In 1994, Wanda Coleman published American Sonnets, full of sonnets (14 lines, 10 syllables) that—among other things—don’t rhyme. The sonnets in Terrance Hayes’s American Sonnets for My Past and Future Assassin (2018) pay tribute to Coleman, and continue her project of experimentation with an old, often revered form. For Slate, Stephanie Burt writes about Hayes, American sonnets, and confinement: “Lyric poetry—the poet imagines—works by finding words for someone’s passions, which could also be your own: it can get you out of your one situation, your one body, your one life, though it will not literally free you from a literal jail.” Hayes’s sonnets may intentionally evoke feelings of confinement or discomfort in us, but they also contain the potential to lead toward liberation.
In September of 2013, Paula Meehan was appointed Ireland’s Professor of Poetry, and the transcript from her first lecture is available online [PDF]. You can learn more about Meehan in her interview with the Wake Forest University Press, and you can check out a video of one her readings over here.
This Thursday, at Housing Works Bookstore in New York, Garth will represent The Millions in a live quiz show called (accurately) Don’t Know Much About Literature. Kenneth C. and Jenny Davis, authors of DKMAL, the book, will host. Co-contestants include Jason Boog of Galleycat, Ed Champion of Reluctant Habits, Jason Toal of HTML GIANT, Catherine Lacey, and Buzz Poole of Mark Batty Publisher. We’re told buzzers and beer are in the offing, and that second round contestants “include you!” We’d love to see you there.
Last week I asked “What about J.T. Leroy?” I was wondering when the Leroy hoaxers were going to come forward. Now, one of them has. Warren St. John of the New York Times got Geoffrey Knoop to come clean on the record. Knoop also said that he didn’t think Laura Albert, who wrote the Leroy books, would ever come forward: “‘For her, it’s very personal,’ he said. ‘It’s not a hoax. It’s a part of her.'”Meanwhile, PopMatters put together a special section about Leroy and James Frey. I enjoyed The Rake’s related comments on why Frey can’t hold a candle to Charles Bukowski.I saw Brokeback Mountain a few days ago and thoroughly enjoyed it. In an excerpt from Brokeback Mountain: Story to Screenplay, Annie Proulx describes what it was like seeing her story on the screen: “I felt that, just as the ancient Egyptians had removed a corpse’s brain through the nostril with a slender hook before mummification, the cast and crew of this film, from the director down, had gotten into my mind and pulled out images.” (via Maud)This Boston Globe column articulates quite precisely how I feel about the strife surrounding the cartoons of Mohammed published in a Danish newspaper.