It’s that time again. Out come the bathing suits, floppy hats, and…beach-focused marketing campaigns? For Vulture, Allison Duncan dissects the category of the “beach read,” noting that the typical beach read is written by a woman, and is probably not about the Byzantine Empire—unless that’s what you’re into? “If historical nonfiction has a place in your beach bag,” Duncan writes, “then it’s a beach read.” For the most part, of course, “the best beach reads go down like Hallmark holiday movies—and I mean that in the best possible way.” The beach read, it turns out, contains multitudes.
“I never started out as a children’s book artist. What is a children’s-book artist? A moron! Some ugly fat pip-squick of a person who can’t be bothered to grow up. That’s the way we’re treated in the adult world of publishing.” The Believer interviews the late Maurice Sendak, who passed away last May.
Rejection is something all writers face and no one’s pretending it’s pleasant, but worse than the rejection itself are the hours spent deciphering where a submission went wrong. Thankfully Lincoln Michel at Electric Literature was inspired by a 1920s rejection slip to create a self-explanatory “thanks but no thanks” note. While we’re thankful these aren’t the norm, we can definitely see the appeal…
Out this week: So You’ve Been Publicly Shamed by Jon Ronson; The World Before Us by Aislinn Hunter; Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids, edited by Meghan Daum; At the Water’s Edge by Sara Gruen; The Architect’s Apprentice by Elif Shafak; and The Harder They Come by T.C. Boyle. For more on these and other new titles, go read our Great 2015 Book Preview.
Anyone who cares about the financial viability of the book business should read Author’s Guild President Scott Turow’s open letter on the implications of the government’s threatened anti-trust suit against major publishers and Apple over alleged collusion in e-book pricing.