In 1994, Wanda Coleman published American Sonnets, full of sonnets (14 lines, 10 syllables) that—among other things—don’t rhyme. The sonnets in Terrance Hayes’s American Sonnets for My Past and Future Assassin (2018) pay tribute to Coleman, and continue her project of experimentation with an old, often revered form. For Slate, Stephanie Burt writes about Hayes, American sonnets, and confinement: “Lyric poetry—the poet imagines—works by finding words for someone’s passions, which could also be your own: it can get you out of your one situation, your one body, your one life, though it will not literally free you from a literal jail.” Hayes’s sonnets may intentionally evoke feelings of confinement or discomfort in us, but they also contain the potential to lead toward liberation.
Hat tip to Melville House’s Dustin Kurtz for sharing The Gates Notes with the world. Now you can read real book reviews written by America’s wealthiest man. That’s almost as good as reading real book reviews written by one of the world’s most powerful conservative fundraisers.
This track-by-track take on Jason Isbell’s newest album Something More Than Free is as comprehensive as it is intelligent. Isbell, who rose to fame as a member of Athens, GA mainstays The Drive By Truckers, has seen most of the press narrative around him focus on his trips to rehab and subsequent recovery–this record, however, aims for something more. Here’s our Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.