For The New Yorker, Naomi Fry reflects on celebrated children’s writer and illustrator Tomie dePaola, who died at the end of March. As the author of more than 270 works for children, dePaola leaves behind a sprawling legacy. “The universe of dePaola’s books is moral but not moralistic,” Fry writes. “There is disarray in it, and people are imperfect and can make mistakes, but there is goodness, too, and a larger sense that, since an omniscient narrator is often able to shepherd the books’ protagonists to safety, the same might perhaps prove true, by extension, for the lives of these books’ readers.”
The Hunger Games raked in $155 million in its opening weekend. That makes it the highest-grossing non-sequel debut of all time. Over at Salon, Laura Miller tracks the steps that led to the blockbuster’s mammoth success.
Nabokov played (and frequently wrote about) chess; J.K. Rowling plays Minecraft, though it has yet to appear in any kind of Harry Potter spin-off. And why shouldn’t she? After all, “there’s a long tradition of other authors turning to a variety of such games – mostly as light relief from their vocation, but also sometimes finding writerly inspiration.”
“I’ve been writing about ‘real’ characters and placing them in a shaped, or fictional, world. Writing TransAtlantic, there was never really a plan, at the early stages, to question the line between fiction and nonfiction. I just went on instinct, and then these worlds started to braid.” The Rumpus interviews Colum McCann.
“We are hermits, that is true. We live in tiny rooms, and we stay in those rooms hours upon hours every day, every month, every year. But we also like to walk around and throw ourselves into big crates of tomatoes, and roll around in them, and then get up all tomato-stained.” Poet Laureate Juan Felipe Herrera talks about living life as a poet (which apparently includes a lot of tomatoes) in an interview with the Guardian.
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
“I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily.” On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.