Though the plot falls short, the philosophy doesn’t. Re-watching A Charlie Brown Christmas today feels like a masterclass in self-help. If Charles Schulz and Brené Brown had a love child, they’d name their sage Charlie Brown.
While Hatchet provided readers with some much-needed escapism, The Island centered its focus on what we can never escape—mortality, which, in the immediate aftermath of Paulsen’s passing, takes on new significance.
Beverly Cleary’s Ramona books became my sacred texts. I turned to them in times of trouble, leaving the crumbly roads of the real world in favor of the smooth sidewalks of Klickitat Street.
Playboy showcased many celebrated writers: Kurt Vonnegut, Jr., Joyce Carol Oates, Ursula K. Le Guin, John Updike, and Vladimir Nabokov. Had it showcased Corrine Hutner Wittenberg, too?
I’d be lying if I said I didn’t feel a fleeting hint of pride. Not for what I’d done, but for what we’d done together. We took a risk and the risk paid off.
This is a story about writing and failing and trying to feel less alone. I suppose it’s also about “finding myself” with Sandburg's same reckless ecstasy.
I used my earnings from the bookstore to purchase a plane ticket. A few months later I boarded a plane, hailed a taxi, scheduled a shuttle, and at last reached Ray Bradbury’s front door.