At the Paris Review, author Rumaan Alam discusses his suspenseful new book, Leave the World Behind, and the efficiency of genre writing. “I think there is a prevailing snobbery about writing horror or thriller, ‘genre fiction,’ that it’s fundamentally less serious. I don’t think that’s true. Because, in the end, it’s really about building a very efficient machine in order to achieve a very specific goal,” he says. “The author wants to make you quake. He wants to make you shiver. He wants to terrify you. Literary fiction is a genre all its own, with its own expectations and conventions, and the aim is less often to elicit that emotional response. It’s more often about doing something compelling on the level of language or style—it’s a different kind of endeavor. But I don’t think that means one is better than the other.”
“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
“I have come to realize how much I have, throughout my life, bought into the narrative of this alluring myth of personal responsibility and excellence. I realize how much I believe that all good things will come if I—if we—just work hard enough.” Year in Reading alum Roxane Gay writes for VQR Online about “The Price of Black Ambition.” Pair with our review of An Untamed State.
“Nothing in Born to Run rings to me as unmeant or punch-pulling. If anything, Springsteen wants credit for telling it the way it really is and was. And like a fabled Springsteen concert — always notable for its deck-clearing thoroughness — Born to Run achieves the sensation that all the relevant questions have been answered by the time the lights are turned out.” Richard Ford reviews The Boss’s new book for the New York Times.
“I was enrolled in a writing program to imagine a cultured life, not just to dream about the rewards of being a writer.” Rigoberto González for Publisher’s Weekly on why he attended and later returned to teach at a M.F.A. program.
City of Quartz author Mike Davis is writing a biography of the Los Angeles Times‘ bygone publisher Harrison Gray Otis. Appropriately, the installments will be serialized by the Los Angeles Review of Books.