Adonal Foyle, the former basketball standout at Colgate who has had a long career with the Golden State Warriors, has an impressive Web site that includes his very own book club. The club’s current pick, The Da Vinci Code isn’t terribly inspired, but I’m nonetheless impressed that an NBA star is broadcasting his love of reading. Note as well Foyle’s “Top 10 Books” which includes an ample mix of basketball books and political non-fiction with a leftward-leaning bent.
Here at The Millions we’ve praised Woody Allen’s writing over the years – Andrew discussed Without Feathers in 2005 and I did the same a year later. For fans like us, it’s been a good month.While Allen’s movies have been coming along unabated for decades, there’s been less on offer for fans of Allen’s writing. But this month, for the first time in 25 years, Allen has a new humor collection out. Mere Anarchy collects many of Allen’s recent New Yorker pieces as well as some new material. Supplementing that slim volume is The Insanity Defense, which puts Allen’s three earlier collections under one cover – Without Feathers is joined by Getting Even and Side Effects. Both new books are must haves for Allen fans.
Jennifer 8. Lee in the New York Times describes the “Washington read.” A practice in which Washington insiders peruse the index of a current political best seller, Plan of Attack or Against All Enemies, for example, to see if they have been mentioned. It is sort of a test one’s own importance inside the beltway, and many, prematurely certain of their own historical significance, are crushed to find that they have been omitted from history’s first draft. Washington, however, does not have a monopoly on such practices. I lived in Washington D.C. for most of my life before moving to Los Angeles, and I have observed many times the similarities between the two cities’ chief industries. I don’t know if I coined this analogy, but I’ve always thought that politics is just Hollywood for ugly people. And so it makes sense that I discovered, over the last couple of years, that there is such thing as a “Hollywood read.” It usually goes something like this: an older guy stands at the front of the store flipping through the latest Hollywood tell-all. He is deeply tanned and his shirt is unbuttoned to reveal tufts of silver chest hair. He is wearing ridiculously oversized sunglasses and smells of cigar smoke. He leans over to me and points to the book and says, “I used to work with this guy,” and then he goes back to scanning the index to make sure his old buddy mentioned him. Samuel Fuller’s posthumously published A Third Face generated this reaction. And those in the music biz went straight to the index of Walter Yetnikoff’s Howling at the Moon. Last fall, a mention in Down and Dirty Pictures by Peter Biskind meant that you officially matter in today’s Hollywood. But to have been mentioned in Robert Evans’ The Kid Stays in the Picture indicates a special sort of notoriety.
One of my favorite magazines, which I now finally subscribe to thanks to a surplus of frequent flier miles, is The Week. It’s done in the “digest” format, taking the week’s news, events, and cultural goings on from hundreds of sources – newspapers, magazines, etc. – and distilling it down to about 45 pages. It’s a great way to fill in the small gaps left by my other two standbys, the New Yorker and The Economist.One of my favorite features in The Week is called “The Book List,” (not available online) in which the magazine asks a notable person to recommend a handful of books. This week’s featured recommender was Lionel Shriver, whose new book The Post-Birthday World comes out soon. Her list of six books caught my eye because it includes two of my favorite books, Atonement by Ian McEwan and Paris Trout by Pete Dexter, as well as a book recently read and enjoyed by Mrs. Millions, Matthew Kneale’s English Passengers (which I hope to read soon, too). So, naturally, I was curious to see what else Shriver was recommending since our tastes seem to be aligned.As it turns out, rounding out her list are two more books I’ve wanted to read and a third I’ve never heard of. The first two are The Age of Innocence and Revolutionary Road by Richard Yates. The third book – new to me – is As Meat Loves Salt by Maria McCann.
I used part of my day off to sit around my house and listlessly attempt to get things done. I used the other, smaller, part of my day off to run some errands, and when I spotted a goodwill store in Glendale, I just had to run in and check out their book selection. I’m really glad I did.Find #1: A hardcover edition of J. F. Powers’ cult classic Wheat That Springeth Green. As you can see from the link, New York Review of Books Press has recently reissued this one, and it has been a favorite among my coworkers.Find #2: A hardcover edition of a book called Shah of Shahs by one of my all time favorite writers, Polish journalist Ryszard Kapuscinski. Kapuscinski has spent the last 50 years writing for the Polish equivalent of the Associated Press. During this time he has been on the scene for nearly every international conflict from front page news to the one paragraph comment buried in the International section. He wrote under the auspices of a state run news agency controlled by a Communist country and yet he spent nearly all of this time abroad, witnessing the wider world as few Communist citizens were able to. His writing betrays this interesting perspective in that he takes nothing for granted and never resorts to cliche to describe cultures that are utterly foreign. In this way, his journalism bears little resemblence to his Western counterparts, and instead he is just a man describing other men, exploring the universal nature of conflict, and occasionally pining for the cold winters of his homeland. Shah of Shahs is about the fall of the Shah of Iran and the rise of the Ayatollah as told by Kapuscinski who was, of course, in Tehran at the time. I already own this in paperback, but I couldn’t help buying the hardcover.Find #3: The two books about Russia that I read recently made frequent mention of two interesting points. First, that for a long time the West had no idea what sort of horrors went on in Stalin’s Russia, and for a long time after many downplayed these horrors. Second, that there was a large officially sanctioned community of writers, known as the “Writers’ Union,” that spewed out official literature, hailed as a great achievement but often little more than thinly disguised propaganda. At the store today I found a book called Short Stories of Russia Today, edited by Yvonne Kapp and published by Houghton Mifflin in 1959. This corresponds with the height of Khrushchev’s “thaw,” three years after he had denouced Stalin in his “Secret Speech” to a closed session of the General Assembly, which must somehow account for how this collection came to be. There is also inherent in this book the sort of thinly disguised awe and fear that Americans felt towards Russia at the time. The dust jacket copy can be read almost as a warning that there is no endeavor that Russians can not apply their might towards. Here’s one little snippet “Like Sputnik, this collection shows that there is more going on in Russia than is revealed by the facade of Communist propaganda.” Whatever the point of this collection, it certainly is a relic of a different time.Finds #4 & 5: When I go bookfinding, I like to pick up books that I’ve never heard of. This can be tricky because most books that end up where I’m scavenging are pretty bad. Usually I solve this problem by getting short story anthologies or literary journals when I see them. There’s usually a hidden gem or two contained within. Today, I snagged O. Henry Awards Prize Stories of 1992 featuring stories by Cynthia Ozick, Joyce Carol Oates, and Ann Packer among many others. I also came across an interesting-looking old hardcover (Knopf, 1969) of a book called The Coming of Rain by Richard Marius. I’d never heard of him, but after getting home and doing a little research I discovered that he’s fairly well-known Southern writer and that this book is the first of a series of four novels that, between the four of them, take place over the course of the last century in the South.