For The New Yorker, Naomi Fry reflects on celebrated children’s writer and illustrator Tomie dePaola, who died at the end of March. As the author of more than 270 works for children, dePaola leaves behind a sprawling legacy. “The universe of dePaola’s books is moral but not moralistic,” Fry writes. “There is disarray in it, and people are imperfect and can make mistakes, but there is goodness, too, and a larger sense that, since an omniscient narrator is often able to shepherd the books’ protagonists to safety, the same might perhaps prove true, by extension, for the lives of these books’ readers.”
Miranda July’s new project, It Chooses You, is a store based on her new book (published by McSweeney’s) of the same name. The store, at Partner’s and Spade in SoHo, is an exercise in buying belongings from New York-area Craigslist sellers and reselling the contents for the exact same price.
Tom McCormack is midway through a three-part series on internet artwork, but not the kind involving Photoshop and GIFs. After exploring the history and usage of emoticons in part one of his series, McCormack traces the roots of ASCII artwork back to Guillaume Apollinaire’s 1918 book Calligrammes. Stay tuned for the conclusion soon: a look at the history of emoji.