David Grann in The New Yorker: “Did Texas execute an innocent man?” This is why long-form journalism matters.
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: “My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue.”
Does modern China need its own literary sub-genre? On trying to understand China’s “ultra-unreal” reality: “If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word ‘chaohuan’ (ultra-unreal) is something of a play on the word ‘mohuan’ (magic), as in ‘mohuan xianshizhuyi’ (magic realism)— ‘mohuan’ is ‘magical unreal,’ and ‘chaohuan’ is ‘surpassing the unreal.’”
Everyone’s been there: the bookstore event at which the reader drones on and on. The Observer shares some reading horror stories (and a few successes). Sarah McNally of NYC’s McNally Jackson bookstore says, “The traditional reading format is broken.”
Our heartfelt congratulations to Greg Fawcett, winner of this year’s Ernest Hemingway look-alike contest. He credits his success in the competition with “dedication, timing his haircuts carefully and paying attention to the length of his beard.” Looking good Greg, and all you other Papas in Miami.