doing The Wonderful Wizard of Oz.
Who You Calling “Late,” Buddy?
Behold the launch of Bloom, a fabulous new website (founded by our own Sonya Chung) that pays attention to older writers who meet her definition of “Late Bloomers.” (In case you’re wondering, the site spun off from our own Post-40 Bloomers series).
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Love the sly “If he did take a lover…” lead about midway through the piece. Only time I’ve ever read anything about that, and odd in a piece of this tone and purpose.