Lucy Ellmann’s Booker Prize-nominated novel, Ducks, Newburyport, is 1,030 pages of stream of consciousness writing narrated by an Ohio housewife—not exactly the kind of book one easily translates into the audio format. Yet actress Stephanie Ellyne was tasked with just that, as Laura Snapes at the Guardian explains. “For 45 hours and 34 minutes, Ellyne reads Ellmann’s text in a calm, bemused voice that recalls Laurie Anderson’s spoken-word work. During recording, she averaged 41 pages per hour, though the work continued away from the microphone. Every night, Ellyne would read and research the following day’s pages, working out how to pronounce the thousands of place names and obscure historical battles in US history. ‘My engineer and I wondered if some of them were fictional, but sure enough, they’re true,’ says Ellyne. ‘The violence in America—all these shootings—isn’t new.'”
“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.