David Grann in The New Yorker: “Did Texas execute an innocent man?” This is why long-form journalism matters.
Boris is coming to the big screen. Nina Jacobson, the producer behind The Hunger Games, has acquired the rights to adapt Donna Tartt’s The Goldfinch. Whether it will be a film or TV miniseries is still up for question, but if the actors need any help getting into character, check out our essay on identifying with Theo and learn how to tweet like Boris.
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.