The Nation expends about 7,500 words to say Malcolm Gladwell is a hack. The source of the umbrage: “a cheerful, conversational voice deployed in a perfectly paced dopamine prose that had the palliative effect of nullifying whatever concerns readers might have about this product or that problem.”
“When I go back to Bogotá, I like to share my knowledge of the car bombs that went off in the city in the ’80s and ’90s. I helpfully point out the gory details to cab drivers and friends. I press my finger on the window and point at corners, ‘That’s the spot where an ATM blew up, seven dead.’” From Bogatá to Tel Aviv — here are ten writers on the places they immigrated from, returned to, remember, and call home.
“Hill had maintained a daily writing routine since age 13, completing four or five books as a teen and four more as an adult, and was now, at the cusp of 35, finally putting out a novel—a ghost story.” GQ profiles Joe Hill about his writing, being the son of Stephen King, and finding success in his own right. From our archives: our own editor Lydia Kiesling‘s essay on King, nostalgia, and America.
Who better to review a new sci-fi book than Ursula Le Guin? The Guardian editors couldn’t think of a better candidate either. She reviewed the new story collection Three Moments of an Explosion by the English writer China Miéville. Sample quote: “Pastiche, when present, is so skilful that it can go unnoticed.” You could also read our own Bill Morris on discovering Miéville’s work.
“The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change.”
Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.
Nick Offerman is a jack of all trades—since leaving Parks and Recreation, he has performed in a stage production of A Confederacy of Dunces, and now he’s about to publish his third book, Good Clean Fun: Misadventures in Sawdust at Offerman Workshop. He sat down for an interview with Etsy this week.
“Even with such apparently juicy material, blithe self-exposure quickly grows dull. Their mutual trust comfortably established, Marsha, Emily, and Vincent unleash endless confession, allowing one another to stand in for the analysts they aren’t seeing over the summer. Nobody has to coax anything out of anyone.” On the age of social media and the novel Talk by Linda Rosenkrantz.