David Grann in The New Yorker: “Did Texas execute an innocent man?” This is why long-form journalism matters.
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The Paris Review once referred to Roberto Calasso as “a literary institution of one.” Calasso stopped by The New York Times to answer a few questions about publication and Italy in anticipation of his forthcoming memoir, The Art of the Publisher.
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Advice From The Hoary
“Me? He wants me to give him advice? But why? I still have no idea what I am doing. Then I realized that I did, at least, have eight more years of a writing practice that had run in tandem with a life of odd jobs, graduate school, starting a business, traveling, etc. I thought about an anecdote my friend Daniel once told me about what happened when Ian McEwan was asked to give advice to a young writer just starting out. He simply said, ‘Be successful.’” Catherine Lacey gives advice to a not-much-younger writer.
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Get Bent, Collier County.
The MFA program at Florida Atlantic University launched Swamp Ape Review, a new national online literary journal. For their first print issue, which is set to publish next year, they’re accepting submissions from writers in South Florida, such as Martin, St. Lucie, Palm Beach, Broward, and Miami-Dade counties. For a nice primer on the journal’s namesake (or, rather, its alias), I direct your attentions to Bill Kearney.
Geoff Dyer on Garry Winogrand
Year in Reading alum Geoff Dyer takes a fascinating look at two photographers – Garry Winogrand and Tod Papageorge – who happened to photograph the same thing at the same time, but wound up producing wildly different images.
This was the most powerful thing I’ve read in a long time. I hope that the story continues to build momentum.
Me too, but I’m not holding my breath. Nino Scalia is a terrific writer, bless his heart, but he strikes me as the worst kind of ideologue: the kind who doesn’t know he is one. And so, when he says, “Show me such a man…” I think he means “Get me to admit that there is such a man…” which is verily a different kettle of fish.