Horacio Castellanos Moya, the author of Senselessness [review], again tackles the commodification of Roberto Bolaño, this time in a lengthy piece in Guernica. “It’s the landlords of the market,” he writes, “who decide the mambo that you dance.”
Castellanos Moya on the Bolaño Bubble, Part Two
Outline Obsession
Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. “I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way,” she told The Daily Beast.
The Humanity of Books
“To me a book is not just a particular file. It’s connected with personhood. Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say. And what I’m concerned with is when Silicon Valley looks at books, they often think of them as really differently as just data points that you can mush together. They’re divorcing books from their role in personhood.” Digital pioneer and theorist Jaron Lanier fears that the Internet might be destroying not just literature, but also the middle class.
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For Your Weekend
Slate offers up a treatise on “the greatness of gin.” (via my friend Derek, who wrote: “for your book blog; there is too little booze on it”)
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Nabokov Speech Published in English for the First Time
In 1925 Nabokov delivered a colorful talk on boxing to a circle of Russian émigrés living in Berlin. Yesterday, that pugnacious passage was published for the first time in English.
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Recommended Reading: Millions contributor Shaj Mathew on avant-garde fiction.
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It’s an Honor
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
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Love the sly “If he did take a lover…” lead about midway through the piece. Only time I’ve ever read anything about that, and odd in a piece of this tone and purpose.